As we age, we face obstacles that are beyond our control. Some forces are internal: insecurity, anxiety, fear. Some are external: the loss of loved ones, an unjust system and the fragility of time. Yet the mark of maturity is how you respond when you realize you’re not in control. Where do you find your resilience?
This album is a reflection of us coming to terms with how to find our power in the face of an unfair world. These songs lead listeners past “where happy man searches, to a place only mad women know.” We question our purpose, our relationships, our faith. Trading the fears of our youth for the dread that rages within us as mature women.
With SATURN RETURN, our hope is that women can feel less alone in their journey through the modern world. We need each other more than we ever have; the less competition and the more inclusiveness and understanding, the better. We are southern women in the 21st century, convicted by our beliefs.
Double vinyl LP pressing in gatefold jacket. 2020 release, the eighth album from hard-hitting rockers Five Finger Death Punch. The album was produced by Kevin Churko, the Canadian record producer/engineer and songwriter who currently lives in Las Vegas, where he works out of his private studio, The Hideout Recording Studio. Includes "Inside Out".
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With a hugely impressive 1.3 million combined album sales under their belt, Tycho are the two-time Grammy nominated electronic music project led by Scott Hansen as primary composer, songwriter and producer. Respected for both their musical output and Scott’s graphic design work, under the ISO50 moniker, Tycho has produced and released a hugely successful back catalogue which has drawn comparisons to the likes of Boards of Canada (“To get a sense of their sound, think the same kind of detail-oriented work and continuity of style that made Boards of Canada and Ulrich Schnauss revered artists in their field.” - Exclaim!) and resulted in a 2017 and 2020 Grammy nomination for Best Dance/Electronic Album for ‘Epoch’ and ‘Weather’, respectively.
‘Simulcast’ follows Tycho’s studio album ‘Weather’ and features highly anticipated instrumental versions of ‘Weather’ albums tracks, previously vocal-led by singer-songwriter Saint Sinner. Tycho have gone back to the studio and recorded alternative versions of those original recordings, creating new material from those much loved tracks, while taking a bold step towards their classic sound. This is an unmissable release for any Tycho fan. ‘Simulcast’ will be available on Mom + Pop Music in the US and Ninja Tune worldwide.
On his sophomore album, Full Hand, Indiana musician Kevin Krauter tackles complicated emotional states and ideas through elliptical songwriting that is at once poetic and truthful. "A lot of the lyrics touch on how I was raised religiously, touch on me understanding my sexuality more and more in recent years," Krauter says, "just growing up and becoming more confident in myself...that process of looking inward and taking stock of myself." It’s not especially uncommon for artists to probe deep into their own psyche to uncover what makes them tic, but Krauter’s light touch feels like something all his own. On the album’s first single, "Pretty Boy," he sings, "Look ahead, say I see me now / Smiling at what used to stress me out / Cause it won’t be too long, but I’ll take my time with it / It won’t be too long till I come back home." There’s a palpable sense of joy in Krauter’s acceptance of dire, stressful moments, and a liberation that comes from hearing him realize that the present will eventually be the past, and he’ll be able to look back and find peace.
Angelica Garcia‘s new album is here. It’s called Cha Cha Palace and will be here on February 28th, 2020. Today, you can hear the dynamic new single “Guadalupe” and watch the Spencer Ford (Brockhampton)-directed video. Referencing La Virgen de Guadalupe (a Catholic icon of the Latinx community), “Guadalupe” is a meditation on the deity as a powerful 14 year-old who is the epicenter of a culture—and the responsibility that comes along with that. The announcement comes on the heels of an exciting beginning to the year, which included a co-sign from President Barack Obama and inclusion in The New York Times’ ‘Things Our Critics Are Looking Forward To’ list and ‘Best Songs of 2019’.
In 2014, Dan Snaith aka Caribou released Our Love to overwhelming critical acclaim. Caribou returns now with his new studio album Suddenly, a warm, untamable, and constantly surprising record about family and the changes we go through as those relationships evolve. Most prominently, Suddenly refers to the moments of dramatic and unexpected change that occur at points in any life and within any family-universal themes that can catch you off guard and change your life in a heartbeat. Those dramatic moments are part of a slower process. These moments rear their heads, for good or bad, during the everyday flow of life. "There's a tension between those sudden things which blindside you and the more glacial, gradual day-to-day changes," he observes. "We are so caught up in the immediate-the details that require our attention every day-that we can be blind to the bigger forces shaping us. That's why so often when something drastic happens suddenly, it catalyzes all sorts of changes in our lives. Our perspective shifts." Suddenly is in the music, too. This is the most surprising and unpredictable Caribou album to date. Though it retains the trademark Caribou warmth and technicolor, this album is littered with swerves and left turns. "I wanted to balance the familiar-the sound that people associate with my music-against these moments of surprise," Snaith says. As his passion and joy in music-making remains as fresh as ever, Suddenly is the purest example of this yet.
For Sophie Allison, aka Soccer Mommy, color theory confronts the ongoing mental health and familial trials that have long-plagued her, presenting listeners with an uncompromisingly honest self-portrait. The new album’s sonic landscape is vast and dexterous, with melodies that shimmer on the surface, but reveal an unsettling darkness with each listen.
Third Man Records had the pleasure of hosting the inimitable Broken Social Scene, carefully absorbing and recording their magnetic and unforgettable live set on the Blue Room stage. Epic, panoramic, and intimate all at the same time, the legendary Toronto collective Broken Social Scene began as an ebbing and flowing collective of artists in the late 90s, collaborating to create a distinct strand of indie rock that is both perplexingly maximal and straight-up catchy.
The band kicked off the set with emotive fan favorite “Cause = Time”, then transitioning into “Stay Happy,” the lead track from 2017’s Hug of Thunder, in all it’s hypnotic, horn-driven grandeur. Then, on the flip side, the album’s 2-song B-side wraps with the slow-build anthem “It’s All Gonna Break,” a song once described as “Bob Seger on acid.” Really, how else would you want a show to close?
Their live set was captured, mixed and mastered in real time via the world’s only live venue and direct-to-acetate lathe cutting studio. With the release of this live album, Third Man is very excited to invite all to be a part of this special experience, Broken Social Scene’s first commercially available live album, in the only venue in the world where performance, art and tactile transcription methodologies converge.
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One of the greatest jazz innovators of all time, alto saxophonist and composer Charlie Parker (b. August 29, 1920) is one of the few musicians who can be said to have permanently changed jazz. A leading figure in the development of bebop, Parker (also known as “Bird”) left an enormous musical legacy in his short 34 years of life, and his vast influence extends to other forms of art, such as dance, literature, visual arts and film. As part of Bird’s centennial celebration in 2020, Craft Recordings presents The Savoy 10-Inch LP Collection, a deluxe box set including four 10-inch LPs cut from newly restored and remastered audio. The collection highlights Bird’s pioneering bebop recordings for Savoy Records from 1944–1948, featuring jazz legends Miles Davis, Dizzy Gillespie, John Lewis, Bud Powell, Max Roach and more. The package includes faithfully restored original album artwork, plus a booklet containing vintage photos, rare ephemera and new liner notes by GRAMMY®-winning author Neil Tesser. The complete set will also be released digitally.
Few artists understand the human condition like 6-time Grammy nominee Brandy Clark. Working again with acclaimed producer Jay Joyce, Your Life is a Record takes her unerring eye for detail and a genre-melting sense of melody to examine personal truths, revelations and emancipations with wit, grace and compassion. Working with just four acoustic-based musicians, intimacy was the goal. Memphis strings and horns, guest appearances from Randy Newman (“Bigger Boat”) and guitarist John Osborne color in the sketches – creating a depth to what is easily Clark’s most revelatory record yet
Here comes SUPERSTAR the bigger, badder, glitter-driven record by Caroline Rose. Written as a sequel to 2018's LONER, the forthcoming 2020 release 'plays out like an epic movie about the pursuit of fame and fortune,' Rose states. 'I've always been fascinated by this pursuit, but what's even more fascinating is what happens when it fails.' Indeed, gone are the successful Hollywood hunks and starlets of old. SUPERSTAR chronicles a quirky anti-hero, who after receiving a wrong call from the elite hotel Chateau Marmont, decides to leave their old life behind in order to become a big Hollywood star.
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Double clear vinyl LP pressing in gatefold jacket. 2020 release, the debut album from Lauv, the Platinum-certified independent singer, songwriter, producer, and pop visionary. Featuring hits including "I'm So Tired..." and "Fuck, I'm Lonely". As one of the most successful independent artists of the last decade, with over three billion streams to date and widespread acclaim from Rolling Stone to The New York Times, Lauv continues to shatter the mold of what a mainstream global pop star is.
Emmy-, Grammy- and Golden Globe-nominated actress, singer, and songwriter, Mandy Moore returns to music with her first album in a decade, Silver Landings. In a purposeful departure from the more tightly structured pop of her previous material, she's worked closely with long-time collaborator and producer Mike Viola and with her husband, Taylor Goldsmith (singer/guitarist/songwriter for L.A.-based folk-rock band Dawes), creating the album's lyrics on her own and recording each song live with a full band setup. The album deftly moves from 70s inspired soft-rock (When I Wasn’t Watching, I’d Rather Lose) to contemporary pop (Save A Little For Yourself, Tryin’ My Best, Los Angeles). “I wanted to make a California-inspired record, something that feels airy and natural”, says Moore.
Moore looks forward to embarking on the next chapter of her music career with a newfound sense of agency. “I very much feel like I'm at the helm of the ship now, where I'm stepping back into music completely on my own terms,” she says. “Everything that's happened up until this point has gotten me to where I am today, and I'm so excited to just keep moving forward.”
Vinyl LP pressing. 2020 release. Born from the DIY/all-ages scene in New York, Thick make music with the raw defiance of punk and addictive melodies of pop, punchy and catchy and wildly tongue-in-cheek. With their live show typically spawning a mosh pit described by Stereogum as "more like an aggressive hug," the Brooklyn-based trio brings an unchecked intimacy while building a deep and unshakable solidarity with the audience.
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Capitol Records recording artist Niall Horan returns with his highly anticipated sophomore album "Heartbreak Weather." Featuring his new single "No Judgement" and up tempo record "Nice To Meet Ya," this body of work showcases his unique musicianship and magnetic vocal range. The singer/songwriter has earned platinum certification or greater in 18 countries, achieved global critical acclaim and amassed 3 million adjusted album sales and 3.5 billion streams worldwide.
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Live is Dungen in their own land saving up stunning solos & fiery interplay for their home team, elements of their most inspired moments assembled into one piece of continuous music by producer Matthias Glava. Live showcases what Dungen does best: create a vibe where none existed, build a mood out of circumstance, attack the music with a fan's soul & a master's virtuosity. It extends moments out of their seemingly explored catalog & breathes new life into them. In stores 3/13 via Mexican Summer.
The project was formed in early 2016, leading to their debut album later that year `Wisdom of Elders'; a document of sessions combining Hutchings with a group of South African jazz musicians he'd long admired.
Deap Lips is Wayne & Steven from THE FLAMING LIPS with Julie & Lindsey from DEAP VALLY. This special collaboration came together after a friendship formed between the bands. It will hit stores on CD and LP via Cooking Vinyl on 3/13.
Conan Gray announces his highly anticipated debut album Kid Krow, releasing on March 20th, 2020 via Republic Records. Gray recently wrapped up his headlining tour with three sold out nights at The Fonda in Los Angeles. Having sold over 65,000 tickets over his first two headline tours, Conan has quickly built an undeniable fan base. Kid Krow features the hit single "Maniac" which has already amassed over 110K in Global Consumption!
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Produced by longtime collaborator Dan Horne (Circles Around The Sun, Allah-Las), Mapache's new album, From Liberty Street, captures the Los Angeles duo at their finest, with Sam Blasucci and Clay Finch weaving airtight harmonies around stripped-down, organic arrangements that blur the lines between traditional folk and modern cosmic country. The songs here reckon with longing, desire,and change, and the arrangements draw on everything from Hawaiian-steeped surf and Mexican boleros (Blasucci spent two years living South of the border) to Bakersfield twang and lonesome cowboy campfire tunes, all delivered with the kind of easy going charm and natural intuition usually reserved for blood brothers or married couples. It's an instantly engaging chemistry the two share, a captivating musical bond that mirrors the comfort, closeness, and camaraderie of the album's homespun roots.
'This record is about as close to the sound of home as you can get,' says Blasucci. 'We recorded it with a bunch of our friends in the house where we were living in a neighborhood that we loved. The studio was right downstairs, so we had the freedom to try all kinds of new ideas without any pressure or limitations. All the other folks who lived in the house were musicians, too, so it made for this communal atmosphere where everyone was always collaborating and creating together. 'The First Edition LP and CD of From Liberty Street includes a free Mapache air freshener in the packaging! Plus, the First Edition LP arrives on limited edition yellow vinyl!
Recorded at the legendary Fame Studios in Muscle Shoals. Includes the new song “Bitter End”, a cover of the Bee Gees classic “To Love Somebody”, and a re-imagining of their hit single “Wish I Knew You”.
Following in the footsteps of Oasis and the Verve, Embrace became a pop sensation in post-Brit-pop Britain, breaking through in the late ‘90s. This pressing represents the first reissue of their third album, If You’ve Never Been. Featuring the UK Top 40 hit singles “Wonder” and “Make It Last,” the album showed a dramatic shift in direction from their earlier rockier sound, displaying their versatility in a thoughtful, tender approach to the body of work. The vinyl format has been long out-of-print since its original 2001 release, making this in-demand for collectors and fans alike.
Following in the footsteps of Oasis and the Verve, Embrace became a pop sensation in post-Brit-pop Britain, breaking through in the late ‘90s. This pressing represents the first reissue of their influential 2000 sophomore album, Drawn From Memories. The vinyl format has been long out-of-print, making this in-demand for collectors and fans alike. Upon its initial release, NME proclaimed "[The album] trawls emotional depths, plays to its strengths, comforts and encourages, strong in the knowledge that sometimes the good really will out.”
Cavetown’s major-label debut album, SLEEPYHEAD, due out March 27, 2020, on Sire Records. Recorded, produced, mixed and mastered by Skinner himself in the bedroom of his new London apartment (some things never change), the 11-song collection is set to prove to the world why he’s become not just a cornerstone of the bedroom pop community, but a torchbearer for the next generation of his genre.
By focusing less on the more imperceptible aspects of his productions, Skinner’s distilled his energy on Sleepyhead into what really moves fans: the songs themselves, occasionally lighthearted, largely poignant – but always authentically him. The album is awash in ambient indie-rock nuance, creaking acoustic guitars and Skinner’s poetic lyricism, all steadied by his tranquil melodies and reassuring timbre.
Some 250 million Spotify plays and 1.15 million YouTube subscribers after launching Cavetown, he’s a radically different person than he was just a few years ago. “Basically every aspect of my life has changed since putting out Lemon Boy,” he admits. “Often when change happens, it’s so slow that you don’t notice it. The speed at which it’s happened has made me appreciate everything.”
The Ripple Effect is a follow up to the award-winning, critically acclaimed Throw Down Your Heart sessions, recorded during the duo's 2009 tour. Throw Down Your Heart was produced and recorded by world-renowned banjoist Béla Fleck, documenting his journey across Africa to research the origins of the banjo. This new The Ripple Effect collection offers previously unreleased recordings from Fleck and virtuoso kora player Toumani Diabaté.
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The award-winning documentary and recordings, Throw Down Your Heart, were produced and recorded by Béla Fleck, documenting his journey across Africa to research the origins of the banjo. This deluxe edition offers a complete disc of previously unreleased material from Fleck performing with virtuoso kora player Toumani Diabaté. The DVD includes 1-hour of bonus video material with 14 never-before-heard performances, new commentary by Fleck and director Sascha Paladino with behind-the-scenes insights. The set also offers an expanded essay by Fleck and new notes by Paladino.
2LP – Double Vinyl w/ 3-sides audio and 1-side etched; includes 32-page booklet
Pearl Jam will release their much-anticipated eleventh studio album, Gigaton, on March 27th. It marks the band's first studio album since 2013. "Making this record was a long journey," explains Mike McCready. "It was emotionally dark and confusing at times, but also an exciting and experimental road map to musical redemption." 2020 officially marks 30 years of Pearl Jam performing live, with over 85 million albums sold worldwide and a 2017 induction into the Rock and Roll Hall of Fame.
Orion Sun will be releasing her Mom + Pop debut and sophomore record 'Hold Space For Me' at the end of March. She's been quickly making a name for herself in her current hometown of Philly (originally from New Jersey) and beyond. She's opened for buzzy Alt-R&B/Hip-Hop acts such as Noname, Ibeyi and Sudan Archives and was highlighted by NPR as a 2019 Artist To Watch. Her story, that of an early 20s woman of color dealing with and learning about life's obstacles and celebrations, is understood best through her song lyrics; citing J Dilla, Nancy Wilson, Jodeci, Kirk Franklin, Hazel Scott and Digable Planets as just some of her many influences. She's a career artist with a long road ahead and her sound defies trends; capitalizing on a velvety and familiar voice with timeless jazz / folk / R&B instrumentals.
The lead singer of beloved heartland-punk band The Gaslight Anthem, Brian Fallon steps away from that sound and into a stripped-down Americana space on his third solo album, Local Honey. Produced by Grammy-award winning producer Peter Katis (The National, Frightened Rabbit, Death Cab for Cutie), the album showcases Fallon's songwriting in small vignettes, from a loving devotional for his daughter to a vengeful murder ballad.
Lilly Hiatt felt lost. She’d just returned home from the better part of a year on tour in support of her acclaimed third album, Trinity Lane, and, stripped of the daily rituals and direction of life on the road, she found herself alone with her thoughts for the first time in what felt like ages.
So Hiatt did what’s always come most natural to her in times of questioning and uncertainty: she picked up a guitar. Over the course of the ensuing winter, she wrote new music that grappled with her sense of self and place in the world, reckoning with issues that had been bubbling beneath the surface of her subconscious in some cases for years. The result is Walking Proof, Hiatt’s fourth and most probing collection to date. The record walks the line between Hiatt’s rough, rock and roll exterior and her tender, country roots. Lilly Hiatt’s not feeling so lost these days, and with Walking Proof, she’s crafted a roadmap to share with the rest of us.
Single LP on black vinyl in single jacket w/ matte coating. Includes euro sleeve (with lyrics) & 24”x36” poster. Download coupon also included
What do we hold on to from our past? What must we let go of to truly move forward? Waxahatchee’s Katie Crutchfield spent much of 2018 reckoning with these questions and revisiting her roots for answers. The result is Saint Cloud, an intimate journey through the places she’s been, filled with the people she’s loved.
Devotion, the second album from Margaret Glaspy, is a collection of twelve love songs, reflecting the phases of romance –appreciation and frustration, doubt and adoration. While Glaspy has become known as a skilled guitarist; on Devotion she shifted her songwriting process, building these tracks on computer-based tools like MIDI and Ableton before opening them up on guitar. The result is a new sonic terrain that highlights her vulnerable lyrics and unique emotive vocals.
Thundercat is set to release his new album It Is What It Is on Brainfeeder Records on April 3, 2020, and shares the first music; 'Black Qualls (featuring Steve Lacy and Steve Arrington). The album, produced by Flying Lotus and Thundercat, features musical contributions from Ty Dolla $ign, Childish Gambino, Lil B, Kamasi Washington, Steve Lacy, Steve Arrington, BADBADNOTGOOD, Louis Cole and Zack Fox. It Is What It Is follows his game-changing third album Drunk (2017). That record completed his transition from virtuoso bassist to bonafide star and cemented his reputation as a unique voice that transcends genre. 'This album is about love, loss, life and the ups and downs that come with that,' Bruner says. 'It's a bit tongue-in-cheek, but at different points in life you come across places that you don't necessarily understand' some things just aren't meant to be understood.'
Multi-Platinum-selling country star Sam Hunt announces his eagerly-awaited sophomore album SOUTHSIDE, releasing April 3 on MCA Nashville. The album will feature his current Top 5-and-climbing radio hit “Kinfolks,” the introspective ballad “Sinning With You,” and more from the award-winning artist. SOUTHSIDE will be the first full album since Hunt’s critically acclaimed, GRAMMY-nominated, Triple Platinum-selling debut, Montevallo.
Hinds are a four-piece garage-pop band based in Madrid, Spain consisting of Carlotta Cosials (vocals, guitar), Ana Perrote (vocals, guitar), Ade Martin (bass, backing vocals) and Amber Grimbergen (drums). Hinds' breakout debut Leave Me Alone was an album of party anthems drenched in metaphors. With their forthcoming sophomore record, I Don't Run, it's time to cut straight to the chase. Some might expect them to write songs about being happy, young and carefree -- "but we're not satisfied with that," explains guitarist Ana Perrote. "On this album the struggles are clear. We want to be brave." I Don't Run is Hinds' return, off of their next album The Prettiest Curse out April 3rd, with an honest reflection on a period that changed their lives beyond their wildest imaginations. Since 2014, the band has been on a globe-trotting run. They've never professed to being error-free, and they're all the more brazen for it having survived everything that's been thrown at them: world tours, sold-out crowds, harsh criticism, sexism, and all that lies in-between. Hinds have become better musicians, tighter friends and tougher characters.
"It was in winter 18/19 - I flew to Montreal to meet with Tim Kingsbury, Richard Reed Parry, Craig Silvey and Teddy Impakt at Le Studio Du Arcade Fire. It was a fine time with a dream team in a city I love. Winter in beautiful Quebec. Les semaines les plus froides de ma vie. I had a bunch of demos that were inspired by migration stories I had heard from friends or read in newspapers while on tour in Europe and North America. I remember being struck by the similarities of the stories I heard from both continents and how really only the names of the powerful and the powerless had changed - thinking, "Is this the future? Is this our future?"Some time went by, the stories wove together and I remember them now closer to characters in a dream of how people could treat each other than any kind of front-page news realism. I think music subconsciously - whether writing or listening - is a filter for me - helping to process all the bad news into something new to build from - some records to me are like self-fulfilling prophecies - visualizing change to wish something into being - those records inspired this one." - M. Ward
Necroscape is the 2nd album from Mike Patton and Anthony Pateras' modernist electro-acoustic rock proposition t t ma. Joined by violinist Erkki Veltheim and drummer WIll Guthrie in quartet formation, this record continues to employ the wayward orchestrations and arresting physicality of their 2014 debut Geocidal, yet is renewed by a melodic language which grounds it's multi-coloured twists and turns in hallucinatory lyricism. Where Geocidal was loosely based on futuristic post-colonial dystopias, its even cheerier successor is sculpted around isolation in the surveillance age; and although lofty/high-concept sounding, this is still an intensely fun and heavy listen. Necroscape synthesizes a lot of territory: odd-time rock, musique concrète, otherworld grooves, soul, industrial noise, microtonal psychoacoustics .seemingly strange bedfellows on paper, yet in the ears they surprisingly coalesce into 13 songs which playfully challenge our notions of sonic logic and make you move at the same time. In a nutshell, listening to Necroscape creates the weird sensation of exclaiming "of course!" and "wtf?" simultaneously. 5 years in the making, Necroscape mushroomed organically from Pateras' production based on tape loops, analogue synthesis and rarified keyboard instruments in combination with Patton's dense vocal arrangements, Veltheim's exploratory violins and Guthrie's unique percussive strategies. The result is a handmade, kaleidoscopic tour-de-force which re-imagines songwriting as something other. Artwork features beautiful leather sculptures by Talitha Kennedy, tiled lyric sheet and limited edition white vinyl. t t ma invites you to listen.
The New Abnormal is the long awaited new album from The Strokes, and the band’s first album in seven years. The album was announced with the first track and video, “At The Door.”
The New Abnormal is The Strokes’ sixth studio album and was recorded at Shangri-La Studios in Malibu, California, with producer Rick Rubin. The album’s cover artwork is a painting called ‘Bird on Money,’ by famed artist Jean-Michel Basquiat.
The Strokes are singer Julian Casablancas, guitarists Nick Valensi and Albert Hammond Jr, bassist Nikolai Fraiture and drummer Fabrizio Moretti.
'The man singing these songs isn't exactly the same man who wrote them,' says Pokey LaFarge of Rock Bottom Rhapsody, his eighth and latest studio release. 'This album is about the story of who I used to be.' In early 2018, LaFarge ' searching for the sort of artistic freedom and inspiration he wasn't finding in the Midwest ' relocated from his longtime home base of St. Louis, Missouri, to Los Angeles, California. New songs came quickly to LaFarge in his new environment, but new temptations soon found him, as well. Though he declines to get into specifics, LaFarge admits that he experienced a significant 'fall from grace' during the last months of 2018. 'Things sort of started to unravel in my mind,' Shortly before the recording of Rock Bottom Rhapsody began, LaFarge experienced a spiritual awakening ' and the faith he re-embraced in his hour of darkness helped to buoy him through the making of the album. Though he was struggling for spiritual equilibrium at the time, LaFarge at least had some rock-solid musical support to lean on. Recorded primarily at Reliable Recorders on Chicago's Northwest side, Rock Bottom Rhapsody was produced by LaFarge's friend and collaborator Chris Seefried (who also co-wrote several of the album's tracks), and features the considerable talents of guitarist Joel Paterson, keyboardist Scott Ligon, upright/electric bassist Jimmy Sutton, and drummer Alex Hall. Musically, LaFarge continues to mix and match a wide variety of styles and traditions, while never losing track of his own vision This record is kind of like Roy Orbison and Bob Dylan hanging out with chanson singers and French jazz bands in like the forties, but I was never trying to make it sound like a particular person. Despite the trying period that preceded its recording, Rock Bottom Rhapsody is ultimately far more uplifting and life-affirming than its title would suggest. 'That desperation, that struggle,' LaFarge ponders, 'Did it add something to the record? It certainly did. I mean, I don't know if it made it better; it just is what it is. It's not up to me to decide if people are going to feel that'
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When Finnish sextet NIGHTWISH announce a new studio album people tend to take notice. They know that something special is brewing. Band leader Tuomas Holopainen once said that whenever he creates a new record he has the intention of capturing something rare and unique, a monument and a true album experience. In 2020 he’s certain to achieve his objective once again. NIGHTWISH have completed the recordings for “HUMAN. :II: NATURE.”, their 9th studio album.
“HUMAN. :II: NATURE.” will be released on 10th April 2020. The long-awaited record, following 2015’s critically-acclaimed, conceptual masterpiece “Endless Forms Most Beautiful”, will be a double album containing 9 tracks on the main CD and one long track, divided into eight chapters on CD 2.
“HUMAN. :II: NATURE.” was recorded from August to October 2019 at Röskö campsite, Petrax Studios and Troykington Castle, as well as Finnvox Studios, by Tero Kinnunen, Mikko Karmila and Troy Donockley. The mixing was done by Mikko Karmila at Finnvox, with Tuomas Holopainen and Tero Kinnunen. Mastering was done by Mika Jussila at Finnvox.
Award-winning duo Maddie & Tae are drawing praise for their new music “anchored around their stellar vocal pairings and some of the tightest harmonies on Music Row” (Rolling Stone). Maddie & Tae first broke out in 2013 with their brilliant take down of bro-country, “Girl In A Country Song,” which took Country radio by storm, skyrocketing to the top of the charts and quickly going PLATINUM. The duo became only the third female duo in 70 years to top the Country Airplay charts, also earning trophies from the Country Music Academy and Radio Disney Music Awards along with multiple ACM, CMA and CMT Award nominations. Receiving widespread praise from NPR, Billboard, Entertainment Weekly, The Washington Post, Glamour and others, country music’s hottest stars including Dierks Bentley, Lee Brice and Brad Paisley have welcomed Maddie & Tae on the road, with Carrie Underwood recently inviting the duo out as direct support on her 2019 The Cry Pretty Tour 360.
Wavves will be celebrating the 10th anniversary of their album "King Of The Beach" this year with a reissue on "Purple kush vinyl" with alternate art that was originally slated to be the cover but was eventually scrapped. It will come with a bonus 7" featuring two songs from the "KIng Of The Beach" era called "Mutant" and "Stained Glass (Won't You Let Me Into Yr Heart)".
Gregory Porter, the world’s best-selling contemporary Jazz/Soul artist with over 3 million worldwide album sales returns with ALL RISE, his sixth studio album. The album marks a return to Porter’s beloved original songwriting – heart-on-sleeve lyrics imbued with everyday philosophy and real-life detail, set to a stirring mix of jazz, soul, blues and gospel. Produce by Troy Miller (Laura Mvula, Jamie Cullum, Emili Sande), the set also represents the evolution of Porter’s art to something even more emphatic, emotive, intimate, and universal too. After 2017’s Nat King Cole & Me, Porter knew two things: one, he’d bring in an orchestra for his next LP, and two, the music is medicine. In the spirit of that latter revelation, ALL RISE brims with songs about irrepressible love, plus a little protest, because the road to healing is bumpy.
Since his world-beating 2013 Blue Note debut, ‘Liquid Spirit’, which won the Grammy for Best Jazz Vocal Album, Gregory hasn't let down his legion of fans, whether collaborating with Disclosure on ‘Holding On’, releasing his dance hit ‘Liquid Spirit – Claptone Remix’ which became one of the most popular tracks in Ibiza, scoring another Grammy for ‘Take Me to the Alley’ (2016), or telling his life story through Cole's songbook. Porter is still surprised by his runaway success, but he has a theory: "I was soothed by my voice as a child and I think that's the same thing others get from it. I'm trying to heal myself with these songs."
Not only has Gregory made chart history by bringing jazz back to the masses, graced the iconic Pyramid Stage and the world’s most prestigious gig venues, performed for the Queen, appeared on the biggest TV shows as well as presented his own series (‘Gregory Porter’s Popular Voices’ on BBC Four), 2019 saw the singer launch and host his own podcast, ‘The Hang’, featuring such distinguished guests as Annie Lennox and Jeff Goldblum.
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"Live at the Roundhouse” is unlike any other concert film connected with Pink Floyd. It’s the nearest thing you can get to a time machine, transporting you back to the very earliest days of the band. Nick Mason, the only band member to have played on all of Pink Floyd’s studio albums, returns to the group's earliest records, joined in the line-up by Gary Kemp, Guy Pratt, Lee Harris and Dom Beken.
Nick Mason’s Saucerful of Secrets took the drummer back to clubs for the first time in 1967, then to theatres, across the UK, North America and Europe, playing only music his old band had recorded before The Dark Side of the Moon.
Captured from the band’s celebrated shows at London’s Roundhouse, where Pink Floyd played some of their most revered early shows in the 1960s, this release features a uniquely thrilling setlist including songs hailing from Syd Barrett’s time with the band. Only four songs from this eclectic roster have ever previously appeared on official live releases by Pink Floyd or its members. Everything else is being experienced for the first time since their original live performances.
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Up All Nite With Prince: The One Nite Alone Collection brings the electrifying power of Prince’s 2002 studio and live releases together in one stunning package. This 4CD/1DVD set includes One Nite Alone…, Prince’s striking piano-and-vocal studio album (in its first commercial CD release); the double-disc One Nite Alone…Live! featuring recent jams (“Muse 2 The Pharaoh,” “1+1+1 Is 3”) and classic favorites (“Raspberry Beret,” “Nothing Compares 2 U,” “When U Were Mine”); the high-energy One Nite Alone…The Aftershow: It Ain’t Over! with guest appearances by George Clinton and Musiq Soulchild; and the Live At The Aladdin Las Vegas DVD. The ultimate Prince concert experience is here!
Prince would follow The Rainbow Children with the stunning One Nite Alone… in May 2002. Featuring almost nothing but Prince’s acoustic piano and vocals (save for occasional rhythm from drummer John Blackwell and the ambient cooing of Divinity and Majesty, Prince’s pet doves), this intimate album offers favorites like “U’re Gonna C Me” and a cover of “A Case Of U,” written by one of Prince’s idols, Joni Mitchell. The original album never had a wide physical release as the CD was an exclusive to Prince’s NPG Music Club members and this marks it’s first time on vinyl.
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After The Rainbow Children release and before the release of the One Nite Alone… studio album, Prince embarked on a tour of the same name. However, as opposed to the intimacy of the largely solo One Nite Alone… album, this upbeat trek through theaters in North America featured the full talents of Prince’s ever-expanding New Power Generation band. Members at the time included drummer John Blackwell, keyboardist Renato Neto and longtime collaborators like bassist Rhonda Smith and a horn section that included saxophonists Eric Leeds, Candy Dulfer and Maceo Parker. Taken from the highlights of 9 different shows in March and April of 2002 and clocking in at over 2 hours, the resulting 4 LP collection One Nite Alone…Live! was the first official live album of Prince’s career and the 27 tracks included feature selections from The Rainbow Children as well as Prince’s extensive back catalog, played with the full NPG as well as several solo piano excursions (“When U Were Mine,” “Raspberry Beret,” “Adore,” “The Beautiful Ones,” “Nothing Compares 2 U”). This release marks the first time that it’s available on vinyl.
This 2 LP release documents Prince’s mythic late-night after show performances. Never available as physical stand-alone release and only available originally on CD as part of the One Nite Alone box set exclusive to NPG Music Club members, the album features an hour of amazing jams and includes guest appearances by George Clinton and Musiq Soulchild.
As the world greeted the promise of a new millennium, even Prince was experiencing a great sense of transformation. In 2000, he announced the reclamation of his birth name after seven years as an unpronounceable symbol. In 2001, after a period of study and debate with his friend and mentor Larry Graham (former bassist for Sly and The Family Stone), Prince converted to the Jehovah’s Witness faith. These transformations bore fruit with the release of The Rainbow Children at the end of 2001. Billed as “controversial” in its press materials for its open spiritual message, the jazz-inspired record was Prince’s first fully independent release, issued without any major label backing. One of its songs, “The Work, Pt. 1,” was released by Prince as a free download on the file-sharing service Napster; this move, along with direct-to-consumer stream and download options on the NPG Music Club, made Prince a digital music visionary. The Rainbow Children is a continued favorite among Prince’s most fervent admirers due to its complex musical narrative, its use of live drums and a full horn section, and the striking album art by artist Cbabi Bayoc, which still hangs in the hallowed halls of Paisley Park today. The CD has long been out of print and the original vinyl was incredibly limited and copies fetch hundreds of dollars.
New Vinyl: $38.98 Add to Cart
As the world greeted the promise of a new millennium, even Prince was experiencing a great sense of transformation. In 2000, he announced the reclamation of his birth name after seven years as an unpronounceable symbol. In 2001, after a period of study and debate with his friend and mentor Larry Graham (former bassist for Sly and The Family Stone), Prince converted to the Jehovah’s Witness faith. These transformations bore fruit with the release of The Rainbow Children at the end of 2001. Billed as “controversial” in its press materials for its open spiritual message, the jazz-inspired record was Prince’s first fully independent release, issued without any major label backing. One of its songs, “The Work, Pt. 1,” was released by Prince as a free download on the file-sharing service Napster; this move, along with direct-to-consumer stream and download options on the NPG Music Club, made Prince a digital music visionary. The Rainbow Children is a continued favorite among Prince’s most fervent admirers due to its complex musical narrative, its use of live drums and a full horn section, and the striking album art by artist Cbabi Bayoc, which still hangs in the hallowed halls of Paisley Park today. The CD has long been out of print and the original vinyl was incredibly limited and copies fetch hundreds of dollars. This new double LP vinyl edition comes on limited edition crystal clear vinyl packaged in gatefold packaging along with an exclusive Prince rainbow slipmat.
Third Man Records is proud to announce the first new LP in almost seven years from Brendan Benson. DEAR LIFE arrives via Third Man Records on Friday, April 24.
Benson’s seventh solo album and first full-length release via Third Man, DEAR LIFE is heralded by the rhapsodic first single, “Good To Be Alive.” “’Good To Be Alive’ is kind of weird, to be honest,” Benson says, “But that’s what I’m most excited about. It says a lot about this record, it’s almost got a split personality or something. It’s totally bizarre – I still sit back and listen to it, thinking, that’s so cool! It’s like somebody else played it, it’s not the same old me.”
Benson finds himself in an enviable spot as he enters the third decade of a remarkably creative, consistently idiosyncratic career – an accomplished frontman, musician, songwriter, producer, band member, husband, and dad. DEAR LIFE marks this consummate polymath’s most inventive and upbeat work thus far, an 11-track song cycle about life, love, family, fatherhood, and the pure joy of making music. Produced and almost entirely performed by Benson at his own Readymade Studio in Nashville, the album sees the Michigan-born, Nashville-based artist – and co-founder, with Jack White, of The Raconteurs – reveling in a more modernist approach than ever before, fueled by a heady brew of cannabis, hip-hop, and a newly discovered interest in software drum programming. The result is an untapped playfulness that elevates expertly crafted songs like the future funk-fueled opener, “I Can If You Want Me To,” and the ecstatic “Richest Man Alive” with voluble arrangements, elastic grooves, and incandescent power. Imbued with revitalized ambition and confidence, DEAR LIFE is Brendan Benson at his very best.
“There's something about this record,” Benson says. “A friend of mine called it ‘life-affirming.’ I thought it was a joke at first but then realized, well, it’s about life and death for sure. I don’t know if that’s positive or optimistic or whatever, but that's what's going on with me.”
Luke Bryan will be releasing his latest album on April 24th. `Born Here Live Here Die Here' includes the #1 hit "Knockin' Boots" and his current hit single "Whatever She Wants Tonight". Bryan is known for his catchy, chart-topping tracks like ""Country Girl Shake It For Me" which was included in Billboard Magazine's "100 Songs that Defined a Decade" list out last month.
Other Lives mark their return their long-awaited fourth album 'For Their Love' on April 24th, 2020. The record follows 2015’s Rituals and finds frontman Jesse Tabish displaying a more candid narrative both in general and on a more personal level. Originally hailing from Stillwater, Oklahoma, Other Lives emerged in 2011 with their debut 'Tamer Animals', much celebrated both across Europe and the US with an invitation from Radiohead to open their North American tour soon followed.
Corb Lund embraces his rich and rustic western heritage with a style that’s unique, honest and resolute, while touching on a range of cowboy themes — from rough-and-tumble tales of lawless frontier saloons, to the sombre realities of running a modern family ranch. As a descendant of many generations of rodeo contestants and ranchers, he sings about a life that he and his ancestors have lived themselves, paired with his quick-witted, wry observations of today’s world. As a result of his heritage and the ten years he spent touring the world with his indie rock band, Corb’s writing resonates emphatically with rural and urban audiences alike. It’s a classic sound with a twist, something of a rarity these days, but one that evokes the spirit of the American West, past and present.
Corb Lund’s 11th studio album, Agricultural Tragic, finally puts a name to the genre he’s been embodying all of these years.
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Hayley Williams hugely anticipated debut solo album Petals For Armor arrives via Atlantic Records on Friday, May 8th. Produced by Taylor York – Williams’ lead collaborator in the GRAMMY® Award-winning Paramore – the album was heralded earlier this month by the acclaimed first single, “Simmer”. The smoldering track arrived alongside its own Warren Fu-directed video, providing a compelling first chapter to a continuing storyline.
“Music has just been a part of my life since I was very young—it's been like my football or my soccer,” says Sammy Brue. “I stopped going to school to do it. Because I thought, If I could put seven hours a day into music, imagine where it's going to take me…”
Imagine, indeed. Since writing his first song at the age of 11, Brue has released three homespun EPs, his New West full-length debut, I Am Nice and a 2018 EP, Down with Desperation. In the process, the Ogden, Utah native has been hailed as an “Americana prodigy” by Rolling Stone and one of the “teenagers shaping pop” by The New Yorker.
But these myriad accomplishments may have just been the setup for what is arguably his finest work to date, Crash Test Kid. Brue has always been an artist seemingly wise beyond his years, but on Crash Test Kid he often gets at the heart of a matter or melody with just a simple but insightful turn of phrase or cleverly-picked guitar.