Double vinyl LP pressing. Love In Exile asks you to step inside it's sense of time, to stretch out alongside these delightful & unhurriedly unfolding songs. Profound impact is achieved with minimal instrumentation: Iyer on pianos & electronics, Ismaily on bass & Moog synth & Aftab's exquisite Urdu vocals. Subtle musical interrelationships build into moments of deeply felt drama. Shimmering keyboard melodies & stirring vocals, earthy basslines, & hypnotic drones: together they create an album of stunning gravitas & beauty.

Newly remastered and expanded edition of 'Bright City', the classic solo album by guitarist and vocalist Miller Anderson. Remastered from the original master tapes and featuring an additional six bonus tracks previously unreleased on CD. Includes a session for BBC Radio One's Sounds Of The '70s show recorded in September 1971. With restored original album artwork including an illustrated booklet with new essay. Miller Anderson is a highly respected musician who came to major prominence as vocalist and guitarist with Keef Hartley Band upon their formation in 1968. Signing to Decca's Deram label, the band recorded a series of albums which embraced, jazz, blues and rock influences and enjoyed success as one of the great British bands of the late 1960s and early 1970s. Following the release of the album 'Overdog' in the Spring of 1971, Miller embarked on recording his first solo album, 'Bright City'. The album would see Anderson embrace folk influences alongside the more familiar styles associated with his work as part of the Hartley band. The result was a fine and inspiring record.

2023 release. Death Below is the 10th studio album by metalcore band August Burns Red. The album was produced by Carson Slovak and Grant McFarland.

OVERVIEW:Official re-issue of AZAGHAL's legendary and long out of print Seventh album!!! AZAGHAL, Finland's top-selling Black Metal act, unleashes an official re-issue of their masterful seventh album, "Omega". Out of print world-wide for over a decade, this 2008 Occult Black Metal classic is finally re-released! One of the longest running Occult Black Metal bands with a vast catalog, including 12 full-length albums, countless EP's and splits, AZAGHAL are well known to metal fans world-wide. Even amongst an already celebrated catalog, Omega stands out for it's synthesis of burning speed and icily free-flowing riffery, making for an immediately memorable spin that never betrays the band's roots nor repeats past glories. This classic sound, coupled with regular touring, became instrumental in making AZAGHAL one of Finland's Largest Metal bands! 17 years after it's original release, AZAGHAL's "Omega" is just as impressive and relevant today, as it was upon it's initial release! The dawn of Omega has come again - and AZAGHAL are it's hellish heralds!PRESS:"This one's a piece of modern black metal art. Buy/download NOW!" -www. Metal-archives. #com"An exceedingly well written, well rounded, and utterly devastating album!" -blabbermouth. #net"A battering ram straight into your brain" -thisisblackmetal. #comKEY SALES POINTS:* Official re-issue of the legendary Seventh album from the top-selling Finnish Black Metal legends!* Out of print world-wide for over a decade!* Features a stunning production courtesy of Cursed Studio & DT-Audio (Wyrd, Hin Onde, Nocturnal Winds)!* Cult Black Metal cover art by Tehomot Drakon (Naas Art). * A leading band of the renowned Finnish Black Metal scene. * Features members of cult Epic Metal act WYRD. * Mandatory for fans of Watain, Horna, Sargeist, Gorgoroth, Behexen and Impaled Nazarene. MARKETING / PROMOTION:* Album announcement will be released on January 27th. * Adding at Radio on March 20 +21th, servicing 400+ loud rock, specialty & college stations via Skateboard Marketing. * Full page Consumer print ads in Decibel, Outburn, New Noise, Legacy and other hard music mags Feb. - July. 23. * Banner advertising at hard music and lifestyle sites like Blabbermouth, Metal Injection and others Starting March. * Promotional servicing to national and regional rock, metal and alternative press. * Retail marketing $$ and PoS Discounts available for P&P Programs, co-op print ads and listening posts. * Full album stream preview March @ moribundcult. #com & Moribund Socials with average 10,000+ streams. * Featured track on Moribund Sampler CD Vol. 6 with 5,000 FREE PROMOTIONAL CDs & average 10,000 downloads!* 10,000 color ads mailed directly to consumers and tagged in Moribund CDs. * Audio and Video samples @ all Social Media sites reaching 50k+ consumers. Track Listing:1. Taman Maailman Prinssi (7:03)2. Pirun Verta (4:54)3. Quetzalcoatl (5:54)4. Kuolonkaarme (3:42)5. Vihani Raivoavina Valtamerina (4:57)6. Maailman Viimeinen Yo (4:35)7. Kuolemankultti (4:587)8. Tuhkaan Kirjoitettu (4:32)9. Kaikkinakevan Silman Alla (4:37)Total Play Time: 71:07* BOLD Denotes Radio Push Tracks #1* BOLD Italics Denotes Radio Push Tracks #2Also Available on Moribund Records by Azaghal and Wyrd (Side Project): 10% Deal on Catalog Through 04. 07. 23 DEAD104 AZAGHAL "Omega" CD 768586010423DEAD139 AZAGHAL "Teraphim" CD 768586013929DEAD178 AZAGHAL "Nemesis" CD 768586017828DEAD237 AZAGHAL "Helvetin Yhdeksän Piiriä (Nine Circles of Hell)" CD Re-issue 768586023720DEAD258 AZAGHAL "Of Beasts and Vultures" CD Re-issue 768586025823DEAD270 AZAGHAL "Perkeleen Luoma + Kyy" CD Re-issue 768586027025DEAD228 WYRD "Death Of The Sun" CD 768586022822DEAD262 WYRD "Vargtimmen Pt. 1" CD Re-issue 768586026226YOUTUBE AUDIO / VIDEO SAMPLES:"Omega" Full Album Stream (55K views!):https://youtu. #be/Di4tk2fcDfc

Last year BABYMETAL were “sealed” from the world after a successful 10-year journey. Earlier this year, THE OTHER ONE restoration project began to recover the BABYMETAL we never knew existed within a virtual world called the METALVERSE. The concept album releasing March 24, 2023 reveals the other side of the BABYMETAL story that no one knew existed. A total of 10 songs have been discovered within THE OTHER ONE restoration project, in which each song represents each theme of the 10 parallel worlds that seem to exist. Full length audio of each of the 10 songs will finally be revealed when fans get their hands on the album.

Following the success of the outfit's first album Vol. 1: Frozen Ropes & Dying Quails - the band performed on The Late Show with David Letterman, was featured in the official World Series Program and Sports Illustrated among others - baseball's sardonic rock chroniclers are back with Volume 2: High and Inside, an even more detailed look at the stories behind the stories of America's Favorite Pastime. Their second season finds band members Steve Wynn (The Miracle 3, The Dream Syndicate), Scott McCaughey (The Minus 5, Young Fresh Fellows, R.E.M.), Linda Pitmon (The Miracle 3, Golden Smog) and Peter Buck (R.E.M.) drilling down even deeper into the Byzantine, lore-laden annals of baseball history. Volume 2 also includes guests spots by Craig Finn of The Hold Steady, Ben Gibbard of Death Cab for Cutie, Steve Berlin of Los Lobos, Yo La Tengo's Ira Kaplan, as well as Chris Funk and John Moen of The Decemberists, dispelling any fears of a sophomore slump.

The Baseball Project, the critically acclaimed alt-rock supergroup featuring Peter Buck (R.E.M., The Minus 5), Scott McCaughey (The Minus 5, Young Fresh Fellows, R.E.M.), Mike Mills (R.E.M.), Linda Pitmon (Zuzu's Petals) and Steve Wynn (Dream Syndicate), deliver another batch of songs inspired by the great American past-time. This collection continues their tradition of inspired rock songs that provide passionately funny and sarcastically reverent commentary on the sport of baseball. And those who aren't fans of the sport can still enjoy the music, while brushing up on their knowledge.

Rock n' roll vets Scott McCaughey (The Minus 5, R.E.M., Young Fresh Fellows) and Steve Wynn (The Dream Syndicate, Gutterball, Danny & Dusty, Miracle 3) have an unhealthy love for music undermined only by an even more unhealthy love of baseball. The compatriots blend their two passions with The Baseball Project - Volume 1: Frozen Ropes and Dying Quails, an album of buzzing guitars and baseball back stories. The heroes and villains of America's (in)famous pastime are explored with cutting wit and fanboy detail in songs that satisfy both the summer's need for rock anthems and sweltering afternoon double-headers. Drummer Linda Pitmon (Miracle 3, Golden Smog) and R.E.M.'s Peter Buck round out the squad, as they spin tales of ill-fated drinking binges ('The Yankee Flipper', 'The Death of Big Ed Delahanty'), near mythical icons ('Ted Fucking Williams'), folk heroes ('Fernando', 'Satchel Paige Said') and, on 'Gratitude (For Curt Flood)', the overlooked man who changed the game. A passionately funny and sarcastically reverent commentary on the state of the sport, The Baseball Project provides a hip soundtrack to the backstage party at America's game

Double gold colored vinyl LP pressing. Remedy is Basement Jaxx's joyous debut album from 1999. It was one of the most assured, propulsive full-lengths the dance world had seen since Daft Punk's Homework. A set of incredibly diverse tracks, Remedy is indebted to the raw American house of Todd Terry and Masters at Work, and even shares the a penchant for Latin vibes (especially on the horn-driven "Bingo Bango" and the opener, "Rendez-Vu," which trades a bit of salsa wiggle with infectious vocoderized disco).

Double pink and blue colored vinyl LP pressing. Named after their infamous Brixton club night, Basement Jaxx's second album Rooty saw Basement Jaxx continue to push the boundaries of pop and club music. The album mixes classic house with generous lashings of punk, funk, R&B, jazz, hip hop, 2-step and pop songcraft in a mad genre crash that works like a charm. It features the massive tracks "Where's Your Head At", "Romeo" and "Do Your Thing".

The Beths occupy a warm, energetic sonic space between joyful hooks, sun-soaked harmonies, and acerbic lyrics. Their debut album Future Me Hates Me, produced by guitarist Jonathan Pearce and forthcoming on Carpark Records, delivers an astonishment of roadtrip-ready pleasures, each song hitting your ears with an exhilarating endorphin rush. 2018 promises to be a breakout year for The Beths, a beloved live act across Australia and New Zealand, who are embarking on North American and European tours this summer. Fans of artists like Sleater-Kinney and Best Coast should remain on high alert for the first full-length from their new favorite band. 1. Great No One 2. Future Me Hates Me 3. Uptown Girl 4. You Wouldn't Like Me 5. Not Running 6. Little Death 7. Happy Unhappy 8. River Run: Lvl 1 9. Whatever 10. Less Than Thou 1. Great No One 2. Future Me Hates Me 3. Uptown Girl 4. You Wouldn't Like Me 5. Not Running 6. Little Death 7. Happy Unhappy 8. River Run: Lvl 1 9. Whatever 10. Less Than Thou

Double vinyl LP pressing. Arguably the most gifted Jamaican performer of his generation, Ken Boothe is today widely regarded as a living legend, having recorded innumerable ska, rock steady and reggae classics over a period spanning some 60 years. After making his recording debut in 1962, Ken enjoyed a hugely successful career in Jamaica before achieving international stardom in 1974 with his chart-topping interpretation of 'Everything I Own' and the top 10 follow-up, 'Crying Over You'. Both of these hugely popular tracks feature on this collection, which forms part of Trojan Record's new 'Essential Artist' series, which showcases the best-loved recordings of some of Jamaica's greatest musical talents. This release demonstrates the exceptional vocal talents of one of the finest and most soulful performers to have made their mark on modern popular music scene since the Sixties.

Legendary Tacoma, Washington mathcore/hardcore/metal band Botch’s debut full-length American Nervoso was originally recorded in 1998, eventually becoming one of the most ground-breaking records during a pivotal shift in heavy music. Now, the band’s debut album is set to be re-issued on Sargent House 25 years after its original release. The album features white-hot guitar action, scathing vocals, sweet bass moves, and torrential drums, smashing existing precepts of hardcore and redefining both the word and the music for a generation of kids and grizzled vets alike. Bassist Brian Cook, guitarist David Knudson, drummer Tim Latona, and vocalist Dave Verellen formed Botch in 1993, eventually becoming one of the most significant bands of their time before playing their final show on June 15, 2002. The members would go on to play in These Arms Are Snakes, Minus the Bear, and Russian Circles, among others, with acclaim for the band coming mostly post-breakup. Over 20 years since they played their final show, Botch are reuniting for select dates in the Pacific Northwest in February 2023

"During the pandemic, we started a Patreon page. Through the Patreon page, ten people purchased a song we would write for them after having a zoom chat with the band. The stories we heard in those conversations created foundations for the lyrics that evolved into ten different songs. A year or so later we decided to take them into the studio to create a new album. During the studio sessions, we realized we wanted a song to summarize the process and tell the story of the project. One afternoon during the session we came up with the title “10 Stories High” and matched it up with a melody that Pete and Bryan had recorded earlier on their phones. We really liked how the title added imagery of ten people in a ten-story building living out their own external and internal experiences. It was a perfect summary to the project. After a few hours of tinkering with the music and words we had our title track for the record."

OVERVIEW:Bold and True Female Fronted Anthemic Canadian Power Metal / Classic 80's Metal Combustion!!! The 1st embers sparked in the frosty Canadian Tundra of Newfoundland, Canada in 2011 when Category VI released their "Vinland" Demo. This swiftly ignited their path and their debut album "Fireborn" (2013) was unleashed in a blaze of burning Metal! Those coals were never quenched, and Category VI added fuel to the fire with their 2017 follow up Inferno "War Is Hell". Category VI Now returns in a full blazing firestorm with their 3rd album and most accomplished release to date "Firecry" From the initial flickering flame of "Firecry" To the final cinders of the absolutely combustible cover of HEARTS classic "Barracuda", Category VI deliver True and classy 80's Heavy Metal with utter perfection! "Firecry" boasts a crisp, clear and scorching modern production that does not distract from the bands True 80's metal sound.. Lyrically crafted around themes of personal pride and triumph (Valkyrie, Heavy is the Crown), witchcraft persecution (Firecry), women's strength (She Runs With Wolves) & their excellent live performances (Coven), these concepts are boldly and powerfully delivered by the soaring vocal excellence of Female lead singer Amanda Jackson. Bolstered and fueled by the powerful stainless steel riffs and catchy melodies of guitarist Geoff Waye, pounding anvil bass of Keith Jackman and thunderous steadfast drumming of Brian Downton, Category VI bring classy and classic 1980's Power - Traditional Heavy Metal into the 21st century with blazing glory! To close out one of the best Heavy Metal albums of the decade, Category VI delivers an immaculate True Metal, yet Radio friendly cover of the chart-toping Heart classic "Barracuda" With "Firecry" Category VI unleash a global scale climate changing Metal cyclone which just may melt the North American frozen tundra with their blazing Power Metal!

Double red colored vinyl LP pressing. Includes poster and booklet. The debut album from the band was released in 1984, and was quickly recognized as the work of agitated and agitating talents. This album was a huge influence on the burgeoning death and thrash scenes at the time. A masterclass of riff tirades and unholy sentiments. This reissue includes rehearsals from 1984 and the concept and art direction of the release was done by the man behind Celtic Frost, Tom G. Warrior.

Vinyl LP pressing. Released in 1985, the band's second album had an ominous pall of doom and gloom, enmeshed in a sound both primitive yet also Wagnerian in it's vast scope. Many claim this was a massive inspiration for black metal bands later in the decade. In truth, though, none matched what was here. This release includes the 'Emperor's Return' EP as well as a remix of Visual Aggression, and the concept and art direction of the release was done by the man behind Celtic Frost, Tom G. Warrior.

Double vinyl LP pressing. Into the Pandemonium is the second studio album by Swiss extreme metal band Celtic Frost, originally released in 1987. The album is more varied than Celtic Frost's past LPs, with unlikely covers (Wall of Voodoo's "Mexican Radio"), emotionally charged love songs, the album's recurring industrial-influenced rhythmic songs of demons and destruction, traditional Frost-styled songs about dreams and fear, and a dark, classical piece with female vocals.

Felte Records presents Glimpse Of Heaven – a stunning new album by the Hawaii-born, LA-based musician, singer, producer and professional mastering engineer Jess Labrador, AKA Chasms.

Labrador’s deeply personal work as Chasms has always felt like an unveiling. Following 2019’s ‘The Mirage,’ which was a dark, dubby meditation on grief and loss, this new album is both familiar and different. The third full-length under the Chasms name, Glimpse of Heaven trades in washes of reverb for starker moments of closeness and intimacy. An exploration of the personal inventory and reckoning necessary to move forward in life, the LP considers not only how we relate to the world, but more importantly how we relate to ourselves.

While always distinct, you could previously detect post-punk, shoegaze, and dub sensibilities in the music. Dreamy drift tethered by skittered beats, airy vocals, and melancholic melodies are here like previous efforts too. However, at the same time, Labrador steps into new territory with an expanse of vaporous synths and samples, adding to the project’s ethereal electronic pop and dubwise pulse. Lush guitars glisten throughout the album, but this time only in sparse, disciplined embellishments. Glimpse of Heaven is a fully realised version of Chasms beyond its influences; to say that this is a seamless evocation of such disparate sounds as Massive Attack, Basic Chanel, Sade, Seefeel and Dif Juz is to say it is wholly unique. While she continues to unfurl her thoughts, there is a shift from opening up to the listener toward allowing the listener to witness her opening to herself.

The historic Greatest Hits collection now available on vinyl. Featuring 18 classics including “I Want You To Want Me”, “Surrender”, “The Flame” and more. Plus track-by-track liner notes by the band.

Vinyl LP pressing. When Throbbing Gristle disbanded in 1981, Chris and Cosey embarked on a career as a duo that'd see them through four decades (and counting) of constant experimentation, reinvention and innovation. By the time they released Musik Fantastique! They were already deep into their journey, and had settled into a relaxed groove. With little to prove, they were able to concentrate on slick songwriting and twitchy beatbox and synth work that was pulling in as much inspiration from Detroit techno and electro as it was chilly European pop. Nowhere near as gloomy and sensual as 1987's well-known "Exotika" or it's grinding, industrial followups, this album sounds bright in comparison, with fizzy electronics and fourth-world FM sounds replacing the usual thick Wax Trax-era thump and erotique tension.

Vinyl LP pressing. Elemental 7 has cast a looming shadow of influence over almost all electronic music since it was made. Elemental 7 is the soundtrack to the film of the same name that saw the duo working once more with John Lacey - Lacey had previously worked with Cosey in COUM Transmissions and introduced Chris Carter to the collective. The album's highlight and one of their best loved songs, 'Dancing Ghosts', sounds as fresh and relevant today as it must have on it's original release.

Vinyl LP pressing. Feral Vapours of the Silver Ether (2007) was the 2nd album by Chris & Cosey as Carter Tutti after 2004's 'Cabal'. The project was their concerted effort to explore more sensual, even psychedelic, forms after more than 25 years of defining synth-pop and techno-pop in their own image since departing from pioneering industrial band Throbbing Gristle. Anyone expecting Chris Carter's puckered, ductile rhythms may be left wanting by this album, but anyone who loves his sleek, layered synth contours, or the intoxicating presence of Cosey's voice and brass are strongly encouraged to revel in it's sexy sensuousness, and especially so if they haven't already.

Limited clear vinyl LP pressing. 2023 release. Building on the warm, elemental soundscape of 2021's 'Antidotes' EPs and the moody, elegant timbre of her cello, Chua self-produced and engineered 8 of YIAN's 10 tracks, spurred on by a call to true artistic integrity and authorship. A deeply introspective and fully realized vessel of creative expression, YIAN emerges as less an album than a worldview, a commitment to learning and uncovering one's own selfhood honed over Chua's lifelong reconciliation with her own personal history and identity.

Sunergy brings together synthesists Suzanne Ciani and Kaitlyn Aurelia Smith for the thirteenth installment of FRKWYS, RVNG Intl.'s intergenerational collaboration series. For this expanded edition, a panorama of the Pacific Coast provides the place and head space for exploratory Buchla synthesizer passages that meditate on a life-giving form vast and volatile with change. This Pacific Blue color edition includes bonus track "Retrograde" and a printed insert with photographs and artist essays.

Limited blue colored vinyl LP pressing housed in gatefold jacket. Includes bonus 7" single. An exquisite pairing of talent, the duo of Carla Olson and Gene Clark. The feeling of spontaneity and closeness of spirit engulfs all of the cuts here. Olson's strident and powerful vocals mesh beautifully with Clark's slightly world-weary, soulful performances. As for the material, both songwriters obviously put their best foot forward here. Olson's The Drifter and Are We Still Making Love are excellent country-folk outings. Clark contributes one of his finest later compositions, Gypsy Rider, a multi-leveled song that can easily be viewed as autobiographical. Chemistry is the operative word here. The only sad thing is that So Rebellious a Lover was to be the only studio effort by the duo before Clark passed away in 1991. This record is important not only for what it is, but for what it could have become.

Just nine months after his 3x Grammy-nominated record Growin’ Up was released, reigning CMA Entertainer of the Year Luke Combs is back with a new companion album, Gettin’ Old, releasing March 24 via River House Artists/Columbia Nashville. In advance of the release, lead track, “Growin’ Up and Gettin’ Old,” written by Combs, Rob Snyder and Channing Wilson, is out now.

Produced by Combs, Chip Matthews and Jonathan Singleton, Gettin’ Old is Combs’ fourth full-length album following 2022’s Growin’ Up, 2019’s 3x Platinum What You See is What You Get and his 4x Platinum debut, This One’s For You. Across these eighteen new tracks, Combs continues to establish himself as one of music’s most authentic and powerful voices, as he reaches new lyrical depths exploring themes of family, legacy, love and personal growth.

Vinyl LP pressing. The Manticore and Other Horrors is the tenth studio album by English extreme metal band Cradle of Filth, originally released in 2012. It is the band's first and only album as a three-man group rather than it's six-man staple.

At last! The Darts return from their Bat Cave Covid lair, with Snake Oil-by far their best album to date. The Darts formed in 2016 with the goal of getting some solid female musicians together to make garage punk rock and roll noise, see the world, and basically have a super-fun slumber party every night. They are now hands down one of the best garage bands in the world.This is a much fuller sound than any Darts disc before, courtesy of their longtime collaborator Bob Hoag (FB Rec) and some remote control co-production wizardry from Jello Biafra himself. Featuring the return of Nicole Laurnne on vocals / Farfisa and Hammond organ, Christina Nunez on bass / vocals, and Meliza Jackson on guitars / vocals, Snake Oil is the debut of new drummer Mary Rose Gonzales. The result? It comes out smoking as if the band had been in a pressure cooker throughout the pandemic. Expect the wider sound and sparkle of Laurnne and Nunez's previous band, The Love Me Nots (which was also recorded by the brilliant Bob Hoag), but with way more raunch-and Laurnne's voice has never sounded better.Snake Oil is for fans of agile, sultry vocals and beefy, vintage rhythm sections paired with razor-tone guitars. This Snake Oil was concocted to remedy the most unaffected and stiff-legged garage rockers out there!

Highly anticipated reissue of the 2011 album from the bassist of Bauhaus and Love and Rockets. David J!As the cover art indicates, this album finds David J staring death in the face, composing elegies and eulogies for the dearly departed, from Hank Williams to Spalding Gray to Jeff Buckley and more!Stylistically, David J. brings an atmosphere of a dark cabaret with acoustic instruments, black humor lyrics and crooning vocals!

As badly as we want our trajectory to be linear and to make logical sense, sometimes life has other plans for us. We have to listen to that little voice within, whispering: rebel against the status quo. This has been the experience of singer, songwriter, multi-instrumentalist, and composer Kate Davis, where she hits the brakes on the life she thought she knew, grabbed the creative reins and rebuilt her artistic foundation. As she walks away from her previous life as a conservatory-trained jazz musician and into her future as an experi- mental art-rock singer, Davis has found a new home within herself. Growing up in Portland, Davis later moved to New York City to attend the Manhattan School Of Music. At night, Davis would sneak down to Brooklyn, where she watched indie-rock innovators Grizzly Bear and the Dirty Projectors and se- cretly dreamed of breaking away from the academic rigor of the jazz world she inhabited. With time, Davis found a way to take control of her musical destiny and define her own path, which is illustrated with vivid clarity on the highly conceptual Fish Bowl, coming three years after her debut album, Trophy. This coming-of-age story is at the heart of Davis’ sophomore album, Fish Bowl, coming soon via her new label home of ANTI- Records.

Across Fish Bowl’s 12 deeply personal tracks, Davis traces her very own he- ro’s journey, from the moment she steps away from her old life to the moment she finds inner peace. She follows these steps through the eyes of Fish Bowl’s central character, FiBo, who starts out on opening track “Monster Mash” realizing the community she cultivated has turned on her and starts to seek real change. Leading the entire creative process, Davis wove multiple genres — art-rock, pop, and folk — into an intricate, unique tapestry of sound.. As she steps into an exciting new stage of her music career, Davis is taking the very meticulousness she developed from her years in the jazz world and applying them to Fish Bowl. Like genre pillar John Coltrane, Davis is transitioning to a more musically spiritual place — a place where rules don’t matter, experimen- talism is encouraged, and change is part of one’s natural progression as an artist. As Davis continues to push forward with clear-eyed determination, the indie-rock world is about to gain a new sonic voyager.

Very limited vinyl pressing, 500 copies in a full colour single outer sleeve and full colour printed lyric inner sleeve, housing a 2-colour white with red splatter vinyl. Full download included as well. The CD comes in a 4 panel digipack with a 12 page lyric booklet. Death Pill are an all-female hardcore punk power trio of considerable muscle, combining metalcore, punk rock and oodles of ‘Riot Grrl’ vibe. Full on and fully formed on their self-titled debut album. That aside, what makes this release even more pertinent for us, and the fact that it is happening at all, is that Mariana, Anastasiya and Nataliya are from the Ukraine, who’s troubles are well known to all of course, but naturally enough have hit the band very hard. The musicianship and commitment on display is undeniable, plus the tracks on the album have been totally remastered for this release, sounding as fat and full as a raging whirlwind. Although things are uncertain, the band are still strong and still together. 

Did you know that there's a tunnel under Ocean Blvd is the ninth studio album from acclaimed singer-songwriter Lana Del Rey, comprising 16 tracks and interludes with features including Father John Misty, Tommy Genesis, Jon Batiste, Bleachers and more. It follows the prolific artist's 2021 albums Chemtrails Over The Country Club and Blue Banisters.

Memento Mori is Depeche Mode's 15th studio album and its first as a two-piece lineup of Dave Gahan and Martin Gore, following co-founder Andrew “Fletch” Fletcher’s tragic passing in 2022. Produced by James Ford, with additional production work by Marta Salogni, Memento Mori's gestation took place during the early stages of the Covid pandemic, resulting in themes inspired directly by that period. The album’s 12 tracks chart a vast expanse of moods and textures, from its ominous opening to its closing resolve—running the gamut from paranoia and obsession to catharsis and joy, and hitting myriad points between.

Remixed and remastered double LP

The Dave Douglas and Elan Mehler Sextet mixes seasoned veterans with relative newcomers, setting poetry and specifically haiku into the context of improvising music. On If There Are Mountains, their first album as co-leaders, the trumpeter and pianist are joined by vocalist Dominique Eade, reedist John Gunther, bassist SimĂłn Willson, and drummer Dayeon Seok. If There Are Mountains, previously released only to vinyl on Mehler's label Newvelle Records, now sees a fresh release via Douglas' own label Greenleaf Music. Douglas and Mehler composed all thirteen tracks between themselves, including four never-before-heard songs: Douglas' "Arms Folded to the Moon", "A Thicket of Summer Grass", and "Life" plus Mehler's "Barn's Burnt Down". While the spark for Douglas and Mehler's collaboration around haiku goes back two decades to an early performance of Douglas' "Village of No Bells", this vocal-forward ensemble sounds undeniably fresh. The group presents unusual melodic relationships with concise expression, matching the form of the Japanese poetry found within the lyrics.

Explore the Duster universe on the far superior 45RPM format. This deluxe triple 7" box contains Duster's first single-1997's Transmission Flux (including "Stars Will Fall" & "Orbitron"), 1998's Apex, Trance-Like (featuring "Four Hours"), plus Stratosphere's painfully absent "Echo, Bravo" and the lost 2002 outtake "What You're Doing To Me." Housed in replica sleeves and placed in a sturdy two-piece box, Moods, Modes also contains a Duster-branded hanky for those who like to accessorize.

First-ever vinyl repress of Sheena Easton's smash 1981 debut album. Remastered from the original master tapes and pressed on coloured yellow vinyl with refreshed artwork including new inner sleeve. Sheena Easton rocketed to overnight fame in 1980 with the BBC broadcast of The Big Time - the first pop reality show - subsequently breaking records as her first two singles 'Modern Girl' and '9 To 5' simultaneously hit the British Top Ten. In less than six months she had topped the US Hot 100 with the renamed 'Morning Train (Nine To Five)' and become an international star. Her 1981 debut album 'Take My Time' (known simply as 'Sheena Easton' in the US) became a Gold and Platinum certified hit around the world, spinning off further hits including 'One Man Woman' and 'When He Shines'. This is the first in a series of remastered vinyl releases of her 1980s albums, and part of Cherry Red's on-going reissue campaign of the star's EMI catalogue in association with RT Industries.

Expanded tour edition Tekkno is the sixth studio album from German electronicore band Electric Callboy, originally released in 2022. With tons of energy and fun on board, the band from Castrop-Rauxel delivers an unprecedentedly fulminant metalcore-firework that is second to none.

Double vinyl LP pressing in gatefold jacket. In true Enslaved fashion, the Bergen voyagers' 16th album, Heimdal, is both a departure and a communion with roots forged over three decades ago in the turbulent birth throes of Norway's black metal scene. Founded in 1991 by the then precociously young Ivar Bjřrnson and Grutle Kjellson, Enslaved were determined to set out on a different course from their Satanic, church-burning peers, turning their attention towards Viking lore and writing the majority of the lyrics for their 1994 debut album, Vikingligr Veldi, in Icelandic for it's proximity to Old Norse.

Fairport Convention are an English folk rock band, formed in 1967 by guitarists Richard Thompson and Simon Nicol, bassist Ashley Hutchings and drummer Shaun Frater (with Frater replaced by Martin Lamble after their first gig.) Vocalists Judy Dyble and Iain Matthews joined them before the recording of their self-titled debut in 1968; afterwards, Dyble was replaced by Sandy Denny, with Matthews later leaving during the recording of their third album. Denny began steering the group towards traditional British music for their next two albums, What We Did on Our Holidays and Unhalfbricking (both 1969); the latter featured fiddler Dave Swarbrick. For Liege & Lief Swarbrick joined full time alongside drummer Dave Mattacks. Both Denny and Hutchings left before the year's end; the latter replaced by Dave Pegg, who has remained the group's sole consistent member to this day. This album is from their 1974 tour of the USA recorded live in Denver.

If credibility were currency, FAKE NAMES’ wealth would be off the charts. Composed of Brian Baker (Minor Threat, Bad Religion, Dag Nasty), Michael Hampton (S.O.A., Embrace), Dennis Lyxzén (Refused, INVSN, The [International] Noise Conspiracy), Johnny Temple (Girls Against Boys, Soulside) and the newest member Brendan Canty (Fugazi, Rites of Spring), the band is a veritable post-hardcore dream team.

However instead of rehashing the past, Expendables is a reinvention that sees the band dialing back the distortion and leaning into the melodies. The result pairs their unparalleled pedigree with a pop sensibility that’s slightly unexpected and wholly satisfying. “For our
last record [2019’s FAKE NAMES]the general influences were 70’s U.K. punk and power-pop; but it wound up with a little classic rock vibe as well, like the Vibrators meets Aerosmith. We never saw that coming!” , Baker explains.

For Expendables the band enlisted producer Adam “Atom” Greenspan (IDLES, Yeah Yeah Yeahs). Baker explains, “The pop influences are a little more out front on this one and the production really helps it shine. It sounds more direct, more urgent.” Expendables is the latest exchange in a musical conversation that spans four decades. Baker aptly refers to the lineup of FAKE NAMES as a “mutual admiration society” and says that once the five members got in the same room together, it felt as if they had already been in the band together for years.

Fall Out Boy's new album, “So Much (For) Stardust”

Following a run with Cherry Red Records that featured a potential major label jump, guitarist Maurice Deebank quitting and rejoining multiple times, several pop stardom carrots just out of reach, mixing battles with Robin Guthrie, and a shocking entry into the record charts, Lawrence (just "Lawrence", like "Cher" or "Madonna" thank you very much) knew he would be making a change with his band Felt. He would be seeing out his plan of ten albums and ten singles in ten years alongside a new partner in Creation Records. This compilation beautifully captures those years.Creation was beginning a rapid ascent at the time, with Alan McGee serving as it's hyperactive mouthpiece and focal point. McGee was all in on the band. "Lawrence achieved pop perfection, a breathless rush of sensitivity and intelligence. It was too understated to be commercial, too art to go pop, too pop to go art-in other words it was a perfect combination of all the music I loved at the time." McGee was thrilled to have what he considered a real star on the label, and Lawrence was equally thrilled to have such an enthusiastic cheerleader. He funneled that enthusiasm into some of the most focused songwriting of his career, as well as some of his wildest experiments, all of which are on display here.

Lawrence Hayward knew that he wanted to be a pop star as a teen, and he devised a plan to release ten albums and ten singles over ten years to make that dream come true. A particular and determined individual, he would only be known as Lawrence from that day forward. His hopes for stardom would be pinned on his newly formed band, the succinctly named Felt. Soon signed to Cherry Red Records, Lawrence's achingly cool vocals and the group's way with walking melodies were evident on their debut for the label, "Something Sends Me To Sleep." This compilation collects material from Felt's Cherry Red period of 1981 to 1985, kicking off with that confident start, assembling numerous high points, and closing with their biggest hit, "Primitive Painters."This phase of the band is defined by the songwriting partnership and unique interplay of Lawrence and guitarist Maurice Deebank, with Deebank's stylish and confident playing the envy of many of their counterparts. He delivers a constant string of shimmering hooks that wrap themselves around and over top of Lawrence's more traditional beat combo song structures, as if trying to fit four songs worth of ideas into a pre-set radio friendly cutoff time. It works wonderfully as Lawrence always counters with a solid bedrock.In one of many brushes with the brass ring, in 1984 Felt recorded versions of "Dismantled King Is Off The Throne" and "Sunlight Bathed The Golden Glow," for the newly formed and Warners-backed label Blanco y Negro, in hopes that the band would follow their A+R man Mike Alway to the executive suite. Despite putting forward two of their finest songs, it was not to be. While major label dreams had to remain on the shelf, fans were delighted to be able to hear these beautifully stripped down and more direct versions when this compilation was released a few years later.By 1985 the Felt roller coaster was something Maurice Deebank was constantly getting on and off of. As Gary Ainge always kept the beat, and Lawrence never lost focus, they were joined by local teen prodigy Martin Duffy on keyboards, filling out the arrangements, and following Deebank's racing six-string cascades in "The Day The Rain Came Down" you can even hear a tiny hint of the next phase of the band in Duffy's organ before Maurice swoops to the finish. The newly expanded Felt would then put everything they had into making one of the defining releases of the 80s: "Primitive Painters."

?"In the afternoon we performed in a rather austere theatre in East Berlin. Then I remember we crossed Checkpoint Charlie that evening to play in a club in West Berlin. The atmosphere was completely different. I felt as though we were living in a black and white spy movie." Nicolas Fiszman recalls that chaotic day of 13 June 1982. Two outstanding guitarists, Philip Catherine and Nicolas Fiszman, who at the time was only seventeen years old, were taken from one side of Berlin to the other in pouring rain to perform to unlikely audiences. At both concerts, they played the same programme ofseven pieces written by Philip, with the exception of "Crystal Bells", composed by Charlie Mariano. The pair were not master and student. Rather, Philip remembers Nicolas like a young brother he might have taken to the beach. After the 1960s, Philip became a major figure on the jazz scene, working with the greatest: Charles Mingus, Chet Baker, Stéphane Grapelli, Dexter Gordon, to name only a few. Nicolas has played with Charles Aznavour, Vanessa Paradis, Francis Cabrel and Eric Serra, and travels the world with Sting. On that gloomy afternoon, the two guitarists, alone on stage, decided to brighten up the morosity that reigned. The pieces they played bore titles such as "Janet", "Babel" and "Petit Nicolas". It is hard to believe that this varied, well-constructed, polyphonic music was not entirely written down on paper. Philip says, "Nothing is written from beginning to end. I compose the themes and some harmonic bridges. Then we have a chord chart... and that's it." The foundations are written; inspiration, taste, fantasy and friendship do the rest. We feel as though we are taking a nonchalant walk through Rio or Miami. The concert is punctuated by thunderous applause. For these brief minutes in that year 1982, the East Berliners were able to fly over their tightly closed borders. We are privileged to have unearthed this unique concert where two outstanding artists bring together two cultures to create an intense blaze of happiness.

Dom Flemons has built a reputation on presenting 100 years of American roots music, but now, with Traveling Wildfire, his own songwriting prowess comes into the spotlight. Carefully selected from his personal repertoire, these original songs reveal his love of country, western, blues, Americana, bluegrass and folk music as they tell of true love, family legacy, survival, time travel, and the juxtaposition between light and dark. Traveling Wildfire weaves through the themes of hope and humor as it rises above the hard times with strength and lightheartedness.

Limited transparent magenta colored vinyl LP pressing. Rise or Die Trying is the second studio album from American rock band Four Year Strong, originally released in 2007.

The usual boom-and-bust cycles of growing up - breaking down, gathering the strength to get up, fumbling hard, doing it all over again - can feel unmooring, to say the least, but, and according to Debby Friday, it's tragedies and glories need savoring. Losing illusions, gaining expectations; getting deep into the private, soupy kaleidoscope of what's possible and what's futile - GOOD LUCK, her debut, and supernovic, full-length album, is built on welcoming the journey's complicated drops and mountain highs with something more like grace.Nigerian-born, then an emigré to bits of Canada - from Montreal to Vancouver to Toronto - Debby Friday's roamings through space and time really began when the sun fell. Nightlife was her emancipation from the toughness of home life, and she fell into it, body and soul, totally seduced. Raves til sunrise; house music in unknown basements and warehouses - the lure of the party was the perfect escape. Things that feel good sometimes do fall apart, though. In 2017, after DJing for less than a year, nothing was going the way that she wanted it to go. So she gathered her things and embarked on what would turn out to be the first of a few of her coming-of-age stories. After making the decision to stop herself in her tracks, she pulverized new paths for herself forward. Late-night YouTube tutorials on music production led to an EP, BITCHPUNK, and BITCHPUNK led to her first public performances, and all that gave way to a second EP, DEATH DRIVE. Her art endowed her with the strength she needed to move on. "This is what I was born to do," she goes. "It came to me so naturally and instinctively."So what does it take to hone that power? Discipline - routines, rituals; an MFA, practices of writing and filmmaking, and music-making that guide a person from one day to the next - but something close to mysticism, too. DEBBY'S serious study of astrology, psychology, and philosophy allow her to move through the world, relate to others, and get closer to what's inside her. She believes in what emerges. She believes in making the unconscious conscious. She wants to be in dialogue with the darkness.It's why GOOD LUCK works like such a study in entropy. On the surface, you'll hear smears of Santigold's dub dazzle, the MIDI-crush of Death Grips, but less obviously the plaintiveness of directors like Eric Rohmer, or the grotesque decadence of later-era Sylvia Plath. (Juno Award and Polaris Prize-nominated composer Graham Walsh adds a sort of heft and pull to the genre-flexibility on parade here: think of it a little like Sevdaliza meets FKA Twigs.) Few do it like her, though, and GOOD LUCK spans from lucid, acid housey, high-BPM tracks to melancholia and darkness to striking falsetto pop with assuredness and aplomb. The album GOOD LUCK is being co-released with a short film of the same name, co-directed by FRIDAY and Nathan de Paz Habib (past work includes Eroica, based on Chino Amobi's novel of the same name). It's a story of individuation. It's a love story about a woman and her masked beloved, but outside of the accompanying-but-stand-alone visual, it's all a willing, yearning investigation into what goes on behind the veil of sadness, of cruelty. Because knowing the darkness is the only way to understand the light, but also the greys and the blues and the in-between states. FRIDAY's explorations in GOOD LUCK - delving down into the muck of nuance - are a kind of courage.

2023 release. "If you've ever wanted a full album of only my orchestral music, this is your moment. Enjoy those lush strings, the fluttering woodwinds, and the bounteous, omnipotent French horns. If you're an orchestra nerd, you're my kind of person, and this album is for you. Or even if you're not, still buy one. We pressed a lot of them. I hope you love it as much as I love the key of Db major."

Andrew Gabbard has announced the release of his sophomore effort as a solo artist, Cedar City Sweetheart. The songs evoke a familiar feel for fans of his debut album, but new instrumentation and country-leaning lyrics give us a glimpse of another side of Andrew. "I love when a rock band makes a country album, " he explained, pointing to The Byrds as a major source of inspiration. Andrew played every instrument on his solo debut, Homemade. This time around, he called on some local musicians to add color. "Originally, I didn't have access to much recording equipment. I tracked my parts with an iPhone. My friends recorded their parts professionally, so I was able to piece it together and take another stab at recording the core of each song." The final product is a better sounding, polished group of songs that fit together to make a country album.The songs were written over the course of several years, but they're all very fresh in Andrew's mind. "I can remember a specific moment from writing each one of these tunes. They're simple songs that came naturally to me." Even though Andrew has written and contributed on countless albums over the years, this one truly feels like his second. The album is set to release March 24, 2023 on Colemine/Karma Chief Records.

Limited double blue colored vinyl LP pressing. Superheat is a live album by Dutch alternative rock band The Gathering, originally released in 2000. The album was recorded at Paradiso, Amsterdam, Netherlands on 16 April 1999, with the exception of "Rescue Me" & "Strange Machines", which were recorded at 013, Tilburg, Netherlands on 28 February 1999. The album was produced by The Gathering, recorded and engineered by Jan Schuurman at 'The Van' Mobile Studio.

The third full length release from Ghost Bath, Blue w/ White Cloud, limited to 1,000 worldwide