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In his Opus 300 Carl Czerny compiled a unique keyboard compendium of all the stylistic facets of European music from the Baroque until far into the Romantic era - an audio history of music en miniature featuring preludes as our guides and an overwhelming variety of characters, forms, and pianistic invention. The 120 finely chiseled preludes range from the aphoristic extreme of ten to twenty seconds in length to the just as aphoristically packed narrative and rhapsodic forms of a maximum of three to four minutes. Their numerical midpoint is formed by sixteen very short interludes that are brilliant examples of modulations, each proceeding from C major to all the other major keys. Like most of the preludes from No. 60 to No. 71, they represent variants of this art form originally distinguished by improvisation: as interludes they build audio bridges from one (imaginary) work to the next and link what would appear to be beyond linking. The work of course is interpreted in it's entirety on this release - by none other than Kolja Lessing, one of the most versatile musicians of our times and a violinist and pianist who combines interpretive and musicological work in his many significant contributions to music culture.
In his Opus 300 Carl Czerny compiled a unique keyboard compendium of all the stylistic facets of European music from the Baroque until far into the Romantic era - an audio history of music en miniature featuring preludes as our guides and an overwhelming variety of characters, forms, and pianistic invention. The 120 finely chiseled preludes range from the aphoristic extreme of ten to twenty seconds in length to the just as aphoristically packed narrative and rhapsodic forms of a maximum of three to four minutes. Their numerical midpoint is formed by sixteen very short interludes that are brilliant examples of modulations, each proceeding from C major to all the other major keys. Like most of the preludes from No. 60 to No. 71, they represent variants of this art form originally distinguished by improvisation: as interludes they build audio bridges from one (imaginary) work to the next and link what would appear to be beyond linking. The work of course is interpreted in it's entirety on this release - by none other than Kolja Lessing, one of the most versatile musicians of our times and a violinist and pianist who combines interpretive and musicological work in his many significant contributions to music culture.
761203516926

Details

Format: CD
Label: CPO
Rel. Date: 06/21/2019
UPC: 761203516926

Die Kunst Des Praludierens
Artist: KOLJA LESSING
Format: CD
New: Available In Store $33.99
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DISC: 1
MP3
1. The Art Of Preluding, Op. 300: No. 1 In C Major
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2. The Art Of Preluding, Op. 300: No. 2 In E-Flat Major
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3. The Art Of Preluding, Op. 300: No. 3 In D Major
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4. The Art Of Preluding, Op. 300: No. 4 In C Major
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5. The Art Of Preluding, Op. 300: No. 5 In F Major
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6. The Art Of Preluding, Op. 300: No. 6 In D Minor
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7. The Art Of Preluding, Op. 300: No. 7 In A Minor
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8. The Art Of Preluding, Op. 300: No. 8 In D Major
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9. The Art Of Preluding, Op. 300: No. 9 In F Major
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10. The Art Of Preluding, Op. 300: No. 10 In G Minor
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11. The Art Of Preluding, Op. 300: No. 11 In E Major
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12. The Art Of Preluding, Op. 300: No. 12 In B-Flat Major
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13. The Art Of Preluding, Op. 300: No. 13 In A Major
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14. The Art Of Preluding, Op. 300: No. 14 In C Major
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15. The Art Of Preluding, Op. 300: No. 15 In A-Flat Major
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16. The Art Of Preluding, Op. 300: No. 16 In D Minor
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17. The Art Of Preluding, Op. 300: No. 17 In E Major
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18. The Art Of Preluding, Op. 300: No. 18 In C-Sharp Minor
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19. The Art Of Preluding, Op. 300: No. 19 In E-Flat Major
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20. The Art Of Preluding, Op. 300: No. 20 In E-Flat Major
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21. The Art Of Preluding, Op. 300: No. 21 In A-Flat Major
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22. The Art Of Preluding, Op. 300: No. 22 In A Minor
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23. The Art Of Preluding, Op. 300: No. 23 In E Major
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24. The Art Of Preluding, Op. 300: No. 24 In D Minor
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25. The Art Of Preluding, Op. 300: No. 25 In A Minor
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26. The Art Of Preluding, Op. 300: No. 26 In C Major
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27. The Art Of Preluding, Op. 300: No. 27 In G Major
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28. The Art Of Preluding, Op. 300: No. 28 In D-Flat Major
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29. The Art Of Preluding, Op. 300: No. 29 In D-Flat Major
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30. The Art Of Preluding, Op. 300: No. 30 In D Major
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31. The Art Of Preluding, Op. 300: No. 31 In C Major
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32. The Art Of Preluding, Op. 300: No. 32 In C Major
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33. The Art Of Preluding, Op. 300: No. 33 In C Major
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34. The Art Of Preluding, Op. 300: No. 34 In A-Flat Major
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35. The Art Of Preluding, Op. 300: No. 35 In C-Sharp Minor
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36. The Art Of Preluding, Op. 300: No. 36 In F-Sharp Minor
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37. The Art Of Preluding, Op. 300: No. 37 In E-Flat Minor
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38. The Art Of Preluding, Op. 300: No. 38 In E-Flat Major
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39. The Art Of Preluding, Op. 300: No. 39 In C Major
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40. The Art Of Preluding, Op. 300: No. 40 In G Major
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41. The Art Of Preluding, Op. 300: No. 41 In A Minor
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42. The Art Of Preluding, Op. 300: No. 42 In A Major
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43. The Art Of Preluding, Op. 300: No. 43 In F Major
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44. The Art Of Preluding, Op. 300: No. 44 In B-Flat Minor
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45. The Art Of Preluding, Op. 300: No. 45 In C Major
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46. The Art Of Preluding, Op. 300: No. 46 In D-Flat Major
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47. The Art Of Preluding, Op. 300: No. 47 In G Major
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48. The Art Of Preluding, Op. 300: No. 48 In E-Flat Major
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49. The Art Of Preluding, Op. 300: No. 49 In C Major
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50. The Art Of Preluding, Op. 300: No. 50 In C Major
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51. The Art Of Preluding, Op. 300: No. 51 In A-Flat Major
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52. The Art Of Preluding, Op. 300: No. 52 In F Minor
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53. The Art Of Preluding, Op. 300: No. 53 In B Minor
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54. The Art Of Preluding, Op. 300: No. 54 In F-Sharp Minor
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55. The Art Of Preluding, Op. 300: No. 55 In A Major
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56. The Art Of Preluding, Op. 300: No. 56 In B-Flat Major
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57. The Art Of Preluding, Op. 300: No. 57 In A-Flat Major
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58. The Art Of Preluding, Op. 300: No. 58 In C Major
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59. The Art Of Preluding, Op. 300: No. 59 In D Major
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60. The Art Of Preluding, Op. 300: No. 60 In C Major (With Modulations Into All Other Major Keys)
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61. The Art Of Preluding, Op. 300: No. 61 In C Major / E Major
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62. The Art Of Preluding, Op. 300: No. 62 In F Major / E Minor
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63. The Art Of Preluding, Op. 300: No. 63 In E-Flat Major / B Major
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64. The Art Of Preluding, Op. 300: No. 64 In C Major
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65. The Art Of Preluding, Op. 300: No. 65 In D-Flat Major / B Major
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66. The Art Of Preluding, Op. 300: No. 66 In E Major / B Major
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67. The Art Of Preluding, Op. 300: No. 67 In E-Flat Major
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68. The Art Of Preluding, Op. 300: No. 68 In B-Flat Major / A Major
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69. The Art Of Preluding, Op. 300: No. 69 In D Minor / A Minor
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70. The Art Of Preluding, Op. 300: No. 70 In E Minor
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71. The Art Of Preluding, Op. 300: No. 71 In A Major
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72. The Art Of Preluding, Op. 300: No. 72 In D-Flat Major / D Major
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73. The Art Of Preluding, Op. 300: No. 73 In G Major
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74. The Art Of Preluding, Op. 300: No. 74 In E-Flat Major
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75. The Art Of Preluding, Op. 300: No. 75 In F Minor
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76. The Art Of Preluding, Op. 300: No. 76 In D Major
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77. The Art Of Preluding, Op. 300: No. 77 In G Major
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78. The Art Of Preluding, Op. 300: No. 78 In E Major
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79. The Art Of Preluding, Op. 300: No. 79 In A-Flat Major
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80. The Art Of Preluding, Op. 300: No. 80 In B-Flat Major
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81. The Art Of Preluding, Op. 300: No. 81 In G Major
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82. The Art Of Preluding, Op. 300: No. 82 In F Major
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83. The Art Of Preluding, Op. 300: No. 83 In G Minor
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84. The Art Of Preluding, Op. 300: No. 84 In C Minor
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85. The Art Of Preluding, Op. 300: No. 85 In F Major
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86. The Art Of Preluding, Op. 300: No. 86 In A Major
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87. The Art Of Preluding, Op. 300: No. 87 In C Major
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88. The Art Of Preluding, Op. 300: No. 88 In D Major
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89. The Art Of Preluding, Op. 300: No. 89 In A-Flat Major
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90. The Art Of Preluding, Op. 300: No. 90 In C Major
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DISC: 2
Digital download
MP3
1. The Art Of Preluding, Op. 300: No. 91 In G Major
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2. The Art Of Preluding, Op. 300: No. 92 In E-Flat Major
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3. The Art Of Preluding, Op. 300: No. 93 In C Minor
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4. The Art Of Preluding, Op. 300: No. 94 In D-Flat Major
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5. The Art Of Preluding, Op. 300: No. 95 In C-Sharp Minor
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6. The Art Of Preluding, Op. 300: No. 96 In E-Flat Major
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7. The Art Of Preluding, Op. 300: No. 97 In A-Flat Major
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8. The Art Of Preluding, Op. 300: No. 98 In G Major
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9. The Art Of Preluding, Op. 300: No. 99 In D Minor
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10. The Art Of Preluding, Op. 300: No. 100 In B-Flat Major
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11. The Art Of Preluding, Op. 300: No. 101 In E-Flat Major
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12. The Art Of Preluding, Op. 300: No. 102 In A Major
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13. The Art Of Preluding, Op. 300: No. 103 In C Minor
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14. The Art Of Preluding, Op. 300: No. 104 In E Major
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15. The Art Of Preluding, Op. 300: No. 105 In E-Flat Major
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16. The Art Of Preluding, Op. 300: No. 106 In B-Flat Major
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17. The Art Of Preluding, Op. 300: No. 107 In A Major
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18. The Art Of Preluding, Op. 300: No. 108 In F Minor
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19. The Art Of Preluding, Op. 300: No. 109 In E Major
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20. The Art Of Preluding, Op. 300: No. 110 In F-Sharp Minor
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21. The Art Of Preluding, Op. 300: No. 111 In G Major
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22. The Art Of Preluding, Op. 300: No. 112 In A Major
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23. The Art Of Preluding, Op. 300: No. 113 In A Minor
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24. The Art Of Preluding, Op. 300: No. 114 In D Minor
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25. The Art Of Preluding, Op. 300: No. 115 In F Major
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26. The Art Of Preluding, Op. 300: No. 116 In C Minor
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27. The Art Of Preluding, Op. 300: No. 117 In E-Flat Major
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28. The Art Of Preluding, Op. 300: No. 118 In C Minor
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29. The Art Of Preluding, Op. 300: No. 119 In E Major
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30. The Art Of Preluding, Op. 300: No. 120 In G Minor
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31. The Art Of Preluding, Op. 300: No. 121 In B Minor
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More Info:

In his Opus 300 Carl Czerny compiled a unique keyboard compendium of all the stylistic facets of European music from the Baroque until far into the Romantic era - an audio history of music en miniature featuring preludes as our guides and an overwhelming variety of characters, forms, and pianistic invention. The 120 finely chiseled preludes range from the aphoristic extreme of ten to twenty seconds in length to the just as aphoristically packed narrative and rhapsodic forms of a maximum of three to four minutes. Their numerical midpoint is formed by sixteen very short interludes that are brilliant examples of modulations, each proceeding from C major to all the other major keys. Like most of the preludes from No. 60 to No. 71, they represent variants of this art form originally distinguished by improvisation: as interludes they build audio bridges from one (imaginary) work to the next and link what would appear to be beyond linking. The work of course is interpreted in it's entirety on this release - by none other than Kolja Lessing, one of the most versatile musicians of our times and a violinist and pianist who combines interpretive and musicological work in his many significant contributions to music culture.
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