Shawn Mendes to release highly anticipated self-titled album on 5/25 via Island Records. The album will include previously released tracks, 'In My Blood' and 'Lost In Japan.' Current single 'In My Blood' is quickly approaching Top 10 airplay at Top 40 and Hot AC radio formats. He will support the album with numerous media appearances, which will include a week-long residency on 'The Late Late Show with James Corden' in June.
Since releasing their debut album in 1998, Snow Patrol has gone on to be one of the biggest acts in the world. With over 10 million global album sales, 1 billion global track streams, 5 UK Platinum awards, 6 BRIT Award nominations, 1 GRAMMY nomination, 1 Mercury Music-Prize nomination, a massive and passionate fan base, the band is back with their 7th album, Wildness, out 5/25. Wildness follows Snow Patrol's 2011 record, Fallen Empires, and finds the group reuniting with longtime producer Jackknife Lee.
Seeing The Unseeable brings all four studio albums that the band released on Restless Records between 1984 and 1990: Hear It Is (1986), Oh My Gawd!!!...The Flaming Lips (1987), Telepathic Surgery (1989) and In A Priest Driven Ambulance (With Silver Sunshine Stares) (1990). Among the set’s many sonic treasures are: “Godzilla Flick,” “Unconsciously Screaming,” “One Million Billionth Of A Millisecond On A Sunday Morning” and their cover of the classic “(What A) Wonderful World.”
The set is also packed with rare recordings originally released as b-sides, flexi discs, and on various compilations like, the Sub Pop single “Strychnine/Peace, Love And Understanding” and a cover of “After The Gold Rush” from a 1989 Neil Young tribute album Also included is The Mushroom Tapes, the series of demos for the band’s final Restless album, In A Priest Driven Ambulance, only previously issued on the Rykodisc compilation CD, The Day They Shot A Hole In the Jesus Egg.
Single LP on black vinyl in gatefold. Includes coupon for full download.
Tracyanne & Danny is a new collaborative project between singer-songwriters Tracyanne Campbell (Camera Obscura) and Danny Coughlan (Crybaby). Tracyanne hails from Glasgow, Scotland. London-born Danny is based in Bristol, England. Their paths first crossed in 2013 when introduced by mutual music industry pals. Tracyanne dug Danny’s Crybaby album (released on Helium Records) and invited him to open some Camera Obscura shows in the UK. Mutual artistic respect led to the swapping of song ideas, but tentative plans to work together were set aside while Camera Obscura wrote, recorded, released, and promoted their fifth album Desire Lines. Following the death of Camera Obscura’s Carey Lander, all band activity stopped. Time passed. Tracyanne and Danny revisited the idea of collaborating. A pool of songs were honed and crafted. On the suggestion of their manager (and Teenage Fanclub drummer) Francis Macdonald, they recorded at Clashnarrow, a studio in Helmsdale in the highlands of Scotland owned by the esteemed Edwyn Collins.
Produced by Chris Bond (Ben Howard, Tom Speight) and mixed by Tim Palmer (Pearl Jam, David Bowie, U2), Xavier Rudd's forthcoming album Storm Boy - his ninth studio album, and first solo album in six years - showcases his incomparable songwriting craftsmanship and is an impressive addition to his ever-growing legacy.
It would be nearly impossible to mistake anyone else for Jonathan Davis. A true original, the Bakersfield, CA singer, songwriter, composer, producer, and multi-instrumentalist indelibly impacts millions as frontman for alt-metal/rock game-changers KoRn—whose accolades encompass two GRAMMY® Award wins, worldwide sales of 40 million-plus, and countless sold out shows in nearly every corner of the globe. Throughout over 20 years in music, his presence coursed through the film scores, contributions to popular video game franchises, and official remixes for the likes of Steve Aoki and more. Along the way, he lent his voice to tracks for everyone from Linkin Park to Tech N9ne. However, 2018 sees him doing something he has yet to do: release his first solo album. Writing and recording on the road, he played guitar, keys, and anything else he could get his hands on. Moreover, the music was primarily record live. Led by the single “What It Is,” it continues a tradition by boldly treading new territory. “I’ve always got to be different,” he leaves off. “Once again, I’m doing something I haven’t heard before. This is my swan song. It’s my fucking masterpiece up to this point.”
"Nothing Compares 2 U" contains the original version of the iconic song. This previously unreleased version was recorded in 1984, six years before 1990's classic reimagining by Sinéad O'Connor and before Prince started performing the song live. The track was recorded at the Flying Cloud Drive 'Warehouse' in Eden Prairie by Prince's long-time engineer Susan Rogers, and originally composed, arranged and performed in its entirety by Prince, aside from the backing vocals by Susannah Melvoin and Paul "St. Paul" Peterson. Also featured on the original track is saxophone work by Eric Leeds.
Alone With Chrissie Hynde follows the Pretenders’ lead singer across a year as she moves between Paris, London, New York, Nashville and her hometown of Akron, Ohio. Chrissie talks about her life, her music, her painting and the issues that matter to her most. There’s coverage of the band in Nashville during the recording sessions for the Alone album and live performance clips of many tracks from the album as well as archive clips of classic tracks such as “Brass In Pocket” and “Back On The Chain Gang”. Complementing the film is a bonus full length concert performance by the original line-up of the Pretenders from the Sartory-Säle in Cologne, Germany from July 1981, which was filmed for the famous Rockpalast music TV series.
Pretenders Line-up 1981 Chrissie Hynde (vocals, guitar); Martin Chambers (drums, vocals); Pete Farndon (bass, vocals); James Honeyman-Scott (guitar, vocals)
*Loser Edition on metallic purple vinyl w/ jacket variation while supplies last*
Written largely in New York between summer 2016 and winter 2017, Josh Tillman’s fourth Father John Misty LP, God’s Favorite Customer, reflects on the experience of being caught between the vertigo of heartbreak and the manic throes of freedom.
God’s Favorite Customer reveals a bittersweetness and directness in Tillman’s songwriting, without sacrificing any of his wit or taste for the absurd. From “Mr. Tillman,” where he trains his lens on his own misadventure, to the cavernous pain of estrangement in “Please Don’t Die,” Tillman plays with perspective throughout to alternatingly hilarious and devastating effect. “We’re Only People (And There’s Not Much Anyone Can Do About That)” is a meditation on our inner lives and the limitations we experience in our attempts to give and receive love. It stands in solidarity with the title track, which examines the ironic relationship between forgiveness and sin. Together, these are songs that demand to know either real love or what comes after, and as the album progresses, that entreaty leads to discovering the latter’s true stakes.
God's Favorite Customer was produced by Tillman and recorded with Jonathan Rado (Foxygen), Dave Cerminara (Jonathan Wilson, Foster the People, Conor Oberst), and Trevor Spencer (FJM). The album features contributions from Haxan Cloak, Natalie Mering of Weyes Blood, longtime collaborator Jonathan Wilson, and members of Misty’s touring band.
On the heels of her 2015 break-through debut album Natalie Prass’ new album ‘The Future and the Past’ is a celebratory & defiant impassioned call for compassion & love in the face of the current US political climate. Prass taps into deep, dancey grooves that glisten with 80s pop and 90s R&B nestled alongside quivering, lushly orchestrated ballads. The album was produced by Matthew E. White at his Spacebomb Studios & mixed by Blue (Solange, Nas, Blood Orange) & Michael Brauer (Coldplay, Phoenix)
Prequelle follows Ghost's third studio album, Meliora, and its accompanying EP Popestar, which elevated the Swedish rock band into the pantheon of the greatest rock bands on earth and resulted in a Grammy® Award for 'Best Metal Performance'. Prequelle delves into the plague, the apocalypse, and dark ages.
Producer/singer/songwriter Neko Case has won a large and loyal audience for her smoky, sophisticated vocals and the downcast beauty of her music. Now more than 23 years into her musical calling, Case is the consummate career artist--fearless and versatile, with a fierce work ethic and a constant drive to search deeper within herself for creative growth.
On June 1st, Anti- will release Neko Case’s ‘Hell On,’ an indelible collection of colorful, enigmatic storytelling that features some of her most daring, through-composed arrangements to date. Produced by Neko with help from Bjorn Yttling (Peter Bjorn & John), ‘Hell On’ is simultaneously the most accessible and most challenging album in a rich and varied career that’s offered plenty of both. Rife with withering self-critique, muted reflection, anthemic affirmation, and her unique poetic sensibility, the 12 tracks of ‘Hell On’ — which features collaborations such as Joey Burns, Beth Ditto, Kelly Hogan, KD Lang, AC Newman, Paul Rigby, Laura Veirs, and more.
Legendary front man of The Who, Roger Daltrey, to release brand-new studio album, 'As Long As I Have You,' on 6/1. 'As Long As I Have You' is Roger’s first solo album since 1992. The album will feature 11 new studio recordings of new Roger Daltrey written tracks and covers of tracks from the likes of Steve Stills, Parliament, Nick Cave, Stevie Wonder & Dusty Springfield. Additionally, the album features guitar from Pete Townshend. 'As Long As I Have You' was produced by the iconic producer Dave Eringa.
'Noonday Dream,' the highly anticipated new album from Ben Howard, is set for release 6/1 on Republic Records. 'Noonday Dream' was written and produced by Howard, with production contributions from regular collaborator and band-mate Mickey Smith. Howard's music has amassed well over half a billion streams to date and has earned the singer-songwriter an Ivor Novello Award nomination, the U.K.'s most prestigious songwriting accolade, in addition to two Brit Awards in 2012 for 'British Breakthrough' and 'British Solo Male Artist.'
Whether it's their collaboration with the legendary producer Rick Rubin, kudos from the likes of Zane Lowe and the BBC, or a string of memorable performances from the hills of Glastonbury to the deserts of Coachella, multi-instrumentalist and songwriter siblings Henry and Rupert Stansall, known by their amalgam-created moniker Ruen Brothers, are making a mark with throwback rock and roll sound that intersects the early days of the genre with a dynamic present day act. The two have gone from sleepy English steel town obscurity to craft-smiths.
In the lush tobacco fields of North Carolina where BJ Barham was raised, people work hard. Families stay nearby, toiling and growing together. BJ loves those farms and his tiny Reidsville hometown, but he had to run off and start American Aquarium, a band now beloved by thousands. BJ couldn’t stay. But he couldn’t really leave, either: he’s still singing about the lessons, stories, and lives that define rural America––and him. Recorded at 3CG Records in Tulsa, Oklahoma, American Aquarium’s seventh studio album, Things Change was produced by Grammy-nominated singer-songwriter John Fulbright and features cameos from Americana standouts including John Moreland and Jamie Lin Wilson. Stacked with BJ’s signature storytelling––always deeply personal but also instantly relatable––Things Change questions and curses current events, shares one man’s intimate evolution, and leaves listeners with a priceless gift: hope. BJ’s candor has fueled American Aquarium’s runaway appeal, visible most clearly in consistently sold-out shows across the country and throughout Europe - between 200 and 250 dates a year. Much has changed for the band and BJ since their acclaimed last effort, Wolves. In 2017, every American Aquarium member save BJ quit the group. American Aquarium has featured about 30 players since BJ founded the outfit in 2006, and while each member has left indelible marks, the band has always been anchored by the literary songs and sometimes roaring, sometimes whispering, drawl of BJ Barham. Featuring a new band lineup that includes Shane Boeker on lead guitar, drummer Joey Bybee, bassist Ben Hussey, and Adam Kurtz on pedal steel and electric guitar, as well as a reinvigorated frontman in BJ, Things Change is American Aquarium’s first release on a label after selling thousands of records on their own.
2018 collaboration between the singer/songwriter and actress/vocalist, and follow up to their 2009 album ‘Break Up’. Comprised of 5 new recordings, including the single “Bad Dreams” (a cover of Brooklyn-based band The Echo Friendly’s “Worried”), and a new version of “Tomorrow” (previously featured on Yorn’s 2014 album ‘ArrangingTime’). “If Break Up was dealing with an unraveling relationship, Apart is dealing with the aftermath,” Yorn explains. “It acknowledges the array of heavy emotions that come up living separate lives. You’re getting used to the idea of not being with someone who has been a big part of your life.” Scarlett Johansson adds, “Being able to revisit this project with Pete in a totally different context but within the same creative parameters is a unique artistic opportunity for me.”
Oneohtrix Point Never's Age Of is an album of new music from the renowned musician, out June 1st on Warp Records. It s Daniel Lopatin s most cohesive and richly composed work to date weaving a tapestry of disparate musical histories early music, country and folk balladry, melodic pop, computer music and much, much more demonstrating both the complexity and range of the artist's repertoire. With sounds that are unsettlingly familiar and uniquely his own Age Of guides us through an unclassifiable new world.
A pet project of Walt Disney's since 1939, this animated version of James M. Barrie's Peter Pan reached full fruition in 1953. Eschewing much of Barrie's gentle whimsy (not to mention the more sinister aspects of the leading character), Disney and his staff fashioned a cheery, tuneful cartoon extravaganza, which cost $4 million and reaped several times that amount. The straightforward story concerns the Darling family, specifically the children: Wendy, Michael and John. Wendy enjoys telling her younger siblings stories about the mythical Peter Pan, the little boy who never grew up. One night, much to everyone's surprise, Peter flies into the Darling nursery, in search of his shadow, which Wendy had previously captured. Sprinkling the kids with magic pixie dust, Peter flies off to Never-Never Land, with Wendy, Michael and John following behind.
The Mountain is Dierks Bentley's ninth studio album. The writing process came together quickly when Bentley returned to Telluride a short time later for a retreat with fellow songwriters Natalie Hemby, Luke Dick, Ross Copperman, Jon Randall, Jon Nite and Ashley Gorley. The bulk of the album’s songs, including the title track were written during that week, which Bentley describes as the most inspiring creative experience he’s ever had.
GRAMMY® Award-winning pair Jennifer Nettles and Kristian Bush are refreshing their musical visions while staying true to an authentic sound and emotive songwriting that has made Sugarland ubiquitous with Country music duos. The Georgia natives released their first new music in seven years with “Still The Same” setting the tone for their joint venture with Big Machine Records and UMG Nashville. Their highly-anticipated new album BIGGER will be released on June 8.
No Shame is Lily Allen's most personal, insightful and fully-formed record to date. It includes lead song "Trigger Bang" featuring Giggs, which The Guardian describes as, "a return to the melancholic pop that made her so intriguing." Working with collaborators Fryars, Mark Ronson, Vampire Weekend's Ezra Koenig, Burna Boy, P2J and Cass Lowe to create No Shame, Lily says her goal was to make an album that is "as truthful as possible." Speaking about the sense of catharsis that came with making the album, she says, "I believe that we as humans work through things by talking about them, and that's what making music is for me. It's sharing things that you hope are going to connect with people, not that are going to connect with algorithms."
This album combines the brilliant original vocal harmonies of The Beach Boys’ classics with brand new symphonic arrangements performed by the Royal Philharmonic Orchestra, creating a unique and special experience of these 17 iconic songs.
Los Angeles based, Swedish vocalist, producer, and songwriter Lykke Li released new single "deep end" and additional track "hard rain." The songs mark the long-awaited coming of so sad so sexy, Lykke Li's fourth full-length album and follow-up to 2014's critically acclaimed I Never Learn, due June 8th via RCA Records, her first release with the label.
After two decades at the forefront of all things guitar, a GRAMMY® Award win, 40 million-plus units sold between Alter Bridge, Creed, and his eponymous Tremonti, and countless other accolades, Mark Tremonti once again summited an uncharted creative peak in 2018. For the very first time, the guitarist and singer crafted an immersive concept and accompanying novel for Tremonti’s fourth full-length album and first for Napalm Records, A Dying Machine. Since emerging in 2012, he and his bandmates—Eric Friedman [guitar, bass] and Garrett Whitlock [drums]—have built the foundation for such an ambitious statement. Their full-length debut All I Was bowed in the Top 5 of the Billboard Top Hard Rock Albums Chart and Top 30 of the Top 200. The 2015 follow-up Cauterize hit the #1 spot on the Top Rock Albums chart on iTunes when it was released. 2015 saw the frontman take home “Best Guitarist” at the Loudwire Music Awards just a year removed from his 2014 “Riff Lord” win at the Metal Hammer Golden Gods. In between sold out headline gigs and festival appearances everywhere from Rock on the Range to Shiprocked!, 2016’s Dust maintained that momentum. With A Dying Machine, Tremonti reaches new heights like never before.
Following incredible success of multi-platinum hit singles – including “So Sick”, “Stay” and “Miss Independent”, and amassing over 20M+ adjusted albums worldwide with over 1 Billion YouTube views to date. He’s credited for songwriting Rihanna’s “Unfaithful,” Beyonce’s “Irreplaceable” and Mario’s “Let Me Love You” and more. The 3x GRAMMY-winning artist with 14 nominations under his belt – Ne-Yo returns with his upcoming seventh studio album, GOOD MAN. The three singles off the record “Good Man,” “Push Back (feat. Bebe Rexha & Stefflon Don)” and “Apology” show his versatility of sound. The record displays Ne-Yo’s growth musically and personally, and reconnects with classic R&B.
The Official Soundtrack to the new Eric Clapton documentary ‘Life In 12 Bars’, directed by Oscar-winner Lili Fini Zanuck. The documentary about the legendary 18-time Grammy winner premiered at the Toronto International Film Festival before Showtime bought the US TV rights. The 32-track double CD features 4 previously unreleased songs, and includes tracks by Clapton, Yardbirds, Derek & the Dominoes, Cream, John Mayall’s Bluesbreakers, Blind Faith, The Beatles, Aretha Franklin and Muddy Waters.
That's right, honey! A decade after their unforgettable eight-season run, comedy's most fabulous foursome is back. Eric McCormack, Debra Messing, Sean Hayes and Megan Mullally reprise their infamous roles as Will, Grace, Jack and Karen. The legendary James Burrows, director of every original Will & Grace episode, returns along with a slew of razor sharp jabs and dirty martinis. Behold once again, from the minds of Max Mutchnick and David Kohan, TV's wittiest ensemble ever.
It's rare that a band's debut album sounds as confident and self-assured as Rolling Blackouts Coastal Fever's Hope Downs. To say that the first full-length from the Melbourne quintet improves on their buzz-building EPs from the last few years would be an understatement: the promise those early releases hinted at is fully realized here, with ten songs of urgent, passionate guitar pop that elicit warm memories of bands past, from the Go-Betweens' jangle to the charmingly lo-fi trappings of New Zealand's Flying Nun label. But don't mistake Rolling Blackouts Coastal Fever for nostalgists: Hope Downs is the sound of a band finding its own collective voice.
Sometimes the catalyst for creating great art is simply being in the right place at the right time. For Arthur Buck, the new collaboration between singer-songwriter Joseph Arthur and guitarist Peter Buck, that place was Mexico, and that time was the fall of 2017. Specifically, a little town off the Baja coast named Todos Santos, with the Sierra de la Laguna mountains to the east and the bright blue Pacific stretching out infinitely to the west. It is here that Buck has, for the last several years, held the Todos Santos Music Festival, which he created with his wife, Chloe Johnson, in 2012, shortly after R.E.M. called it a day. Among the many artists who have played the festival is Joseph Arthur, who also happened to leave behind a guitar—a Dobro, specifically—after his last appearance there. And so last year he made the trek down to Todos Santos to pick up the instrument. Which is where he ran into Peter Buck.
That was the beginning of Arthur Buck. The creative result of this relationship is a vibrant 11-song collection that captures the spontaneity at the heart of the project—right down to the 1-2-3-4 count off from Buck that opens the record—with sounds and styles meshed together in an easy, almost playful manner. Tchad Blake was brought in to mix the proceedings, and the result is the new Arthur Buck—the result of a shockingly productive burst of inspiration.
Recorded with his band in Manchester at Marr's Crazy Face studios, 'Call The Comet' is the third solo record from the Smith's guitarist and follows 2013's critically acclaimed The Messenger and 2014's Playland; both of which made the UK top 10. "Call The Comet is set in the not-too-distant future" says Marr, "and is mostly concerned with the idea of an alternative society. It's my own magic realism." Songs include Actor Attractor, Walk Into The Sea, Bug and recent live favourite Spiral Cities. "The characters in the songs are searching for a new idealism, although there are some personal songs in there too. It's something that people like me can relate to." Says Marr.
In the months since the passing of Linkin Park vocalist Chester Bennington, Shinoda has immersed himself in art as a way of processing his grief. With no agenda, Shinoda hunkered down alone in his Los Angeles home and began writing, recording, and painting. In January, he released the Post Traumatic EP consisting of three deeply personal songs - each one a powerful, stream-of-consciousness expression of unvarnished grief - accompanied by homemade visuals that Shinoda filmed, painted and edited himself. The response was overwhelmingly positive,with New York Times stating "The tracks are reverberant electronic dirges; the rhymes, heading into sung choruses, testify to bewilderment, mourning, resentment, self-pity and questions about what to do."
Following the EP release, Shinoda continued to create, and the result is the upcoming Post Traumatic, a transparent and intensely personal album that, despite its title, isn't entirely about grief, though it does start there. "It's a journey out of grief and darkness, not into grief and darkness," Shinoda says. Ultimately, Post Traumatic is an album about healing. The songs, though specific about Shinoda's experience with loss, manage to be universally relatable, thanks to their honesty and heart. "If people have been through something similar, I hope they feel less alone," he says. "If they haven't been through this, I hope they feel grateful."
Melody's Echo Chamber (aka Melody Prochet) has confirmed her second album, Bon Voyage, will be released on June 15th on Fat Possum Records. Made up of seven expansive tracks, Bon Voyage marries Melody's breathless soprano to the wildest sonic excursions, always pinned to an emphatic, clattering groove as she delivers her fables of spiritual search and emotional healing in multiple tongues (French, English and Swedish).
Bon Voyage is a collaborative record between Prochet and Dungen's Reine Fiske and The Amazing's Fredrik Swahn with Melody sculpting and producing the sessions as well as encouraging the players around her to experiment, often with instruments that might be less familiar to them. It also features special guests Gustav Esjtes and Johan Holmegaard (both from Dungen) and Nicholas Allbrook (Pond).
Multiple Grammy Award winner, Norah Jones, plays an exclusive sold-out show at the world-famous Ronnie Scott’s Jazz Club in London. This wonderfully intimate live performance film sees Jones return to the piano, accompanied on stage by drummer Brian Blade and bassist Chris Thomas to form a classic jazz trio. The group play tracks from Jones’ sixth solo album Day Breaks and a selection of hits from her extensive catalogue including the hit singles, 'Carry On', ‘Flipside' and 'Don’t Know Why’.
John Boyega (Star Wars series) is the rebellious Jake Pentecost, a once-promising Jaeger pilot whose legendary father gave his life to secure humanity's victory against the monstrous "Kaiju". Now an even more fearsome alien threat has been unleashed on the world and Jake is called back into action by his former co-pilot, Lambert (Scott Eastwood), and a 15-year-old Jaeger hacker, Amara (Cailee Spaeny). Rising up to become the most powerful defense force to ever walk the earth, they will set course for a spectacular all-new adventure on a towering scale.
Passenger is Mike Rosenberg, the Brighton-born singer/songwriter known for busking his way to the global hit “Let Her Go” which topped the charts in 19 countries. Produced by Rosenberg, along with longtime collaborator Chris Vallejo, the new album is largely inspired by the North American landscape and geography, both musically and lyrically, and taps into Rosenberg’s family roots in New Jersey. This brings a fresh new approach and sound, and speaks to the road going traveler in all of us.
Although civilization’s transition into a cyborg world seems inevitable, there are still those who recognize the beauty and power of a human touch to complement the circumvention. Jack Tatum understands this balance, and through a decade making music as Wild Nothing he has learned to embrace both sides of that dynamic—but perhaps never as distinctly as on Indigo, the fourth Wild Nothing album. On one hand, it is a return to the fresh, transcendent sweep of his debut, 2010’s Gemini, and on the other, a culmination of heights reached, paths traveled, and lessons learned while creating the follow-ups, Nocturne and Life of Pause. Indigo finds Tatum at his most efficient, calculated, and confident—resulting in an artful blend of hi-fi humanity and technology that fires on all circuits and synapses.
To make Indigo, Tatum confronted the Man vs. Machine dichotomy by seizing on the surrounding synergy. Finding the right people to work on the album was integral, as was the proper place to record it. So, Tatum booked four days at legendary Sunset Sound’s Studio. Afterwards, producer Jorge Elbrecht (Ariel Pink, Gang Gang Dance, Japanese Breakfast) and Tatum built out the rest of the album’s sound by adding new parts and repurposing sounds from Tatum’s demos. The resulting Indigo is its own cyborg world, utilizing the artful mechanisms of human touch with the precision of technology to create the classic, pristine sound Tatum had been seeking his entire career. From the opening drum beat, chiming guitar, and sweeping synth of “Letting Go” to Tatum’s Bryan Ferry vocal turn on “Oscillation” to the ’80s-heavy blips, clicks, and strut of “Partners in Motion,” it’s clear that Indigo is at once vintage Wild Nothing and a bold, new leap into a bigger arena.
Most people know Aaron Lee Tasjan as one of the wittiest, most offbeat, brilliant, weed-smokin’ & LSD microdosin’ Americana troubadours writing and singing songs today. And the New York Times, NPR and Rolling Stone will all gladly corroborate. But steel yourselves, folk fans, because he’s about to follow his restless muse straight out from under the weight of everyone’s expectations into the kind of glammy, jingle-jangle power-pop- and- psych-tinged sounds he hasn’t dabbled in since his younger days playing lead guitar for a late-period incarnation of The New York Dolls.
Karma for Cheap is Tasjan’s third LP and second for his label New West Records, based in his current hometown of Nashville. The record was co-produced by ALT and his friends Jeff Trott (Stevie Nicks, Liz Phair, Meiko, Joshua Radin) and Gregory Lattimer (Albert Hammond Jr.) and features Aaron Lee’s road band—guitarist Brian Wright, bassist Tommy Scifres and drummer Seth Earnest—with whom he’s been touring heavily for the last two years.
While the stylistic shift from Tasjan’s palpably stoned ‘70s-country-channeling 2015 debut, In the Blazes, to his more sophisticated, introspective and lushly produced 2016 follow-up, Silver Tears, was relatively incremental, Karma’s rocked-up Brit-pop-influenced Beatles-Bowie-Badfinger vibes underscore a significant departure. The album boldly reminagines these vintage sounds, pushing the boundary of what can be considered Americana.
The roots of Tasjan’s Karma for Cheap, stretch deep, drinking up the sounds of a Southern California childhood spent listening to The Beatles while riding around with his mom at the wheel of their navy blue Volvo station wagon—back to the very first pre-teen year he picked up a six-string and started figuring out all the pretty little chords in those Lennon-McCartney tunes. Back to the pure, blissful unfiltered innocence of falling in love with music for the first time. A huge sonic touchstone for ALT’s new record is The Beatles Anthology, one of his childhood favorites. In songs like “If Not Now When,” “Song Bird” and “The Rest Is Yet to Come,” you can hear echoes of George Harrison’s vibrant guitar riffs and Jeff Lynne’s lavish production on those lo-fi John Lennon demos the surviving Beatles dug up and polished off in the mid ‘90s.
Perhaps the most poignant moment on Karma for Cheap is the anthemic, hypnotic “Heart Slows Down,” a tune rife with musical and lyrical references to the Beatles and Tom Petty, anchored by an unforgettable chorus with a Traveling Wilburys vibe that finds the sweet spot between Tasjan’s two earliest musical heroes. “When I was a kid, my favorite CD to fall asleep to was Tom Petty & the Heartbreakers’ Greatest Hits, and the last song is a cover of that Thunderclap Newman song ‘Something in the Air.’ From the time I was a little kid to when I was teenager, I used to listen to that song on headphones almost every night—I heard it in that space between wake and sleep so many times. And Tom’s passing—he was a really big hero of mine, so it hit me pretty hard. We were in Seattle playing a show when I heard, and it was a heavy thing to process. But all of those elements are there in ‘Heart Slows Down.’ The chorus, ‘I will always be around,’ is a reminder that all the good you ever got out of listening to this music is still around you. You’ll always have that.”
Aaron Lee Tasjan says he aims to use his music for good, but he’s no protest singer. And Karma for Cheap isn’t some heavy-handed, didactic political record cramming a set of talking points down anyone’s throat. It’s a finely tuned rock & roll seismograph measuring the dark and uncertain vibrations of the time in which it was created. A cracked mirror reflecting back the American zeitgeist in this foul year of Our Lord, Two Thousand and Eighteen. With Karma, Tasjan establishes himself as an artist who not only evolves over time, but isn’t afraid to risk reinventing himself completely from one record to the next.
Six-time Grammy-nominee Florence + the Machine to release hugely-anticipated new album ‘High As Hope’ June 29th via Virgin EMI / Republic Records. ‘High As Hope’ is the sound of an artist who appears more certain than ever of herself. Florence writes about her teens and twenties with a renewed, more mature perspective: of growing up in South London, of family, relationships and art itself. The first official single ‘Hunger,’ is out now.
My head feels like it is exploding with the amount of information we are forced to consume on a daily basis, and how that information is so DISTORTED there is almost no longer any tangible truth,” says James. “The name of my new record is UNIFORM DISTORTION because I feel like there is this blanket distortion on society/media and the way we gather our ‘news and important information. More and more of us are feeling lost and looking for new ways out of this distortion and back to the truth…and finding hope in places like the desert where I write this now...finding hope in the land and in the water and in old books offering new ideas and most importantly in each other and love.
Single LP on black vinyl with printed inner sleeve. Includes coupon for full download
Formed in Brooklyn in 1998, The Essex Green released four albums between 1999 and 2006. They became one of the few bands from the Northeast to be associated with the groundbreaking Elephant 6 Collective. Their unique blend of harmony-infused pop music culminated in the 2006 release of Cannibal Sea.
Sasha Bell, Jeff Baron, and Christopher Ziter were last seen together in the late aughts, waving from their van as they bid farewell to Brooklyn. And then, the unthinkable: The Essex Green went silent. But why? Legal cannabis? Climate change? Bad oysters? Nothing so dramatic. It was a simple promise made among them to chase down their separate dreams: Baron to build a houseboat and navigate the mighty Allegheny, Monongahela, and Ohio Rivers; Ziter to return to his home state of Vermont and lead local fermentation efforts; and Bell to decamp to Montana to study elk rutting.
Having achieved their goals or not, they vowed to break their silence in secret on the frigid waters of Lake Champlain during the blood moon eclipse of 2015 when the effect of the moon in Libra would be most powerful. Over the next two years, the three continued to meet and record in undisclosed locations. The result is Hardly Electronic, a music mapping of the trio’s personal journeys over the past decade.
Following the group’s 1985 formation, Guns N’ Roses injected unbridled attitude into the burgeoning Los Angeles rock scene. They went on to captivate the entire world with the July 21, 1987 release of Appetite For Destruction, which remains the best-selling U.S. debut album ever, moving over 30 million copies globally. Appetite features such indelible tracks such as the No. 1 single “Sweet Child O’ Mine,” “Welcome To The Jungle,” “Nightrain,” and “Paradise City.”
The Appetite For Destruction: Super Deluxe Edition features 4CDs including the album newly remastered for the first time ever; B-sides N’ EPs newly remastered; the previously unreleased 1986 Sound City Session N’ More recordings; a Blu-ray Audio disc with the album, bonus tracks and music videos in brand new 5.1 surround sound along with the unearthed music video for “It’s So Easy” originally shot in 1989 but never finished; and a 96-page hardcover book showcasing unseen photos from Axl Rose’s personal archive and wealth of memorabilia. In addition, the Super Deluxe Edition contains collectables like never-before-seen band lithos, replica concert tickets, a wall poster, temporary band member tattoos , a Robert Williams painting litho, and a replica “Welcome To The Jungle” video shoot invite flyer originally drawn by Slash.
Single LP on black vinyl in single sleeve. Includes coupon for full download
Born in Cabbagetown, Georgia, the Rock*A*Teens carved their signature echo-wrapped, wounded-heart music on the edges of the Atlanta music scene more than 20 years ago. Led by songwriter and lead singer/guitarist Christopher Lopez, the band released a handful of reverb-drenched singles and full-lengths on the independent Daemon and Merge labels in the late ’90s and early 2000s.
Following their reunion at the Merge 25 festival and the reissue of their last LP Sweet Bird of Youth (Merge, 2000), the group returned to touring and playing live. Restless with the need to move forward, the band began writing and recording new music.
Guided by a batch of home recordings and demos, Lopez, guitarist Justin Hughes, bassist William R. Joiner, and drummer Ballard Lesemann convened with Tim Delaney at Electron Gardens Studio and Rafael Pereira at Tribo Studios to shape their ideas into the glorious, bombastic new album Sixth House.
There comes a point in every career of note, when it’s time to dig a trench in the turf; to define exactly who you are in a way that resonates in the broadest possible manner. For Bullet For My Valentine – now two decades deep into their story, one of rock and metal’s foremost names, a genuine success – that time is now. Produced and mixed by Carl Bown, ‘Gravity’ (the UK band’s sixth studio album, the follow-up to 2015’s ‘Venom’) sees the musicians delivering a body of work that looks set to add extra layers of excitement and meaning both to their own trajectory and to the genre per se. At a time when the international scene feels ready for a serious shot in the arm, ‘Gravity’ is an album of true craft and vision – an ambitious labour of love with the weight and the punch that the band’s extensive, ever-burgeoning fan-base has come to expect, a point made in style by lead single / video ‘Over It’, whilst adding enough in terms of atmosphere, melody and contemporary sheen to spin heads in wider circles.
Backed up by an extensive worldwide touring plan that sees BFMV’s strongest ever line-up playing major shows and festivals for the whole of 2018 (and beyond), ‘Gravity’ already feels like an important album. Simply, this is frontman Matt Tuck and his fellow players thinking big and bold and refusing to compromise or back down.
The title is ‘Gravity’, but the music is set to rise like a rocket. Let the countdown commence…
The Milk Carton Kids’ fifth album , All the Things That I Did and All the Things That I Didn’t Do arrives from ANTI- Records on June 29. The new project marks the first time that acoustic duo Joey Ryan and Kenneth Pattengale have brought a band into studio with them. “We wanted to do something new,” Pattengale says. “We had been going around the country yet another time to do the duo show, going to the places we’d been before. There arose some sort of need for change.” “Musically we knew we were going to make the record with a big- ger sonic palette,” says Ryan. “It was liberating to know we didn’t have to be able to carry every song with just our two guitars.” “Sometimes in singing, we’ll switch parts for a beat or a bar or a note,” Ryan says. “And things start to obscure what is the melody and what is the supporting part.” A third presence rises out of their combined voices. “There are only so many things you can do alone that al- low you to transcend your sense of self for even a short period,” Pattengale says. “I’m the lucky recipient of a life in which for hundreds of times, day after day, I get to spend an hour that is like speaking a language only two people know and doing it in a space with others who want to hear it.”
Unknown until 2004 and unheard until now, these recordings by the John Coltrane Quartet are, as Sonny Rollins says in the liner notes, “like finding a new room in the Great Pyramid.” With the discovery of the ¼”reference tapes that Coltrane took home with him after the recording session a session that was completely unknown and for which master tapes don’t exist an important chapter in the evolution of Coltrane’s music can now be heard for the first time. Featuring the Classic Quartet John Coltrane, McCoy Tyner, Jimmy Garrison and Elvin Jones and recorded at the end of a two week run at Birdland, the music on this album represents one of the most influential groups in music history both performing in a musical style it had perfected and reaching in new, exploratory directions that were to affect the trajectory of jazz from that point forward.
The Interrupters are an L.A. based four-piece bound by their rebel spirit and deep love of punk, rock, ska and 2 Tone. They make super high-energy rock -n-roll that’s equal parts catchy and confrontational. Their third album, Fight The Good Fight, was produced by Rancid’s Tim Armstrong and released on his Hellcat imprint for Epitaph Records. The album features front-woman Aimee Interrupter, guitarist Kevin Bivona, bassist Justin Bivone and drummer Jesse Bivona, spitting out lyrics that take on matters as thorny as family, friendship, martial law and loyalty, while churning out bouncing rock-steady rhythms and snarly guitar riffs. The Interrupters have built their live act of unstoppable energy and a feeling of easy community that reflects their familial vibe. They had toured the world with the likes of Green Day and Rancid and played huge festivals from The Vans Warped tour to Coachella. “There is usually a dance party going on in the crowd, which we appreciate since we always have our own dance party happening on stage,” says guitarist Kevin Bivona. The Interrupters will be dancing their way to a town near you this summer on many festivals and tours including The Punk in Drublic Festivals, Back to The Beach Festival and the Main Stage on Vans Warped Tour.