M. Night Shyamalan brings together two of his standout original films—Unbreakable and Split— in this explosive comic book thriller. Elijah Price, also known as Mr. Glass (Samuel L. Jackson), finds David Dunn (Bruce Willis) pursuing Kevin Wendell Crumb's superhuman figure, The Beast (James McAvoy), in a series of escalating encounters. Price, armed with secrets critical to both men, emerges as a shadowy orchestrator.
DVD/Blu-ray/2CD package of Pet Shop Boys breath-taking show 'Inner Sanctum', filmed at London's Royal Opera House during a sold-out run in 2018 summer. The iconic duo's acclaimed production, first presented at the Royal Opera House in 2016 over four sold-out shows, was reprised at the venue for a further four nights in July 2018 as part of their 'Super' tour. Staged by long-term PSB designer Es Devlin and choreographer/director Lynne Page, the show was filmed by director David Barnard. Filmed on 27 and 28 July 2018, the full-length film on DVD and Blu-ray is accompanied by two CDs of the complete audio of the live show plus a bonus feature of PSB live at Rock in Rio, which was recorded on 17 September 2017 at the Brazilian festival. The 'Inner Sanctum' production won rave reviews for a musical and visual extravaganza which brought lasers, dazzling choreography and immersive visuals and stage design to the ornate surroundings of the Royal Opera House for an electrifying show. The set-list featured contemporary PSB material from their last two albums 'Super' and 'Electric' mixed with many PSB's classic hits from their peerless back catalogue including 'Love comes quickly', 'West End girls', 'It's a sin', 'Go West' and 'Always on my mind'.
While he was working on Oxnard, the ever-ambitious Anderson .Paak was recording Ventura at the same time. As he explains it, both albums showcase the duality that has inspired the Grammy-award winning artist throughout his career. “Growing up in Oxnard gave me the grit and the church to find this voice of mine. One town over I went further and found my depth. [I] held one [album] back because that would have been too many songs to perform live!” Now with a more soulful sound representative of the beautiful, scenic Ventura, Anderson .Paak gives us “King James”, “Make It Better”, and more – with features including Smokey Robinson, André 3000, Nate Dogg among others. Welcome to Ventura!
On April 12, nine-time GRAMMY-winning singer-songwriter Norah Jones is releasing Begin Again, a collection of singles that gathers seven eclectic songs that Jones has recorded over the past year with collaborators including Jeff Tweedy and Thomas Bartlett. Begin Again will be released on 12” vinyl, CD, and as a digital album and features the new song “Just a Little Bit,” which was produced by Jones and features her on vocals, piano, and organ along with Brian Blade on drums, Christopher Thomas on bass, Dave Guy on trumpet, and Leon Michels on tenor saxophone. The singles Jones began releasing last summer ran the gamut from riveting electronic experiments to starkly acoustic folk ballads to organ-and-horn drenched soul songs. With the addition of three more previously unreleased songs, Begin Again presents seven snapshots of creativity from one of the music world’s most versatile and consistently intriguing artists.
With the release of his new record, 99 Cent Dreams, Eli Paperboy Reed begins his second decade as an artist much in the same way he began his first: in love with soul music. Reed is ten years wiser this time around, writing with the kind of freewheeling confidence. The result is the finest of his career. Cut at the legendary Sam Phillips Recording in Memphis, TN, and produced by Matt Ross-Spang (Jason Isbell, Margo Price), 99 Cent Dreams is exuberant, a celebration of life delivered by an ecstatic messenger. Reeds arrangements on the album are lean, filtering vintage R&B, soul, and gospel through the heart of a modern songwriter. His stunning voice remains front and center but his performances have matured, a sign perhaps of the newfound perspective hes gained with fatherhood. Fueled by love and hope, this is a collection that, despite its moments of loneliness and pain, ultimately insists on seeing the bigger picture, on recognizing each and every day for the gift that it is.
The Ghost of Ohio, the second album released under the Andy Black moniker, is both a soundtrack to its comic book graphic novel counterpart and a thrilling standalone record of diverse anthems and ballads, in pursuit of a muse that transcends genre. The Ghost of Ohio saw Andy return to longtime collaborator John Feldmann, the producer and songwriter whose discography includes multiple Number One rock albums and gold/platinum certifications, including releases from Blink-182, 5 Seconds Of Summer.
This Wild Willing is Glen Hansard’s fourth solo album. Written and created in Paris, France with a band of brothers; new friends and old, more than 24 musicians collaborating on the album. From his partners in The Frames (Joe Doyle) and Swell Season (Marketa Irglova & Joe Doyle), to his touring family of players , to three Iranian brothers he met in Paris (the Kroshravesh brothers) , Glen brought together a group of global talents who each left an indelible mark on this recording. “It became quickly apparent in the studio we were onto something interesting. I was finding new ways into the existing songs and we were improvising new ideas every day. When you surround yourself with great musicians and do your best to keep up, stay loose, give little direction, and allow everyone to bring what they bring, something transformative may happen. This collection of songs is mainly made up of those that came through while improvising and following the melodic lines and threads. Sometimes when you take a small musical fragment and you care for it, follow it, and build it up slowly, it can become a thing of wonder. In this sense, some of these songs weren’t written in the traditional form; they were ideas followed to a conclusion. I want to thank all these great musicians for coming and giving these songs their best. All a song wants is to be heard. I hope something in this music can be of use to you. I know it’s been of great use to me to make it. Beauty is in the ear of the behearer.”
Known for his outspokenness, impassioned live show and Outlaw Country tunes, Aaron Lewis is back with new album STATE I’M IN, the follow-up to SINNER, which went No. 1 on Billboard’s Top Country Albums, Top 200 Albums, and Top Digital Albums Charts. Lewis, who fronted the wildly-successful Rock group Staind, sold 13 million albums worldwide and four consecutive top three debuts on Billboard’s Top 200, including the single “It’s Been Awhile,” which remains the most-played rock song of the decade.
Like their acclaimed ECM release Small Town of 2017 which The Guardian called "wistful and mesmerizing... tonally ingenious and haunting" Epistrophy by guitarist Bill Frisell and bassist Thomas Morgan was recorded at New York City's Village Vanguard. The new album once again captures the rare empathy these two players achieve together in this intimate environment. There are further poetic takes on pieces from the duo's beloved Americana songbook ("All in Fun," "Red River Valley," "Save the Last Dance for Me"), as well as another intense version of a composition by Paul Motian ("Mumbo Jumbo"), an artist whom both the guitarist and bassist knew well. Frisell and Morgan communicate the essence of Billy Strayhorn's "Lush Life" and the Frank Sinatra hit "In the Wee Small Hours of the Morning," so much so that the famous words seem to hang in the air even without a singer. At the center of the album is a pair of pieces by Thelonious Monk: the funky, angular "Epistrophy" and the ruminative ballad "Pannonica." And as with "Goldfinger" on Small Town, Frisell and Morgan offer a glowing duo interpretation of a melody-rich John Barry title tune from a James Bond film "You Only Live Twice."
Steve Earlewas nineteen and had just hitchhiked from San Antonio to Nashville in 1974. Back then if you wanted to be where the best songwriters were you had to be in there. Guy Clark had moved to Nashville and if you were from Texas, Guy Clark was king.
Flash forward more than forty years. In the fall of 2018, Steve and The Dukes went into House Of Blues studio in Nashville and recordedGUYin six days. 'I wanted it to sound live...When you've got a catalog like Guy's and you're only doing sixteen tracks, you know each one is going to be strong.'
Earle and his current, perhaps best-ever Dukes lineup, take on these songs with a spirit of reverent glee and invention. But in the end GUYleads the listener back to its beginning, namely Guy Clark, which is what any good 'tribute' should do.GUY is a saga of friendship, its ups and downs, what endures. We are lucky that Earle remembers and honors these things, because like old friends, GUYis a diamond.
Based in Los Angeles, The Beta Machine’s McJunkins and Friedl are well known for their roles in the rhythm section of A Perfect Circle. The two first rubbed shoulders when they auditioned for Ashes Divide, led by A Perfect Circle’s Billy Howerdel. Recognizing a powerful creative bond that went beyond that band’s ranks, the duo was soon asked to join Puscifer, led by Tool frontman and APC co-founder Maynard James Keenan. Their associations still extend far beyond that cluster of bands: to Filter, Devo, Thirty Seconds to Mars, and Eagles of Death Metal. Friedl and McJunkins would take material incompatible with their other collaborations and stow it away for then-mysterious future use. As the pair continued to work together, the creative energy started flowing freely. The pair put a name to the energetic, futuristic sound they were developing: The Beta Machine. But they wouldn’t be alone in their mission. They had already worked and palled around with vocalist Claire Acey (of Nightmare of the Cat) and guitarist and keyboardist Nicholas Perez, who both gamely stepped up to join them for The Beta Machine’s lineup. The debut album is now available.
Led by vocalist, guitarist, and songwriter Jay Farrar, Son Volt became one of the leading bands in the alternative country community, attracting critical praise and an audience that was loyal if not always large. Farrar has collaborated with Ben Gibbard (Death Cab for Cutie), Steven Drozd (The Flaming Lips), Jeff Tweedy (Wilco) and several other well respected artists / musicians. Their upcoming album Union will be the bands 10th studio album mixes present and past into strong confluence.The thirteen new songs written by Farrar confront our turbulent politics and articulate the clarity and comfort music can offer in the tumult.
Limited teal-colored vinyl LP pressing. 2019 release. Rattlesnake is the fourth studio album from The Strumbellas, a six-piece collective who rocketed to success with the breakthrough hit "Spirits". For the group, which consists of Simon Ward (lead vocals/guitar), David Ritter (keys), Jeremy Drury (percussion), Isabel Ritchie (strings), Jon Hembrey (guitar) and Darryl James (bass), Rattlesnake marks a stylistic turn from their melancholy, introspective releases. While staying true to their roots, the band has delivered us an album that elicits the feelings of joy and the promise of hope.
I Prevail return to dominate the rock & alternative world with their second full-length album ‘TRAUMA’ set to release March 29th on Fearless Records. Produced by Tyler Smyth (Falling In Reverse) this album continues to expand upon the band’s style, entrancing hooks, and powerful music breakdowns & features guest appearances from female vocalist Delaney Jane & hip hop artist Justin Stone. Leading the way with dual singles - a moving “Breaking Down” & hard-hitting “Bow Down” - the band will embark on a year’s worth of worldwide festival appearances, headlining tour dates, and stadium worthy rock shows this spring.
Rap or Go To the League is the 5th studio album of the multi-platinum, Grammy Award winning MC, 2 Chainz. A&Red by Lebron James, the 14-track album also features Kendrick Lamar, Ariana Grande, Chance the Rapper, Young Thug, Travis Scott, Lil Wayne, Kodak Black, Ty Dolla $ign, E-40, Marsha Ambrosius. On Rap or Go to the League, Chainz uses the ever changing lifestyle and genre of trap music to relay his message: inner city children do not need to “rap or go to the league” to be successful.
With this collection, Lang Lang goes back to his first love - to the pieces that made him want to become a musician in the first place. Rediscovering the most popular and accessible pieces written for learners and lovers of the piano, this album is a journey; of inspiration, of discovery, fantasy and learning. It is a moment for Lang Lang to illuminate these classic pieces as the masterworks they truly are. It is also a reflection on the music that influenced him most during his early childhood, later in life coping with difficult moments, and working with young piano learners around the world. Music can change lives and Piano Book tells this story. "I dedicate this album to my wonderful piano students and all my friends around the world who love the piano as much as I do." Lang Lang
In 2019 the legendary US band Kiss will bring their pyro-loving, make up-wearing, guitar-shredding live show to the world! It's KISSWORLD Kiss, America's #1 Gold Record Award winning group of all time in every category, have a stunning catalogue of rock n roll classics. "KISSWORLD - The Best OF Kiss" brings 20 of their best loved tracks together on one album. Iconic fan favorites such as "I Was Made For Lovin' You", "Rock And Roll All Nite", "Detroit Rock City" and others in one huge collection.
Eastwood stars as Earl Stone, a man in his 80s who is broke, alone, and facing foreclosure of his business when he is offered a job that simply requires him to drive. Easy enough, but, unbeknownst to Earl, he’s just signed on as a drug courier for a Mexican cartel. He does well—so well, in fact, that his cargo increases exponentially, and Earl is assigned a handler. But he isn’t the only one keeping tabs on Earl; the mysterious new drug mule has also hit the radar of hard-charging DEA agent Colin Bates. And even as his money problems become a thing of the past, Earl’s past mistakes start to weigh heavily on him, and it’s uncertain if he’ll have time to right those wrongs before law enforcement, or the cartel’s enforcers, catch up to him.
Cybertron has fallen. When Optimus Prime sends Bumblebee to defend Earth, his journey to become a hero begins. Charlie Watson (Hailee Steinfeld), a teenager trying to find her place in the world, discovers and repairs the battle-scarred robot, who’s disguised as a Volkswagen Beetle. As the Decepticons hunt down the surviving Autobots with the help of a secret agency led by Agent Burns (John Cena), Bumblebee and Charlie team up to protect the world in an action-packed adventure that’s fun for the whole family.
Journey return to Japan for a very special concert filmed at Budokan. This concert film captures the iconic rock band recreating their legendary albums Escape and Frontiers, in an explosive rare performance. Opening with the iconic "Don't Stop Believin'", the band rips through a 2-hour set featuring songs such as "Who's Crying Now", "Separate Ways" and "Faithfully". After the close of their performance of Frontiers, Journey returns to the stage to perform two blistering extended encores. Blu-Ray+2CD Edition.
Inspired by the powerful true story of a young Ruth Bader Ginsburg (Academy Award nominee Felicity Jones), On the Basis of Sex depicts a then-struggling attorney and new mother facing adversity in her fight for equal rights. When Ruth takes on a ground-breaking case, she knows the outcome could alter the courts' view of gender discrimination. Stronger together, Ruth teams up with her husband, Martin Ginsburg (Armie Hammer), to fight the case that catapults her into one of the most important public figures of our time.
Academy Award winner Robert Zemeckis (Forrest Gump, Castaway) brings Welcome to Marwen, a bold, wondrous and timely film that is a miraculous true story of one broken man's fight as he discovers how artistic imagination can restore the human spirit. When a devastating attack leaves Mark Hogancamp (Steve Carell) shattered and without his memory, no one expected recovery. But by putting together pieces from his old and new life, Mark meticulously creates a wondrous fantasy world, where he draws strength to triumph in the real one. His astonishing art installation becomes a testament to the powerful women who support him on his journey.
The Step Brothers are reunited – this time playing the world’s greatest detective and his loyal sidekick & biographer – as Will Ferrell and John C. Reilly star as Holmes & Watson. Together they join forces to solve a murder at Buckingham Palace. They soon realize that they only have 5760 minutes to solve the case, or the Queen will be next.
From acclaimed director Mamoru Hosoda (Wolf Children) comes a daringly original story of love passed down through generations. When four-year-old Kun meets his new baby sister, his world is turned upside down. Named Mirai (meaning "future"), the baby quickly wins the hearts of Kun's entire family. Kun becomes increasingly jealous of her, until one day he storms off into the garden, where he encounters strange guests from the past and future – including his sister Mirai, as a teenager. Together, Kun and Mirai go on a journey through time and space, uncovering their family's incredible story, in this magical and emotionally soaring adventure about the ties that bring families together and make us who we are.
Based on the beloved bestselling novel, A Dog’s Way Home chronicles the heartwarming adventure of Bella (voiced by Bryce Dallas Howard), a devoted dog who embarks on an epic 400-mile journey home after she is separated from her beloved human.
Brutalism is quite possibly the best collection of songs in The Drums’ ten-year career. The album is defined by growth, transformation and questions, but it doesn’t provide all the answers. Brutalism is a form of simplistic architecture defined by blocks of raw concrete. Brutalism is rooted in an emotional rawness but its layers are soft, intricate and warm, full of frivolous and exquisitely crafted pop songs that blast sunlight and high energy in the face of anxiety, solitude and crippling self-doubt. Even the fact that Brutalism sounds intentional, focused and efficient is a symbol of how Pierce’s prioritizing of his own health and wellbeing has bled into how he makes music. For the making of this album, between his lake house in Upstate New York and a studio in Stinson Beach, California, Pierce was more open than ever, keeping his control freakery at bay, working with others to produce and record the album. He brought in Chris Coady (Beach House, Future Islands, Amen Dunes) to mix it. If there was a guitar part he wanted to write but couldn’t play, he brought in a guitarist. It’s also the first Drums record with a live drummer. Delegating freed up Pierce’s time to produce a more specific vision. His intentions were rooted in pop, as they’ve always been. Back in The Drums’ previous iterations, however, the pressure was on Pierce to maintain the innocent and nostalgic sound of this surf-pop indie band and it didn’t allow him to explore sex, drug use, darker emotions or how he felt currently. Abysmal Thoughts was the first occasion he had chance to do that. Lyrically Brutalism is another giant step in that direction. It’s much more cut-throat. “I think there’s a parental advisory sticker on the cover!” laughs Pierce. “I didn’t have the courage to stand up for what I wanted before. I felt I had to keep things whimsical and that’s not who I am. It feels empty.” Sonically he had been devoid of external influences, so afraid of being accused of losing the purism of The Drums’ sound. Now he’s rediscovering music: everything from SOPHIE to 90s band Whale. They inspired the loop-based, breakbeat drums on ‘Kiss It Away’ and ‘Body Chemistry’. “I used to think our songs sounded like they were held together by scotch tape. These are more bulletproof.”
The phantom zone, the parallax, the upside down—there is a rich cultural history of exploring in-between places. Through her latest, Titanic Rising, Weyes Blood, a.k.a. Natalie Mering, has designed her own universe to soulfully navigate life’s mysteries. Maneuvering through a space-time continuum, she plays the role of melodic, sometimes melancholic, anthropologist. Tellingly, Mering classifies Titanic Rising – which was written and recorded during the first half of 2018, after three albums and years of touring - as the Kinks meet WWII or Bob Seger meets Enya. The latter captures the album’s willful expansiveness (“You can tell there’s not a guy pulling the strings in Enya’s studio,” she notes, admiringly). The former relays her imperative to connect with listeners. “The clarity of Bob Seger is unmistakable. I’m a big fan of conversational songwriting,” she adds. “I just try to do that in a way that uses abstract imagery as well.” The Weyes Blood frontwoman grew up singing in gospel and madrigal choirs. (Listen closely to Titanic Rising, and you’ll also hear the jazz of Hoagy Carmichael mingle with the artful mysticism of Alejandro Jodorowsky and the monomyth of scholar Joseph Campbell.) “Something to Believe,” a confessional that makes judicious use of the slide guitar, touches on that cosmological upbringing. “Belief is something all humans need. Shared myths are part of our psychology and survival,” she says. “Now we have a weird mishmash of capitalism and movies and science. There have been moments where I felt very existential and lost.” As a kid, she filled that void with Titanic. (Yes, the movie.) “It was engineered for little girls and had its own mythology,” she explains. Mering also noticed that the blockbuster romance actually offered a story about loss born of man’s hubris. “It’s so symbolic that The Titanic would crash into an iceberg, and now that iceberg is melting, sinking civilization.” Today, this hubris also extends to the relentless adoption of technology, at the expense of both happiness and attention spans. But Weyes Blood isn’t one to stew. Her observations play out in an ethereal saunter: far more meditative than cynical. To Mering, listening and thinking are concurrent experiences. “There are complicated influences mixed in with more relatable nostalgic melodies,” she says. “In my mind my music feels so big, a true production. I’m not a huge, popular artist, but I feel like one when I’m in the studio. But it’s never taking away from the music. I’m just making a bigger space for myself.”
Recorded in just one month, Circa Waves renew their blossoming co-producing relationship with Alan Moulder (Foals, The Killers) for an album that's creatively unshackled and refuses to stay still. What's It Like Over There? fuses the visceral thrill of rock music with a slick pop sound, brimming with themes of modern ennui, emotional fragility and the inside-outs and upside-downs of relationships. While the anthemic ''Movies'' will appeal to the band's long-standing fanbase, the likes of ''Sorry I'm Yours'' and ''Be Somebody Good'' see Circa Waves experiment with a new progressive sound that will surprise and delight in equal measure. A union of emotional depth and intricate songcraft, What's It Like Over There? will become an album their fans can't live without. Circa Waves have embraced the mindset that they're allowed to create whatever they want and the results are stunning.
For the Morning, written and produced by Ramsey, connects the listener to this setting with dexterous guitar fingerpicking and radiant acoustic piano; affecting pedal steel and gorgeous languid vocals. Ramsey, along with engineer Kevin Ratterman (My Morning Jacket, Ray LaMontagne, Joan Shelley, Strand of Oaks) and Seth Kauffman of Floating Action (and touring musician for Jim James, Ray LaMontagne) recorded a clutch of Ramsey demos at La La Land studios in Louisville, KY. For The Morning is complemented by spots from several guest musicians, including Joan Shelley, Thad Cockrell, and Molly Parden who sing harmony on various tracks, the pedal steel player Russ Paul, Nathan Salsburg and Gareth Liddiard from The Drones on guitar.
7"vinyl singles box set of nine previously unreleased recordings from the era during which Space Oddity was first conceived.
The title ‘Spying Through A Keyhole’ is a lyric taken from the previously unknown song, Love All Around, and though most of the other titles are known, these versions have never been officially released until late 2018. Most of the recordings are solo vocal and acoustic home demo performances, unless otherwise stated.
The photography that adorns the box front and the print inside is by Ray Stevenson and was taken in Tony Visconti’s flat in the summer of 1968.
The design of each single label is presented to reflect the way David sent many of his demos to publishers and record companies, featuring his own handwritten song titles on EMIDISC acetate labels. The singles themselves are all mono and play at 45 r.p.m.
The Cure to Loneliness finds Jai Wolf completing his evolution from upstart bedroom remixer to future bass DJ to dream pop artist and builder of lush musical worlds. While still very much a dancefloor-focused endeavor, some tracks on the debut conjure the angular songs of The Strokes and Phoenix, while weaving melodies through the sugary happysad of M83 and CHVRCHES, and throw up walls of sound touched by Explosions in the Sky all while maintaining the melodious polish and evocative groove to which fans around the world have grown so close. 'In my heart, this album is me,' says Jai Wolf, better known to some as Sajeeb Saha. 'From the sounds to the lyrics, it's everything that I've always wanted to do.' While the dance music world becomes more ubiquitous, Jai Wolf has taken a different approach under the wing of indie darling label Mom+Pop (Courtney Barnett, Flume, Jagwar Ma, Alina Baraz), largely eschewing singles to focus on patiently crafting The Cure to Loneliness over the course of the past two years. The result is a thoughtfully framed, confidently expressed musical vision that will tug at heartstrings in 2019 and long beyond. The album is available everywhere April 5th, 2019.
Amidst The Chaos is the brand new, sixth studio album from acclaimed Grammy and tony award winning Sara Bareilles. The 12-track album features her recently released single "Armor", and the new single "Fire" out now.
Free Spirit is the second studio album by Khalid, set to be released on April 5, 2019, through RCA Records. It is the follow-up to his 2018 EP Suncity, and includes the single "Talk". Khalid also announced the release of a short film directed by Emil Nava to accompany the album.
Ceschis music lives in some liminal space between left-field hip hop, folk punk and indie rock. Its hard to explain, so on planes he generally tells people that he sounds something like like Ed Sheeran, and they nod. He has worked with Saskatchewan, Canadian producer Factor Chandelier for over a decade as they formed the backbone of their Fake Four Inc. record label. Their 2015 record, Broken Bone Ballads built a cult following within the indie rap and DIY punk communities. 2019s Sad, Fat Luck is part eulogy to many lost friends, part breakup album, part US-born-Latino analysis of Trumps America, and part ode to aging. Features guest vocals from Sammus & Astronautalis. Sad, Fat Luck will be released April 5th, 2019 on Fake Four Inc
In an era when networked access to information is nearly universal and wearing influences on your sleeve is normalized, it often feels like everything’s been done. Which begs the questions: What’s the point of creating? Does the world need another still life of fruit? Another film about love? Does the world need another melody?
On Raw Honey, his second album as Drugdealer, Michael Collins colors these existential conundrums with lush arrangements, memetic melodies, and a vulnerable tunefulness that tries to make sense of self-doubt and connected loneliness in our shared simulacra.
Collins, who never played an instrument, let alone received musical training in any formal capacity, began experimenting with sounds in 2009 after traversing the US on freight trains. After a few years crafting abstract sampledelia, he decided to forgo his experimental exercises in favor of teaching himself how to write the traditional song. In doing so, he made the decision to approach songwriting from the perspective of a listener, rather than a “musician.”
In 2013, Collins headed west and enmeshed himself in the Los Angeles underground scene. It was then that he began collaborating with players in the orbit of Ariel Pink, slowly over time crafting what would become Drugdealer’s debut album, The End of Comedy, a collection of sunlit songs as indebted to Laurel Canyon psych pop as it is Bacharian orchestration.
Raw Honey continues where The End of Comedy left off, with Collins once again leading an ace crew of collaborators to coalesce the spirit of Drugdealer’s classically modern pop. Built on the foundation of a creative partnership between Collins, Sasha Winn (vocals) and Shags Chamberlain(bass, production), Drugdealer is more a collective than band. Raw Honeyfeatures contributions of Josh Da Costa (drums), Jackson MacIntosh(guitar), Danny Garcia (guitar), Michael Long (lead guitar), and Benjamin Schwab (backing vocals, guitar, organ, piano, wurlitzer), as well as guest vocalists like country balladeer Dougie Poole (“Wild Motion”), Harley Hill-Richmond (“Lonely”), and frequent collaborator Natalie Mering (Weyes Blood) whose dulcet tones sing low before soaring on “Honey,” a track as silky as the nectar itself.
Throughout Raw Honey, Collins and crew display their influences as a new tapestry, one woven with the recycled fibers from thousands of tapestries that have colored our collective listening histories. As evidenced throughout Raw Honey, Collins has an ear for penning numbers that would sound as at home on Classic Rock radio as they would at Zebulon in Los Angeles, where any of the contributors to Raw Honey could, perhaps, be found on any night of the week, on stage, or in the audience supporting another Angelino’s modern pop aspirations.
Rather than hiding behind a curtain or casually sidestepping AOR tropes, Raw Honey adheres to a modern kind of creation — one that cultivates influences and espouses reverence. An honest totem, Raw Honey isn’t tangled up in social norms, with Collins prefering to air his self-doubt as a northern star to guide like-minded people wherever they need to go.
Drugdealer’s Raw Honey will be released on April 19, 2019 via Mexican Summer.
Honk is the brand-new Best Of compilation album featuring the biggest hits and classic cuts from every Rolling Stones studio album from 1971 to 2016’s Blue & Lonesome. The 2LP collects 20 essential Stones’ tracks – including eight Top 10 singles, “Brown Sugar,” “Tumbling Dice,” “Angie,” “It’s Only Rock’n’Roll (But I Like It),” “Fool To Cry,” “Miss You,” “Emotional Rescue” and “Start Me Up.” and more. The album also features a live version of “Wild Horses” featuring Florence Welch.
The experience of Daniel Norgrens music is marked by connection: the artist to the band, the audience to the music, and the body to the soul. His latest album, Wooh Dang, out April 19, 2019 on Superpuma Records, will be Norgrens first worldwide release. Recorded live and entirely on a 16 track analogue rig the album captures the close chemistry between Norgren and his band, comprised of old friends Anders Grahn (bass), Erik Berntsson (drums), and Andreas Filipsson (guitar and banjo). An intertwining of analog instrumentation, live performance, and rural field recordings, Wooh Dang is rife with a deeply hopeful creative intention. It's red blooded, alive, and coursing with equal parts adrenaline and seratonin. Wooh Dang was a real fun album to make and to me its been the world for the last few years, says Norgren. Thanks for taking the time. I hope you enjoy it.
Technicians! Tech N9ne is set to release his newest album, N9NA. Where his previous album, Planet, was about everyone, this is more focused and introspective, honing in on what makes Tech N9ne who he is. With standout tracks like “FTI 2.0” and the title track, “N9NA”, this is sure to be an album bookmarking where Tech is at this point in his life and career. Be on the lookout for 4 music videos Strange Music will be dropping from the album N9NA!
Jade Bird - the debut self-titled debut album via Glassnote Records. Featuring breakthrough singles Lottery, Uh Huh & Love Has All Been Done Before. Twisting big themes of disillusionment, divorce, cheating, sorrow into the realities of an independent-minded, modern British teenager, Jade's music transcends genre with a wealth of influence coming from everywhere, and anywhere. Classic, contemporary, and a total breath of fresh air in the current musical landscape, Jade Bird is that rare, next-generation artist who appears as clued up on the past as she is determined to learn from it's lessons: in control, sometimes in your face, and in possession of gifts beyond her years.
+ After The Burial “Evergreen” will be available Digitally, CD and on VINYL + ATB will tour consistently throughout 2019, 2020 and 2021 in support of the new album + Consumer ad plan includes social media platforms such at Facebook and Instagram, in addition to search engine redirection associated campaign efforts, and both digital and physical publications + Music videos to be created for focus singles off the record, going live on Sumerian’s YouTube channel (1.7M subscribers) + Servicing Metal Radio Campaign (Liquid Metal at SiriusXM / Full Metal Jackie etc.) + Set up campaign will include aggressive promotion, contesting and engagement efforts on band & label social media accounts while utilizing digital/video commercial assets on all platforms, and thorough street-team efforts online and with hand-to-hand flyering + In-Store campaigns and listening station programs targeted for mass exposure
Critically acclaimed Los Angeles band JOHNNYSWIM—led by husband-and-wife Abner Ramirez and Amanda Sudano—unveil their third full-length album, MOONLIGHT, on April 19. This marks the group’s first release under their newly minted deal with Britannia Row Recordings and BMG. Throughout 2018, JOHNNYSWIM carefully crafted what would become the new album alongside GRAMMY® Award-winning producer and songwriter Malay [Frank Ocean, Sam Smith], working out of both his Brooklyn apartment and his recently opened Britannia Row Recordings studio in Hollywood. Together, they expanded the band’s musical palette, while honing its signature songwriting. Invariably inspired by the final product, Malay went on to sign them to Britannia Row Recordings as well. Introducing the record, JOHNNYSWIM has released the first single, “Bridges.” Driven by a robust guitar riff and propulsive percussion, Amanda and Abner congregate on an uplifting harmony that’s as fresh as it is fiery. Elsewhere on the 12-track collection, warm acoustic plucking and a thick groove underscore the chant of “Say What You Will,” while “Amanda” serves as a tender letter from husband to wife. Meanwhile, legendary crooner Michael McDonald lends his immortal wail to downright anthemic “The Last Time.” Simply put, they shine like never before in the new year on MOONLIGHT. To celebrate the impending arrival of the album, JOHNNYSWIM have announced an extensive tour for 2019 that kicks off May 3rd in St Louis and wraps on June 14th in Los Angeles.
“On Monday 15th January this year Dolores O’Riordan died in London. Two days later she was due to come into BMG and play us the song demos for a new Cranberries album. At this point none of us believed there would be another studio album from the band.
A couple of months later the remaining band members (Noel, Fergal & Mike) listened through to the vocals with producer Stephen Street and with the full support of Dolores’s family the decision was taken to take the vocal tracks and for the band to complete the recording of the album. This was a direct reaction to the strength of the material Dolores had left as her legacy.
The end result is a euphoric alternative rock albumon a par with the band’s best work, and together with the striking album artwork (by original band photographer Andy Earl and original sleeve designer Cally Calloman), celebrates vitality and optimism albeit tinged with tremendous poignancy.”
Audiences from Manchester to Melbourne, London to Los Angeles, Newcastle to New York, and everywhere in between have been engulfed by the swell of eager sentiment propelled from a vociferous fanbase. Catfish and the Bottlemen possess a magnetic and dynamic focal point in McCann, renowned for posing everyday, easilyidentifiable observations through his lyrics.
If you distilled California into soundwaves and vibrations, it might resemble the sonic and spiritual interplay of the Los Angeles quintet Local Natives. VIOLET STREET revels in its stylistic eclecticism ranging from kinetic and propulsive pop (“When Am I Gonna Lose You”) to sun-drenched grooves (“Cafe Amarillo”) and stark emotive ballads (“Tap Dancer”). Produced by Shawn Everett (Kacey Musgraves, War On Drugs, Alabama Shakes), their 4th full length album proves to be their most diverse and mature set of tunes, from production through song writing.
Rodrigo y Gabriela are ready to embark on the next chapter of their remarkable story, with the release of their first studio album in 5 years. The new album, Mettavolution, will be released April 26 via ATO Records.
Three years in the making, Mettavolution brings together Rod and Gab's passionate interest in Buddhism, the history of human evolution and the liberation of the potential we have as a species; all expressed through the medium of two acoustic guitars. Conceived and composed in their studio in Ixtapa on the Mexican Pacific Coast, then road-tested in South America and the USA in 2017, a long list of new material has been distilled down to six new Rodrigo y Gabriela compositions and one audacious, jaw-dropping cover song.
Recorded in Los Angeles, producer Dave Sardy, -- best-known for his work with Oasis, LCD Soundsystem, A Perfect Circle and Band of Horses -- has helped Rod and Gab to a new recording career pinnacle.
Josh Ritter is returning this year with a new full-length, his tenth studio LP and follow-up to 2017’s Gathering. The Americana songwriter’s latest album, Fever Breaks, spans 10 tracks recorded at Nashville’s RCA Studio A over the second half of the past year. Jason Isbell produced the effort, which features his band The 400 Unit playing backup. It’s an exciting confluence of talents, and the promised chemistry bears out on the album’s gritty lead single “Old Black Magic”.
ScHoolboy Q’s third official studio album CrasH Talk will be released on April 26, 2019 through Top Dawg
Entertainment / Interscope Records. It is the follow up album to Q’s 2016 album Blank Face which peaked at #2 on
the Billboard 200 and Oxymoron (2014) which peaked at #1.
Remastered from the rare analog tape the special edition vinyl will be on 2LP for the first time. Limited double vinyl LP repressing of this 1988 debut album from the Rap kingpin. The Great Adventures Of Slick Rick topped Billboard's R&B/Hip Hop albums chart for five weeks and peaked at #31 on the Billboard 200 chart.
Rob Thomas is one of the most distinctive artists of this or any other era - a gifted vocalist, spellbinding performer, and accomplished songwriter known worldwide as lead singer and primary composer with Matchbox Twenty as well as for his multi-platinum certified solo work and chart-topping collaborations with other artists. Among his countless hits are solo classics like "Lonely No More," "This Is How A Heart Breaks," and "Streetcorner Symphony," Matchbox Twenty favorites including "Push," "3AM," "If You're Gone," and "Bent," and of course"Smooth," his 3x RIAA platinum certified worldwide hit collaboration with Santana.
Thomas made his solo debut with 2005's platinum certified "...SOMETHING TO BE" and immediately made history as the first album by a male artist from a rock or pop group to ever debut at # 1 on the Billboard 200.
You're The Man is the first-ever planned 'lost' Tamla/Motown album from Marvin Gaye. Includes three tracks newly mixed by SaLaAM ReMi. The album also includes a rare long version of Marvin Gaye's cancelled Christmas single, as well as an unreleased vault mix of its instrumental B-side, and new essay by Marvin's biographer, David Ritz. You're The Man was the album originally proposed to follow-up the monumental What's Going On. The release coincides with the 60th anniversary of the Motown label and also Marvin Gaye's 80th Birthday (April 2).
“High Crimes” is the first album in 8 years from The Damned Things. Fronted by Keith Buckley (Every Time I Die) and backed up by the likes of Scott Ian on guitar (Anthrax), Joe Trohman also on guitar (Fall Out Boy), Andy Hurley on drums (Fall Out Boy) and Dan Andriano on bass (Alkaline Trio), The Damned Things sprung out of Ian and Trohman’s love of Thin Lizzy and catchy, dirty rock ‘n roll. The band’s Nuclear Blast debut was recorded by Jay Ruston (Fall Out Boy, Coheed and Cambria etc) and will be released April 26 2019.
Following 2015's beautifully written introspective album 'Golden Age,' singer-songwriter Chris Staples is back with his upcoming full length release, 'Holy Moly.' While maintaining the authentic reflection Staples is known for in his songwriting, he has embraced a cautiously optimistic outlook for his future. Staples finds gentle melodies with his trademark stripped-back guitar, and also introduces new sounds by integrating keyboards for sonically lush arrangements. Staples' previous releases were met with praise from NPR's All Songs Considered, American Songwriter, Paste, The AV Club, and more.
Available for the first time on vinyl, the album was originally released in 1994, to critical acclaim on Hightone Records. The remastered, expanded edition includes a previously unreleased instrumental studio track, “Riverbed Rag,” along with bonus material.
‘High Expectations’ is that rare record which feels both like a graduation and, also, just the beginning for Mabel. The twice-Brit-nominated singer and songwriter has already sold over 3 million singles in the UK (two platinum, three gold, and two silver), surpassed 1 billion streams, and sold out the likes of Brixton Academy. Across her formative singles and first long-form project, ‘Ivy To Roses’, Mabel has written with startling honesty on young love, identity, girl power, and mental health – knowing full-well that she would make her debut album only when she was ready. And on that road to her first record, Mabel’s music has become a soundtrack – for her impassioned young female fanbase, but also for herself – on how to turn those vulnerabilities into your advantages. Now poised to join the pantheon of international pop greats, her tireless energy, positivity and drive will never allow Mabel to settle for anything less than ‘High Expectations’. In 2019, watch Mabel meet them and keep reaching higher still.