Dearborn Music

FARMINGTON NEW RELEASE FOR 2/23/2024

CHECK HERE EVERY WEEK FOR NEW RELEASE THAT FARMINGTON RECEIVES!

Quick View
The Good Riddance Acoustic Shows (Live) vinyl contains a series of songs performed live by Gracie Abrams and close collaborator Aaron Dessner during their limited run of shows last September. The songs were recorded live at the McKittrick Hotel in New York, Riverside Revival in Nashville, and the Masonic Lodge in Los Angeles. Magenta LP.
Gracie Abrams - The Good Riddance Acoustic Shows (Live) [Magenta LP]
$29.99
Quick View
Triumphs, tragedies, rebirths and upheavals... Life is often defined by it's moments of revelation. 15 years into a career that has seen them become one of metal's most ruthlessly individual and uplifting bands, Amaranthe are about to make their most definitive and revealing move. Three years on from the widely acclaimed Manifest, Sweden's masters of thunderous, melodic futurism are about to unveil The Catalyst. Green LP
Amaranthe - Catalyst - Green [Colored Vinyl] (Grn)
$27.99
Quick View

The next chapter of Danny Kiranos, p/k/a Amigo the Devil, continues with Yours Until the War Is Over – his most disarming and singular work to date. The 13-track project weaves themes of relatable self-destruction and trauma bonding with arresting authenticity. Riddled with obscure literary references – akin to Kiranos’ maniac reading habit – the album proves that this whole Amigo the Devil thing isn’t some true crime niche. Yours Until the War is Over is a songwriter's record.

Amigo the Devil - Yours Until the War Is Over
$13.99
Quick View
Omega Sessions is a 5-song EP recorded by Bad Brains in 1980 and released in 1997. The tracks were recorded and mixed at the original Omega Recording Studios in Rockville, Maryland. The EP contains early versions of songs that eventually appeared on later releases, including a reading of "I Against I." Side B of the LP features a custom etching.
Bad Brains - Omega Sessions - Emerald Haze [Colored Vinyl] (Grn)
$24.99
Quick View
Big Crown Records is proud to present Zero Grace, Liam Bailey's sophomore album on the label. Following the success of 2020's Ekundayo album, the tried and true chemistry of Bailey and producer Leon Michels (El Michels Affair) is on full display again as they take the sound they established and push it further. On Zero Grace they lean more into the bleeding heart singer-songwriter side of Liam. The result, much like Bailey himself, is impulsively honest without reserve.Born and raised in Nottingham, England, the son of an English mother and 2nd generation Jamaican English father, Liam will admit his early childhood was fairly chaotic and filled with "all the cliche racism that happens when people started mixing up in the '80s in England." Liam got his early influences from his mom's record collection. Bob Marley and Dillinger, Stevie Wonder and The Supremes, The Beatles and Jimi Hendrix would eventually shape the singer/songwriter we know today. Fast-forward to 2005, Liam is in London performing at every open mic and acoustic night he could, hustling with hopes of landing a record deal. It was through this time that Liam first teamed up with Michels, musician/producer luminary, and the co-founder of Brooklyn's own Big Crown Records. Liam flew out to New York and those first sessions together produced the now classic tunes "When Will They Learn" and "I'm Gonna Miss You" which still gets spins at Reggae spots around the globe and were co-signed by heavy hitters like David Rodigan & Don Letts.That first trip to NYC brought a lot of industry attention to Liam, including being noticed by a just-famous Amy Winehouse who heard one of Liam's apartment-made, lo-fi recordings, and liked what she heard. Regardless of the audio quality, Liam's particular sound shone through-all guitar, warm-rough and genuine soul. Eventually Liam signed to Polydor and wound up bumping against the typical major label industry obstacles. They already had an idea of the Liam they wanted to make, promote, and push. With the typical large advance enticement, Liam did his best to trust that path. "Maybe I can make it work,' that's what you're thinking," Liam remembers, "but, you quickly find out that you can't." Zero Grace is full of freedom and love, in fact, working with Leon Michels and Big Crown Records has encouraged Liam to be himself. On album opener "Holding On ' Bailey speaks to his observations & fears when looking out at the world in front of him and also to the dedication it has taken to get on the other side of his personal trials & tribulations. "Dance With Me" is an instantly infectious two-stepper that nods to those incredible soul records that were coming out of Jamaica during the early Reggae days. Bailey steps into the dance with hopes of finding a new love and pulls us all out on the dance floor with him. "Disorder Starts At Home" is another close to the chest tune that addresses the difficulties he struggles with from his early chaotic childhood and his progress in getting past them. "Mercy Tree" is a powerhouse of Reggae Rebel Music. Bailey addresses the racial tensions that plague humanity and encourages everyone to step up and do their part to help foster equality. What starts out as a declaration of injustice turns into a call for action and an inspiration for hope.Bailey has managed another album that moves across genres but remains entirely cohesive. The title Zero Grace represents his uninhibited energy. He wears his heart on his sleeve, he speaks his mind without filters, and he has little concern for formalities where his ambitions are concerned. He won't be held back ever. One thing is for sure, his talent speaks for itself, and it is on full display on this album.
Liam Bailey - Zero Grace [Indie Exclusive] Sea Glass [Colored Vinyl] [Indie Exclusive]
$21.99
Quick View
Limited red and green smoke colored vinyl LP pressing. Unhallowed is the debut studio album by melodic death metal band The Black Dahlia Murder, originally released in 2003.
Black Dahlia Murder - Unhallowed [Colored Vinyl] (Grn) (Red) (Smok)
$35.99
Quick View
Limited red and green colored vinyl LP pressing. Miasma is the second studio album by melodic death metal band The Black Dahlia Murder, originally released in 2005.
Black Dahlia Murder - Miasma [Colored Vinyl] (Grn) (Red)
$35.99
Quick View
Limited red and green splatter colored vinyl LP pressing. Nocturnal is the third studio album by melodic death metal band The Black Dahlia Murder, originally released in 2007.
Black Dahlia Murder - Nocturnal [Clear Vinyl] (Grn) (Red) (Spla)
$35.99
Quick View
Limited gold and black colored vinyl LP pressing. Blut Aus Nord, one of the most influential Black Metal band of the last decade, is finally back two years after it's last-full length album "Cosmosophy", the monumental conclusion of the unforgettable trilogy "777". This time, far from it's filthy industrial realm, the enigmatic entity offers nothing less than one of the finest melodic, epic, and grandiose Black Metal albums ever! Deeply beautiful, emotional, and yet aggressive at the same time, this new imperial creation is a magnificent pagan symphony and an astounding creative achievement. As usual with Blut Aus Nord, everything has been composed and performed with exceptional care and skill. Thorns, the new drummer, puts forward a magisterial performance, and the extravagant density of the guitar work creates a marvelous structure of rich harmonies and melodies, providing a wonderful atmosphere for the whole opus. The result, in it's complexity and intensity, is an overwhelming listening experience.
Blut Aus Nord - Memoria Vetusta Iii - Saturnian Poetry
$34.99
Quick View
Limited black smoke colored vinyl LP pressing. 2017's "Deus Salutis Meæ" ("God of my Salvation") is a truly mesmeric emission from Blut Aus Nord, the great Black Metal innovator renowned for disdain toward convention and a murderous relationship with boundaries. Using frightening alchemy and predatory cruelty, BAN here fuses each distinct era of it's 23-year existence with powerful readings of cavernous, arcane Death Metal, the occult excesses of outsider Industrial and the abject hauntings of psychotropic Doom. "Deus Salutis Meæ" is an otherworldly conflagration of ouroboros riffing, microtonal harmonies, demented Hanneman/Belew leads and chanted incantations of tether-end lunacy - the vestige of melodic grandeur lurks within each distressingly addictive phrase. A work of singular class from an artist who continues to remain vital.
Blut Aus Nord - Deus Salutis Meae
$34.99
Quick View
Multiplatinum artist BOYS LIKE GIRLS are releasing their first new studio album in over 10 years. The band returns with their infectious pop-rock sound that created the platinum singles “Two Is Better Than one” (feat. Taylor Swift), “Love Drunk” and “The Great Escape”. The new album, SUNDAY AT FOXWOODS, has all the fun and bouncy hallmarks of their early sound with plenty of modern hooks. BOYS LIKE GIRLS will launch their North American Headlining Tour in support of this album in Fall 2023.
Boys Like Girls - Sunday At Foxwoods [LP]
$24.99
Quick View

For the first time ever, BTS’ highly successful mini album Love Yourself 轉 'Tear' is now available on vinyl! Featuring the group’s hit songs “FAKE LOVE” and “The Truth Untold (feat. Steve Aoki),” Love Yourself 轉 'Tear' landed on the top of the charts across the globe upon its original release in 2018. Contents of this vinyl album package include a 12” Vinyl, Outer Sleeve, Booklet, Hologram Photo Card Set (incl. 7ea), Post Card and Sticker Set (incl. 2ea). Product Dimensions: 316 x 316 x 6 mm.

BTS - LOVE YOURSELF : 'Tear' [LP]
$52.99
Quick View
This 1960 album's inventive Richard Weiss arrangements combine with Carter's uniquely masterful - and modern - vocals for fresh takes on standards. Highlights include a lively run through "What A Little Moonlight Can Do", inspired scatting on "On The Alamo" and a beautifully tender take on "There's No You". The Verve By Request Series features 180-gram vinyl, pressed at Third Man in Detroit.
Betty Carter - Modern Sound Of Betty Carter (Verve By Request)
$32.99
Quick View
4CD Set Comprising Curve's Entire Anxious Recordings Output. Featuring The Classic Albums 'Dopplegänger' And 'Cuckoo' Plus Singles, B- Sides, Remixes And Live Recordings. Produced With Contributions From Dean Garcia And Toni Halliday. Sleevenotes From Lois Wilson. Formed by two relative veterans of the musical landscape in London in 1990, Curve blazed a trail with a fresh new sound during the first few years of that decade, fusing heavy electronics with layered guitars and sweetly dark vocals. The British music press was instantly enamoured, and the band went on to score a succession of critically acclaimed underground hits through a series of classic EPs and two futuristic albums. Released on Dave Stewart's (Eurythmics) Anxious imprint, these records chart the course of a band who burned brightly but briefly in their original incarnation, taking their cues from the scene around them and creating a new sound which many would mimic (most notably, Butch Vig's Garbage). But this is the original flavour. The real deal. Original and daring. Homespun yet worldly. Featuring the classic early EPs and those two seminal long players, 'Unreadable Communication' demands a re-examination of a band who set the standards of their own time and place, and who continue to be referenced and appreciated by shoegazers, industrialists and ethereal pop kids across the world.
Curve - Unreadable Communication: Anxious Recordings 91-93
$39.99
Quick View
First ever reissue of one of the most sought after collector's items in the entire Glenn Danzig catalog - the notorious, non-album 1981 single "Who Killed Marilyn?"! Recorded during Danzig's tenure with horror punk icons The Misfits, this song was released as a solo single but backed with an unreleased Misfit's track, Spook City USA! Contains the original mixes of both songs as well as all new remixed versions of both tracks by Glenn Danzig & metal producer/engineer Chris Rakestraw!
Glenn Danzig - Who Killed Marilyn? [Reissue]
$16.99
Quick View
A bastard child born of the mid 90s punk/metal/hardcore movement, Washington, DC's DARKEST HOUR combine the passion, energy, and soul of punk/hardcore with the style, speed, vengeance and fury of melodic speed/thrash/death metal. DARKEST HOUR have helped defined the entire New Wave of American Metal sound as one of the pioneers of modern metal/core. A sound that gave the metal and hardcore/punk world the revitalization it surely needed. This style blended the raw, hardcore punk of the 80s, with the Scandinavian death metal of the 90s and forged a sound that would later become the template for modern metal. Since their inception 21 years ago, Darkest Hour has released 9 studio full lengths (via 11 different record labels), appeared in major motion pictures and US television shows, video games, and have toured the world extensively.
Darkest Hour - Perpetual Terminal
$13.99
Quick View
Vinyl LP pressing. UK soul-pop star Olivia Dean's long-awaited debut album 'Messy'. Featuring the singles 'Danger' and 'UFO', 'Messy' cements Dean as one of the most original and versatile voices in UK pop. Crafting classic yet conversational hooks with genre-fluid tinges, she's honed a way of exploring universal themes of love, loss and everything in between with razor-sharp but open-hearted storytelling.
Olivia Dean - Messy (Uk)
$36.98
Quick View
Dark Sky with White Swirl. Available for the first time on vinyl! With TRAVELER, Jerry has finally recorded an album that will even further elevate his already impressive stature from super-sideman to a bona fide front-rank creator of musical Americana. Produced by Russ Titelman and recorded in New Orleans, Nashville, and London, this ambitious collection of vocals and instrumentals enlists a truly awesome cast of characters in support of an epic vision that combines Country/Bluegrass, R&B, and even a ballad with roots in the British Isles.
Jerry Douglas - Traveler [Indie Exclusive] Dark Sky With White Swirl [Colored Vinyl]
$30.99
Quick View
Seven CD box set of the complete recordings of The Dream Academy. Featuring their three official albums and including all official B-sides and remixes and unreleased tracks. The band's Nick Laird-Clowes has searched the Warner Bros archives to find rarities and unreleased tracks and has been closely involved with remastering, creating all new artwork, and choosing photographic material as well as writing comprehensive liner notes for the set. The Dream Academy were a British band featuring singer/guitarist and songwriter Nick Laird- Clowes, multi-instrumentalist Kate St. John, and keyboardist/songwriter Gilbert Gabriel. In I985 the group achieved worldwide success following the release of their first single 'Life In A Northern Town' which saw their subsequent debut album going into the American Top 20. Their atmospheric music was the result of an unusual musical line-up of oboe and cor anglais, string synthesiser and acoustic guitar, while their three albums for Warner/Reprise brought them a large and devoted following. Their close musical association with David Gilmour saw him co-producing two of their three albums. Other co-productions included both Lyndsey Buckingham and Hugh Padgham. The cinematic nature of their recordings saw the band being asked to contribute music to films by both John Hughes (Ferris Bueller's Day Off and Trains, Planes and Automobiles) and Diane Keaton (Heaven). The group disbanded in 1990 and the intervening years have seen extensive sampling and cover versions of their debut single, (most notably by Dario G's 'Sunchyme' and Sugarland And Little Big Town's reworking of 'Life In A Northern Town') resulting in further international chart success and a Grammy nomination. All three members remain active in the music business with Nick Laird-Clowes's subsequent career as a film composer, Kate St John in demand as both musical director and string arranger while Gilbert Gabriel's doctorate sees his continued involvement with both film music and multi-media exploration.
Dream Academy - Religion Revolution & Railways (Box) (Uk)
$46.99
Quick View
The temptation to mythologize Bill Fay can be overwhelming; Fay was, for decades, as prolific as he was under-appreciated. Fay's unsung-hero status has changed slowly, steadily, on the order of almost twenty-five years. With each new album comes new hosannas and evangelizers - Jeff Tweedy, Kevin Morby, Adam Granduciel and Julia Jacklin, to name just a few.The Bill Fay Group, in particular, is Fay's most significant collaborative work; he records as a member of a larger group here, and the result summons a grander sonic scale, an elegent counterweight to Fay's instincts for the understated. Tomorrow Tomorrow and Tomorrow brings to bear the galactic qualities of early rock, the intricacy of jazz improv, and Fay's earthy folk magic.Tomorrow Tomorrow and Tomorrow has a patchy release history: recorded between 1978 and 1981, it was not released until 2005, when it appeared on CD with limited streaming and no vinyl companion. A 2006 reissue brought the album onto vinyl but with a truncated sequence and nine song missing. Now, finally, Tomorrow Tomorrow and Tomorrow arrives in full worldwide. Available on streaming services worldwide and pressed to a double-album vinyl edition, it features the album's original 22 songs and includes rare and previously unseen photographs from Tomorrow Tomorrow and Tomorrow's original recording session.In the words of Gary Smith and Rauf Galip, missing Bill Stratton, and abbreviated from the forthcoming album notes:We chose five songs to record as finished pieces: Life, Spiritual Mansions, Cosmic Boxer, Strange Stairway, Isles of Sleep, all recorded in two studio sessions. We sent them out to try and get a record deal. There were few really independent labels back then and Punk was in the record labels' ears. No deal.And now, Dead Oceans who have a lot of faith in Bill's music wants to re-release the 'Tomorrow' album. A double vinyl package. Is there any more unreleased music for the fourth side? Of course. So, we've been opening old boxes, finding CDRs, cassettes, a musical archaeological dig. This is our choice from all the music we found.Fly Like a Bird.
Bill Fay  Group - Tomorrow Tomorrow & Tomorrow
$31.99
Quick View
GRAMMY- NOMINATED R&RHOF INDUCTEE AND GUITAR LEGEND ACE FREHLEY ANNOUNCES THE RELEASE OF HIS NEW STUDIO ALBUM, 10, 000 VOLTS, DUE OUT ON FEBRUARY 23, 2024. PRODUCED BY ACE AND STEVE BROWN (TRIXTER), THE 11-TRACK 10, 000 VOLTS SEES ACE PERFORM ELECTRIFYING, HARD-HITTING, RIFF-HEAVY ROCK'N' ROLL. Rock 'n' roll and heavy metal simply wouldn't sound, look, or feel the same without Ace Frehley. Among hundreds of accolades, The Rock and Roll Hall of Famer inducted him in 2014 as a co-founder and the original lead guitarist of Kiss. Guitar World named him in the Top 15 of it's "100 Greatest Heavy Metal Guitarists of All Time" and plugged the lead from "Shock Me" on the "50 Greatest Guitar Solos of All Time."
Ace Frehley - 10,000 Volts [Indie Exclusive Limited Edition LP]
$33.99
Quick View
Stan Getz and Bill Evans are about as close as musicians can get in terms of artistry, musical philosophy and technique. These sessions, recorded in 1963 with drummer Elvin Jones and bassists Ron Carter (Side A) and Richard Davis (Side B), perfectly blend their strong individual styles and collaborative sensibilities, with both artists at the peak of their creative powers. Verve Acoustic Sounds Series features transfers from analog tapes and remastered on 180g vinyl in deluxe gatefold packaging.
Stan Getz  & Evans,Bill - Previously Unreleased Recordings (Verve Acoustic)
$42.99
Quick View
Coming off the heels of 2022's A New Kind of Love, A Trip To The Moon sees GFO diving even deeper in the worlds of film music, exotica, and psychedelic surf rock. The aim is to create a layered and collaged listening experience with more elements than you could possibly pick out in a single listen. The guitars are fuzzy and flooded with spring reverb, and the horns are arranged in a studio big band fashion. It's full of big compositions with garage rock attitude. Influences range everywhere from Eddie Palmieri and Esquivel to The Lively Ones, Dusty Springfield, and War. The tracks are tied together by real recorded transmissions from the Apollo moon missions. The concept for the album is a story about a woman stranded on earth by her cosmonaut partner, left to ponder his whereabouts and whether or not he'll make it back from the cosmos alive.
Ghost Funk Orchestra - A Trip To The Moon - Seaglass W/ Black Swirl
$24.99
Quick View
1966's Look To The Rainbow is one of the jewels of Astrud Gilberto's catalog and of the bossa nova canon. Teaming with arranger Gil Evans and producer Creed Taylor, the orchestral backing perfectly complements Astrud's whispery, understated voice, especially on the title track and the sweet ballad, "I Will Wait For You." Verve By Request Series features 180g vinyl pressed at Third Man in Detroit
Astrud Gilberto - Look To The Rainbow (Verve By Request Series)
$32.99
Quick View

Tales of Misfortune is the semi-autobiographical debut album of 21-year-old Colby T. Helms. Inspired by the likes of Guy Clark, Norman Blake, J.J. Cale, and Charlie Poole, the Appalachian native modernizes what once was. Indie Exclusive Dark Blue LP.

Colby T. Helms - Tales of Misfortune [Indie Exclusive Limited Edition Dark Blue LP]
$20.99
Quick View
Katies 3 rd CD for Ruf PRODUCED BY BERNARD ALLISON
Katie Henry - Get Goin
$16.99
Quick View

Hurray for the Riff Raff (aka Alynda Segarra, they/them) announces their new album, The Past Is Still Alive, due February 23, 2024 on Nonesuch Records. The record represents a new phase of beginning in Segarra’s lauded evolution as a storyteller. Created during a period filled with grief, when they found inspiration in radical poetry, railroad culture, outsider art, the work of writer Eileen Myles, and the history of activist groups like ACT UP and Gran Fury, discovering a stronger, singular style of writing that felt like a long-awaited revelation. In each song, lyrics serve as memory boxes for Segarra to process their trauma, identity and dreams for the future. Segarra uses their lyrics as a way to immortalize and say goodbye to those they have loved and lost, to illustrate the many shapes and patterns of time’s passing, and honor both the heartbroken and the hopeful parts of themselves. Though the record was made in North Carolina and produced by Brad Cook (Bon Iver, Kevin Morby, Waxahatchee), the Bronx-born, New Orleans-based Segarra brings listeners to places far beyond, evoking vivid experiences of small shops and buffalo stampedes in Santa Fe, childhood road trips and Florida storms, struggles of addiction in the Lower East Side, days-long journeys to outrun the cops in Nebraska, and more. 

The followup to their acclaimed Nonesuch debut, Life on Earth—which landed on Best of 2022 lists from the New York Times, Rolling Stone, NPR Music, Mojo, Uncut, among others—The Past Is Still Alive sees Hurray for the Riff Raff reunite with Brad Cook, while further expanding their creative cast of collaborators. Anjimile, Conor Oberst and S.G. Goodman all join Alynda Segarra on vocals at various points throughout the LP, with a band of musicians including Cook, Libby Rodenbough, Matt Douglas, Meg Duffy of Hand Habits, Phil Cook, Yan Westerlund and Mike Mogis, who also mixed the album. 

The “nature punk” of Life on Earth marked a departure for Hurray for the Riff Raff, as they contemplated surviving and thriving amidst a world in crisis The Past Is Still Alive brings the focus back inwards. The arrangements are raw, the melodies direct and indelible, and the lyrics personal, yet largely rooted in family and community. There are love songs to real characters, locations and mythic figures like Sky Red Hawk (“Buffalo”), the first trans woman Segarra ever met (“Hawkmoon”), queerness and sacred spaces (“Colossus of Roads”), leaving home behind (“Snake Plant”), short-lived romances and the wisdom gained through chaos (“Vetiver”). Elsewhere, in the self-portraits painted on “Alibi,” “Ogallala” and other album highlights, Segarra reflects on the land they have traveled, the hardships witnessed and bravery gained while running away from everything and everyone they knew at age seventeen, hopping freight trains and hitchhiking across the country with a band of street urchins. 

In recent months, Hurray for the Riff Raff debuted a stage adaptation of their beloved 2017 album, The Navigator, based on their quest to reclaim their Puerto Rican identity. They also toured with Bright Eyes and First Aid Kit, performed for the Late Show with Stephen Colbert and NPR Music’s 15th Anniversary Concert, played festivals like Pitchfork and more. Next spring, they will bring the music of The Past Is Still Alive on the road, for a headline tour across the US, UK and EU, that they have partnered with PLUS1 so that $1 per ticket goes to supporting This Must Be the Place and their work to distribute Naloxone - the lifesaving medicine that reverses an overdose – at events across the nation.

Hurray For The Riff Raff - The Past Is Still Alive
$14.99
Quick View

I DONT KNOW HOW BUT THEY FOUND ME's second album, GLOOM DIVISION, is a glimpse into the mind of Dallon Weekes. Produced by Dave Fridmann (Tame Impala, MGMT), the album is the follow-up to iDKHOW’s Razzmatazz (ft. the #1 Alternative Radio single "Leave Me Alone"), & an EP ft. the gold record "Choke.” The most autobiographical work to date from Weekes (formerly of Panic! At The Disco), GLOOM DIVISION leaves listeners with the same sense of euphoric fascination that sparked the album’s creation.

I DONT KNOW HOW BUT THEY FOUND ME - GLOOM DIVISION [Indie Exclusive limited Edition Dreamsicle LP]
$26.99
Quick View
King Diamond/Masquerade of Madness was originally released as a digital single on November 8th, 2019. On February 23rd, 2024 Masquerade of Madness will be available for the first time on vinyl! The 3-track LP features Masquerade of Madness, Welcome Home (Live at Graspop) and Arrival (Live at Graspop) all available for the first time on vinyl. The 12' LP will feature a collectable paper mask.TracklistMasquerade of MadnessWelcome Home (Live at Graspop)Arrival (Live at Graspop)
King Diamond - Masquerade Of Madness
$29.99
Quick View

LE SSERAFIM - 3rd Mini Album 'EASY' (Compact Ver.) - K-Pop CD

After releasing their hit song, "Perfect Night" and set to perform at Coachella 2024, K-Pop girl group LE SSERAFIM is back again with their 3rd Mini Album titled `EASY' in a COMPACT ver. Available in 5 versions, with contents specific to each version, which include: CD, Out Folder, Booklet, Lyric Paper, Photo Card, Post Card. Dimensions: 240 x 170 x 8 mm. Online orders ship via random selection.

LE SSERAFIM - 3rd Mini Album Easy (Compact Ver.) [With Booklet] (Pcrd)
$18.99
Quick View
Double translucent red colored vinyl LP pressing. 2023 hits compilation from the hip-hop star.
Lil Wayne - I Am Music [Clear Vinyl] (Ruby)
$56.99
Quick View

It was January 2016, in the middle of New York City’s biggest blizzard on record, when the Nashville rock-country band Those Darlins found themselves stranded in Brooklyn, trying in vain to finish their farewell tour. The group had spent ten years touring and recording together; it was time for something new. As the snow blanketed the East Coast, turning entire cities into crisp white silence, frontwoman Jessi Zazu and drummer Linwood Regensburg thought about their own blank slate in front of them. They had a plan: Take a month off, get some much-needed rest after this grueling run of gigs, then get straight back to work on a new album. The blank page never stayed blank for Jessi Zazu for very long; she was always relentlessly doing, bursting with ideas, whether she was painting or writing, mentoring young musicians in her community or leading grassroots activism initiatives. There were more songs to be sung, more notes to be played, more issues to shine a light on.

But just as the pair were set to begin their next project, Zazu was diagnosed with cervical cancer, and the project was put on hold. When they returned to it in earnest that summer, after finding out that her cancer had spread, they believed that having a creative outlet again would help. “I don’t know if she felt the same way or not,” Regensburg says, “but watching this situation play out in my head, it was like I was equating it to some kind of hero journey. This person, who I believe to be invincible, overcomes a dire circumstance and the writing and recording of the music is all just part of the legendary comeback story. But that’s not what ended up happening, unfortunately.”

A year after that snowstorm, as winter stretched into the spring and summer of 2017, Zazu and Regensburg would work under the moniker Mama Zu in fits and spurts, getting as much done as they could any time she felt well enough. When the pair first began collaborating, they had come up with a process of collaboration in which Zazu would send Regensburg a recording of lyrics she had written—sometimes in fragments, sometimes as a core of what the song would be—and he would build a demo around it. After she got sick, they found that the process synced with her treatment schedule. Zazu could send Regensburg a voice memo on a Monday, do chemo on a Tuesday, and in the following days that it took for her to recover, Regensburg could build a demo to send to her for feedback, ping-ponging back and forth until they felt they had enough to finish the tracks in the studio. By late summer, the pair had recorded and mixed an album to near-completion. Tragically, though, final work on the album was halted after Zazu passed away that September at the age of 28. The unfinished album was put back on the shelf. “After she died, I didn’t want to touch it,” Regensburg says. “I didn’t want to play the songs or listen to the songs, let alone finish them. It just seemed like such a daunting task with a lot of layers—there was a lot of work left to do, but then there was also this exhausting underlying emotional component that pops in and hangs around the moment I’d open a session.”

Years passed. Distance grew. Healing began. By 2020, Regensburg felt ready to finish what they had started,  he says, “both for her sake and for my own sanity level. I was the only person left with this project.” Working on their songs again was therapeutic, even if doing so brought on a new set of challenges as he both polished nearly-finished tracks and rebuilt songs out of disparate parts, from the drum track on an older, alternate recording to a simple phone demo. “It was a way of spending time with her, and kind of the only capacity in which I could,” he said. “But then, I was also left with a lot of creative choices without her. Even though I had played most of the instruments, it had still been a totally collaborative thing; if there was a part I played that she didn’t like, she was clear about that. If someone’s gone, you can still talk to them, but you can only assume what their feedback might be. So I was stuck with a lot of musical choices that I’d be working under the context of, I hope you like what I did here.”

The resulting album, QUILT FLOOR, out February 23rd on Thirty Tigers, is bursting at the seams with life, ferocious and fierce. The glory of QUILT FLOOR is that there’s no note of sickness or sorrow to be found in it; where all of Zazu’s songwriting was personal, rather than turn inward, her gaze—even during her greatest battle—was fixed firmly on the world around her. Colored by the aftermath of a new era in America, a period in which many were both grieving and galvanized, Zazu’s songwriting has perhaps only grown more relevant as time has passed. Men who behaved badly are returning from their supposed exile. People have forgotten how to treat others with kindness; if we’re not the main characters of our own stories, we’re the background players of someone else’s content. It seems as if, at any given moment, part of the world is on fire. There’s plenty of fury to be had at the present, but what good is it without faith in the future’s potential for change? Rejoice! Our times are terrible, as the artist Jenny Holzer once proclaimed—an ethos Zazu had in spades.

Mama Zu - Quilt Floor [Coke Bottle Clear LP]
$24.99
Quick View
2024 release. This milestone release features iconic collaborations, including new versions of "Whenever I Call You Friend" with Kenny Loggins and "Midnight Blue" with Dolly Parton. Guest artists Gerald Albright and Dave Koz join the symphony of nostalgia and innovation. Immerse yourself in this musical journey where five decades of brilliance converge in a star-studded celebration.
Melissa Manchester - Re:View
$13.99
Quick View
When Mick Mars stepped back from touring with Mötley Crüe – the band he co-founded more than 40 years ago – following their massive summer 2022 Stadium Tour, it seemed like the end of an era. Really, it was the beginning of a new one.
 
The legendary guitarist, whose riffs, solos and overall devastatingly heavy sound powered the L.A. icons through four decades of world-conquering, multi-platinum sonic mayhem is, as he demonstrates on his debut solo effort, still a serious force to be reckoned with. Only now, listeners are reckoning with more Mars than ever before. “When it comes to my playing, there’s the Mötley side and the Mars side,” the guitarist says. “Either way, I always have a very clear vision of what I want to do.”
 
On the aptly-titled The Other Side of Mars, fans get that vision in its full, multifarious glory. To be sure, there are plenty of characteristically riff-tastic, tough-as-nails hard-rock anthems (the rampaging “Loyal to the Lie,” the deep-in-the-pocket groove-rocker “Ain’t Going Back,” the hooky and melodic “Right Side of Wrong”) to be heard on the record. But The Other Side of Mars also shows the 71-year-old guitarist heading into new and uncharted territory, tearing through caustic, modern metal (“Broken On the Inside”), conjuring gothic-tinged soundscapes (“Undone”), digging into anguished, slow-burning power balladry (“Killing Breed”) and unspooling bluesy, cinematic instrumental workouts (the album-closing guitar showcase, “L.A. Noir”). The music throughout the 10-track collection, meanwhile, is otherwise studded with slide guitars, violins, violas, keyboards, glitchy freak-outs and all manner of sonic surprises.
 
“There’s a lot of ideas that I have that, I don't want to call them ‘left,’ but they are, you know what I mean?” Mars says. Regarding those stylistic turns, he continues, “My feeling has always been, I might gain some fans, I might lose some fans. But what they’re hearing, it’s all me.”
 
The guitarist enlisted a crack team of musicians to help him along the way. A key contributor to the project was Winger and former Alice Cooper keyboardist (and, like Mars, Nashville resident) Paul Taylor, who, in addition to performing on the record and assisting Mars in co-writing many of the tracks, introduced the guitarist to powerhouse vocalist Jacob Bunton. “Jacob came into the studio and it was like, bam!” Mars recalls. “And I just said, ‘Yeah, he’s the guy.’ And most of his vocals were one take.” The supporting band was rounded out by Korn drummer Ray Luzier, as well as two additional in-demand Nashville musicians: bassist Chris Collier and singer Brion Gamboa, who contributed lead vocals to two songs, “Undone” and “Killing Breed,” both of which, Mars says, “required a little bit more of an angsty, desperation kind of thing. And Brion really came to the table with that.”
 
But while Mars surrounded himself with a new cast of players for the sessions, there was one figure who represented a significant link to his storied past: Michael Wagener. The much-lauded German producer and engineer worked behind the boards on Mötley Crüe’s 1981 debut, Too Fast For Love, and his relationship with Mars stretches even further back. “I had known him for a long time, and I actually brought him to Mötley,” Mars says. Working with Wagener this time, the guitarist continues, “he had such an understanding of where I wanted to go with the material. And he never said ‘Hey, do this,’ or tried to change my mind or anything like that. He was just really adamant about recording what I wanted to record, and making sure we recorded it right.”
 
The result is a record unlike anything Mars has offered up in his more than 40-year career. Take the piano-and-strings track “Memories,” which, Mars recalls, he began writing “back when I was still touring with Mötley. I gave it to Paul Taylor, and I had him transpose all my parts to keyboard. And then I said, ‘That’s it.’ I didn’t want any drums, I didn’t want any over-the-top, here-comes-the-sun-over-the-mountains in the chorus kind of crap. I wanted to keep it simple, and focus on the melody.”
Or “L.A. Noir,” which, Mars says, was inspired by “old ‘30s and ‘40s B-movies about sleuth detectives, flatfoots, private eyes, that kind of stuff. I came up with the main lick maybe 30 years ago, and never really had a chance to do anything with it until now. I love that big-band sound and era, so we tried to capture that, but with a real sleazy, noir-ish vibe.”
 
As for the album’s leadoff track and first single, “Loyal to the Lie”? Well, that one was easy. “I wanted to do something that was just big and mean,” Mars says with a laugh.
 
But no matter what direction he’s going in on The Other Side of Mars, what ties it all together is “that people are going to hear my tone – my sound,” Mars says. “I am what I am. Nobody else can do it. And like everyone, I’ve got a limited number of years. So I'm gonna do all I can to do a lot of stuff.” To that end, he says that even as he unleashes The Other Side of Mars on the world, he’s already working on a follow-up. And while he remains a member of Mötley Crüe (“when they need me, I’m here,” he says), Mars is no longer spending his days and nights in arenas and stadiums throughout the world. Which means, he says, he has more time to pursue his own musical muse.
 
“I'm trying to keep growing,” Mars says. “Because if you stop learning new things, if you stop playing new things, if you close your mind, you’re done. You have to keep moving and creating. Next!”

Mick Mars - The Other Side of Mars [LP]
$21.99
Quick View
1 2 3 4 - Modern English / New Studio album 1 2 3 4 produced by Mario J McNulty Features 10 new songs including the first single "Long In The Tooth" Gatefold 180 Gram coloured Vinyl.
Modern English - 1 2 3 4 [Colored Vinyl] (Gate)
$28.99
Quick View
Celebrate the life and music of '80s rock legend Eddie Money with this new collection of revamped hits that encapsulates the very best of his storied career! Includes supercharged versions of the unforgettable '80s classics "Take Me Home Tonight," "Baby Hold On," "Two Tickets To Paradise," and so many more!
Eddie Money - Take Me Home Tonight - Yellow [Colored Vinyl] (Ylw)
$29.98
Quick View
Cassette tapes. Remember those? Those things with the dual spools and loads of wide brown plastic recording string that' occasionally unravel and hang out of the shell, requiring a pencil and firm wrist to spin back into place? - Yeah, well, once upon a time, old-school sound systems contained cassette decks for the express purpose of recording shows, and these "cassette" things were a standard part of every tour. Motörhead were certainly no exception, recording show after show. They contain gold, pure aural gold, and had for many years sat hundreds of feet underground in a small cave Lemmy owned, guarded by small, hairy centurions in Roman armor with small spears and bad attitudes. Only the magic password would release them, and thankfully, Lem had scribbled it down and left it inside an old sketch book for us (no, were won't tell you the password, although it did have the words 'nie nie nie' in it). There were loads of the dirty, dusty, greasy little buggers gathered, with the likes of Lyon, Liverpool, Hamburg and Chippenham (!!) scrawled in biro on the tiny labels alongside a date... and thus we are delighted to announce that this unique collection of live gems will now be heard by the world, via carefully digitized transfers, in a new series titled The Löst Tapes. - Now on the fifth volume in this series, we take you on a visit to the spiritual home of British hard rock Donington, to bring you the band's thunderous live set from the legendary Download Festival in June 2008. Featuring surviving members Phil Campbell and Mikkey Dee as well as a guest appearance from Würzel on Ace of Spades/Overkill, it's a welcome addition to this fascinating collection of Motörhead live performances and a must have for completists to new fans everywhere. - 2LP (Yellow Vinyl) - 2500 UNITS N. AMERICA / Units Per Set: 2
Motorhead - Lost Tapes Vol. 5 (Live At Donington, 2008)
$37.99
Quick View

Natalie Jane is all about being honest, even when the feelings she’s plunging into are murky and unsettled. On her Capitol Music Group/10K Projects debut album – Where Am I? – the 19-year-old singer-songwriter lets her instincts and emotions guide her as she pursues life’s truths. Where Am I? signals that no matter where Natalie Jane goes next, she’ll be guided by her deep-seated emotions and formidable voice, which ranges from a sullen whisper to a world-devouring roar.

Natalie Jane - Where Am I? [White LP]
$28.99
Quick View

O'Donel Levy

Simba

CD: $14.99 Buy

MP3 Album: $11.49 Download

Proudly presenting a new series of Mr Bongo reissues exploring the incredible back catalogue of Sonny Lester's iconic Groove Merchant record label. First up, the spellbinding funk-fuelled, soul jazz album 'Simba', by guitar maestro O'Donel Levy. Baltimore-born, Levy was already well regarded as one of the best up-and-coming jazz guitarists at the time of Simba's release. Having toured with George Benson and Jimmy McGriff, as well as featuring on McGriff's Black Pearl album on Blue Note, he went on to sign with Sonny Lester's Groove Merchant. A masterclass in tight yet effortlessly funk-driven rhythms, the tracks showcase these musicians at their zenith. Album opener 'Bad, Bad, Simba' wouldn't have been out of place on a Lalo Schifrin '70s car chase soundtrack. Levy's playing is brilliant, bright and slick, with an infectiously exuberant energy that is complimented perfectly by Gadd's supreme drumming : every track on 'Simba' is a winner.
O'Donel Levy - Simba
$14.99
Quick View
Acoustic Sounds and Contemporary Records present this new reissue of Art Pepper’s 1960 album “Smack Up”. Recorded by legendary engineer Roy DuNann the album also features Jack Sheldon (trumpet), Pete Jolly (piano), Jimmy Bond (bass), and Frank Butler (drums). This new edition is pressed on 180-gram vinyl pressed at QRP with (AAA) lacquers cut from the original tapes by Bernie Grundman and is presented in a tip-on jacket.
Art Pepper Quintet - Smack Up: Contemporary Records Acoustic Sounds Series [LP]
$31.99
Quick View
New Remastered And Expanded Release Of The Evocative Recordings By Genesis Founder Member Anthony Phillips And Harry Williamson. Remastered From The Original Master Tapes. With Five Bonus Tracks. Fully Restored Artwork And New Essay. The roots of this collaboration go back to the early 1970s and coincided with the birth of another project by the duo, 'Tarka'. The album 'Gypsy Suite' was originally released in 1995 and comprised a series of demo recordings of this beautiful and haunting music made between 1975 and 1978, along with original demos made of the 'Tarka' project (which would finally surface in completed form in 1988). The recordings featured in this new version have all been newly re-mastered and a previously unreleased demo of 'The Hunt' has also been added. This new expanded remastered release features an illustrated booklet with a new essay by Jonathan Dann.
Anthony Phillips  / Williamson,Harry - Gypsy Suite - Remastered & Expanded Edition
$17.99
Quick View

Post Malone - The Diamond Collection - Rap/Hip-Hop - 2 LP Vinyl

2 LP set on metallic silver vinyl.

Global superstar Post Malone holds the record for most RIAA Diamond-certified singles in history. The Diamond Collection is a compilation of his top hits to date, including "Congratulations (feat. Quavo)," "Sunflower" with Swae Lee, "White Iverson," and more. The physical release includes the Diamond-certified hits as well as additional tracks. 2 LP set on metallic silver vinyl.

Post Malone - The Diamond Collection [Metallic Silver 2 LP]
$45.99
Quick View
Mitch RyderHigh Octane full of energy... recorded live during his touring the states in 2022never released in the USA
Mitch Ryder - Roof Is On Fire
$30.99
Quick View
As the empowerment of the '60s gave way to the societal bankruptcy of the '70s, a turned-on Black music emerged to soundtrack the agony of America at a crossroads. Tracked at DB Sound in Silver Spring, Maryland by producer R. Jose Williams, Your Funny Moods is built around the rhythms and keys of drumming wiz James Purdie. Remastered here from the original analog tapes, this 50th anniversary edition is peak group harmony soul from the Chocolate City.
Skip Mahoney  & The Casuals - Your Funny Moods - 50th Anniversary [Colored Vinyl] (Grn)
$24.99
Quick View
Digitally remastered edition includes bonus track. Till Deaf Do Us Part is the tenth studio album by Slade, originally released in 1981.
Slade - Till Deaf Do Us Part (Exp)
$14.99
Quick View
Slade's Live at the New Victoria is the powerful live performance taken from their London show in April 1975. The setlist features the hits "How Does It Feel," "Gudbuy T'Jane," "Far Far Away," "Mama Weer All Crazee Now," as well as longtime stage favorite "Just a Little Bit."
$14.99
Quick View

Sir Rod Stewart and Jools Holland with his Rhythm & Blues Orchestra present the exquisite Swing Fever - a 13-track sparkling salute to the timeless songs of the big band years, reignited by two giants of their craft.
For the first time, Britain's new partners in swing have united on record to share their peerless dexterity on a tribute to such truly great songs as 'Ain't Misbehavin’, 'Frankie And Johnny’, 'Sentimental Journey' and 'Lullaby Of Broadway’.

Rod Stewart with Jools Holland - Swing Fever [LP]
$29.99
Quick View
Limited transparent gray colored vinyl LP pressing. Elect the Dead is the debut album by rock musician Serj Tankian, lead singer and founding member of Armenian-American metal band System of a Down. The album was originally released in 2007.
Serj Tankian - Elect The Dead [Clear Vinyl] (Gry)
$38.99
Quick View
Limited transparent red colored vinyl LP pressing. Harakiri is the third studio album by System of a Down frontman Serj Tankian, originally released in 2012.
Serj Tankian - Harakiri [Clear Vinyl] (Red)
$32.99
Quick View
For more than 30 years, singer-songwriter and guitar hero Mary Timony has cut a distinctive path through the world of independent music, most recently as vocalist and guitarist of acclaimed garage-pop power trio Ex Hex but also as a member of seminal post-punk band Autoclave, celebrated leader of the deeply influential Helium, multifaceted solo artist, and a co-founder of supergroup Wild Flag. Described by Sleater-Kinney's Carrie Brownstein as "Mary Shelley with a guitar" and dubbed "a trailblazer and an innovator" by Lindsey Jordan a.k.a. Snail Mail, Timony has distinguished herself as one of her generation's most influential guitarists and songwriters. The mystical, acoustic-driven Untame the Tiger emerged after the dissolution of a long-term relationship and was bookended by the deaths of Mary Timony's father and mother. The album was recorded during a two-year period during which she was the primary caregiver for her ailing parents.
Mary Timony - Untame The Tiger [Indie Exclusive] [Colored Vinyl] [Limited Edition] (Pnk) [Indie Exclusive]
$24.99

        
back to top