Johan Kvandal's tonal constancy was the bedrock for everything he wrote. Not even during the mid 1960s avant-gardism was he led off-track. It can therefore be said that there is a common thread in his vocal music, from the very first songs of 1939 up until the Knut Hamsun opera "Mysteries" in 1993, by which time his many years of experience in writing melodies for voice had reached it's peak. His encounters with the Norwegian cultural heritage in his childhood and adolescence were quite literally the root notes of his entire song repertoire.
Johan Kvandal's tonal constancy was the bedrock for everything he wrote. Not even during the mid 1960s avant-gardism was he led off-track. It can therefore be said that there is a common thread in his vocal music, from the very first songs of 1939 up until the Knut Hamsun opera "Mysteries" in 1993, by which time his many years of experience in writing melodies for voice had reached it's peak. His encounters with the Norwegian cultural heritage in his childhood and adolescence were quite literally the root notes of his entire song repertoire.
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Her Moter Mangt
Artist: Isa Katharina Gericke
Format: CD
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DISC: 1
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1. Sanger, Op. 9: No. 9. Attersyn
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2. To Garborg-Sanger: Veslemøy Ved Rokken
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3. To Garborg-Sanger: Kvelding
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4. Sanger, Op. 9: No. 1. Helsarmål
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5. Sanger, Op. 9: No. 2. Hugen Leikar
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6. Sanger, Op. 9: No. 3. Mørk Er Min Sjæl
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7. Sanger, Op. 9: No. 4. Til Min Gyldenlak
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8. Sanger, Op. 9: No. 5. Mot Mørketid
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9. Sanger, Op. 9: No. 6. Klage
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10. To Fröding-Sanger, Op. 9: Min Stjärnas Songer, No. 1
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11. To Fröding-Sanger, Op. 9: Min Stjärnas Songer No. 2
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12. Norske Stevtoner, Op. 40: I. Mine Visur
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13. Norske Stevtoner, Op. 40: II. Då Eg Va Liti
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14. Norske Stevtoner, Op. 40: III. Eg Var Meg Ut På Gladheimsbergi
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15. Norske Stevtoner, Op. 40: IV. Hjuringvise Og Lokk
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16. Norske Stevtoner, Op. 40: V. Å Hugen Min
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17. Norske Stevtoner, Op. 40: VI. Å Her Møter Mangt
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18. Norske Stevtoner, Op. 40: VII. Liti-Mor
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19. Norske Stevtoner, Op. 40: VIII. Då Eg Va Liti Eg Sprang Utivi
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20. Norske Stevtoner, Op. 40: IX. Sjugurd Og Kjerringi
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21. Norske Stevtoner, Op. 40: X. Å Med Soli Kan Eg
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22. Norske Stevtoner, Op. 40: XI. Guten Og Jenta
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23. Syv Sanger, Op. 4: I. Hugleik
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24. Syv Sanger, Op. 4: II. Hadulaikar
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25. Syv Sanger, Op. 4: III. Stridsmannen Og Dauden
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26. Syv Sanger, Op. 4: IV. Vårvon
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27. Syv Sanger, Op. 4: V. Or Skirnesmål
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28. Syv Sanger, Op. 4: VI. Or Helge Hundingsbane
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29. Syv Sanger, Op. 4: VII. Barnerim
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30. 7 Små Barnesanger: I. Gråpus
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31. 7 Små Barnesanger: II. Hosten
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32. 7 Små Barnesanger: III. Naboens Hund
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33. 7 Små Barnesanger: IV. Gresshoppen
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34. 7 Små Barnesanger: V. Fødselsdagsfest
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35. 7 Små Barnesanger: VI. Vuggevise
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36. 7 Små Barnesanger: VII. Tyven Og Gjessene
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37. To Kjærlighetssanger, Op. 58: No. 1. En Rose
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38. To Kjærlighetssanger, Op. 58: No. 2. I Berget
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More Info:

Johan Kvandal's tonal constancy was the bedrock for everything he wrote. Not even during the mid 1960s avant-gardism was he led off-track. It can therefore be said that there is a common thread in his vocal music, from the very first songs of 1939 up until the Knut Hamsun opera "Mysteries" in 1993, by which time his many years of experience in writing melodies for voice had reached it's peak. His encounters with the Norwegian cultural heritage in his childhood and adolescence were quite literally the root notes of his entire song repertoire.