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The newly expanded Singles: Original Motion Picture Soundtrack features the album's original 13 tracks, newly mastered, with a bonus CD of rarities and unreleased tracks.
The new bonus CD features previously unreleased recordings by Mudhoney, Paul Westerberg, Mike McCready and Chris Cornell in addition to rarities such as Cornell's 1992 EP 'Poncier' (debuting an early rendition of "Spoonman") and tracks from the film not included on the original soundtrack album.
This expanded edition includes, for the first time on CD, "Touch Me I'm Dick," the signature track from "Singles" performed by Citizen Dick (a fictional band created for the film featuring frontman Matt Dillon backed by Pearl Jam's Eddie Vedder, Stone Gossard and Jeff Ament).
Also included are revelatory liner notes--and a track-by-track description of the album's musical contents--written especially for this collection by Cameron Crowe, the screenwriter and director of "Singles." The film's soundtrack is produced by Danny Bramson and Cameron Crowe.
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Set to the all-new sonic backdrop of Awesome Mixtape #2, Marvel Studios' "Guardians of the Galaxy Vol. 2" continues the team's adventures as they traverse the outer reaches of the cosmos. The Guardians must fight to keep their newfound family together as they unravel the mystery of Peter Quill's true parentage. Old foes become new allies and fan-favorite characters from the classic comics will come to our heroes' aid as the Marvel Cinematic Universe continues to expand.
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Diana Krall's latest album, Turn Up the Quiet, celebrates Jazz and the Great American Songbook, reuniting Diana with Grammy Award-winning producer, Tommy LiPuma.
Diana Krall is the only jazz singer to have eight albums debut at the top of the Billboard Jazz Albums chart. To date, her albums have garnered five Grammy® Awards, eight Juno® Awards and have also earned nine gold, three platinum and seven multi-platinum albums. Krall's unique artistry transcends any single musical style and has made her one of the most acclaimed artists of our time.
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This remixed and expanded reissue of Soundgarden’s Ultramega OK is a long-planned “correction” of the legendary band’s Grammy®-nominated debut full-length. The album was originally recorded and released in 1988 on SST Records. While the band enjoyed working with the original producer, Drew Canulette, they soon realized they weren’t quite happy with the final mix. Thus, shortly after the album’s release, the band decided to remix the album for subsequent pressings. However, success intervened: the band rapidly scored a deal with A&M and began work on their major-label debut, Louder Than Love, and the Ultramega OK remix project fell by the wayside as Soundgarden climbed their way to (ultra)mega-stardom. In 2016, after worldwide success, a breakup, a reunion, and many albums and tours, the band finally acquired the original multi-track tapes to Ultramega OK and carved out time to dig into the remix. They handed the tapes over to longtime friend and engineer Jack Endino (Nirvana, Mudhoney, Screaming Trees, Skin Yard), who worked with the band to create a fresh mix of the album that, for the band, ties up this persistent loose end and remedies the sound of their debut album. While they were at it, the band dug out six early versions of tracks that wound up on Ultramega OK. The songs were recorded in 1987 on 8-track tape by Jack Endino and Chris Hanzsek at Reciprocal Recording in Seattle, and mixed by Jack Endino in 2016. These versions feature the band in raw, powerful form –sonically closer to the band’s Endino-recorded debut EP Screaming Life – and provide a fascinating window into the development of songs that eventually became staples of the band’s set. The six songs comprise what the band refers to as Ultramega EP, and they are included in this reissue. Hailed as grunge innovators, Soundgarden redefined rock music for a generation. In the ‘80s, the band - singer/guitarist Chris Cornell, guitarist Kim Thayil, bassist Hiro Yamamoto, and drummer Matt Cameron - combined a punk ethos, brutal metal soundscapes, and Cornell’s ravenous roar to capture the attention of the masses. Jagged and ferocious, their music was deeply at odds with the synth-pop and hair metal which dominated the 80’s airwaves. Early indie releases, including seminal Screaming Life and Ultramega OK, quickly led to a dedicated indie following as the band toured on both sides of the Atlantic. Subsequent albums, including Badmotorfinger, Superunknown, and Down on the Upside, achieved multi-platinum sales and launched the band to international fame.
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Deluxe edition blink-182's Grammy nominated California. Featuring a 2xCD and 2xLP product containing 11 new studio tracks and an acoustic version of the hit single Bored To Death.
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From Peter Hughes of the Mountain Goats: The theme this time around is goth, a subject closer to my heart perhaps than that of any Mountain Goats album previous. And while John writes the songs, as he always has, it feels more than ever like he’s speaking for all of us in the band, erstwhile goths (raises hand) or otherwise, for these are songs that approach an identity most often associated with youth from a perspective that is inescapably adult. Anyone old enough to have had the experience of finding oneself at sea in a cultural landscape that’s suddenly indecipherable will empathize with Pat Travers showing up to a Bauhaus show looking to jam, for example. But underneath the outward humor, there is evident throughout a real tenderness toward, and solidarity with, our former fellow travelers—the friends whose bands never made it out of Fender’s Ballroom, the Gene Loves Jezebels of the world—the ones whose gothic paths were overtaken by the realities of life, or of its opposite. It’s something we talk about a lot, how fortunate and grateful we are to share this work, a career that’s become something more rewarding and fulfilling than I think any of us could have imagined. We all know how easily it could’ve gone the other way, and indeed for a long time did.
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Chris Stapleton's highly anticipated new album, From A Room: Volume 1, will be released May 5 on Mercury Records Nashville. The highly anticipated full-length record is the first new music from Stapleton since 2015's breakthrough double Platinum solo debut Traveller and will be followed by From A Room: Volume 2 coming later this year.
The album takes its name from Nashville s historic RCA Studio A, where it was recorded during the winter of 2016-17. Once again produced by Grammy Award-winning producer Dave Cobb, Volume 1 features eight original songs as well as a rendition of "Last Thing I Needed, First Thing This Morning," written by Gary P. Nunn and Donna Sioux Farar and made famous by Willie Nelson.
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THE DEAD DAISIES had an unbelievable last year. From the moment they dropped their first single “Long Way To Go” ahead of their European Festival Summer in June, the hits just kept on coming. The 2nd single and title track “Make Some Noise” ramped up the release of the third studio album for the band in August at which point they were well underway touring the USA with KISS, a tour that finished with a sold-out headline show at LA’s prestigious “Whisky A Go-Go”. “Song and a prayer”, released as a single with an accompanying short-film, refocused attention and rang in the final, massive touring phase of the year which saw the band go to Japan for the first time, where they immediately became media and fan darlings and went down a storm at the world-famous “Loud Park”-festival. A string of dates in Korea for the USO and, as the year’s grand finale, a massive UK & European Co-Headline Tour that played 30+ shows to sold-out venues. The “Daisies” as they are affectionately referred to by their fans quickly became people’s favourite live band with their relentless energy, stellar musicianship and unabashed joy in bringing the rock back into roll. The big question at signing sessions and on the band’s social media channels continued to be: “Will there be a live album?”. People simply could not get enough of them live. Not to turn down a good opportunity, the band recorded a number of shows on the UK & European Tour and, with the team that already made “Make Some Noise” blow speakers worldwide (Mixer Anthony Focx and mastering legend Howie Weinberg), assembled a true monster in the vein of the great Live Albums of the 70s. You can feel the sweat drip from the ceilings, the energy of the crowd becoming one with the band, screaming, hollering and forgetting about the often mundane reality for a night of true Rock’n’Roll. Warts ’n all, “LIVE & LOUDER” is a document of a band in their prime, a raw slice of visceral energy, an in-your-face assault on the senses. Simply: THE DEAD DAISIES at their most natural and most amazing! Lead singer John Corabi adds: “We’re extremely excited and proud of our new album “Live & Louder”!!! A lot of the fans have been writing to us and saying how much they LOVED our records but were even more blown away by the band live!!! So this documents our last U.K./European tour, and also shows the world how truly loud and supportive The Dead Daisies fans are!!!! Thank you and Turn It Up!!!!” Line-Up: Brian Tichy (Ozzy Osbourne, Foreigner) - drums David Lowy (Red Phoenix, Mink) – guitars John Corabi (Mötley Crüe, The Scream) – vocals Doug Aldrich (Whitesnake, Dio) - guitars Marco Mendoza (Thin Lizzy, Whitesnake) - bass
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Following his recent EPs Wave One and Wave Two, John Mayer releases his eagerly anticipated seventh studio album The Search For Everything which features the single Love On The Weekend.
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Cornell 5/8/77 was recorded live directly from the soundboards by Betty Cantor-Jackson. After several years the master tapes were seemingly lost for good, but that all changed at the end of 2016. The lost tapes, or lost “Betty boards” as they are commonly known, finally made their way back home to the Grateful Dead vault, making it possible to officially bring the world this legendary show just in time for its 40th Anniversary. The complete live show has been Plangentized by Plangent Processes and remastered by GRAMMY ® award winning sound engineer, Jeffrey Norman.