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Vinyl LP pressing. Monster Mélodies presents the second in a two-part unpublished recording of a concert by Brigitte Fontaine and Areski Belkacem at studio 102 of the Maison de la Radio dating May 21st, 1973. Areski Belkacem and Brigitte Fontaine, major artists of the French counterculture, were often be censored or deliberately ignored by the media due to their libertarian positions. Obtaining success at a late stage, it was not until the album Kékéland in 2001 and Rue Saint Louis en l'Ile in 2004, for Brigitte Fontaine to earn gold records. At the turn of Brigitte Fontaine's career, when breaking away from the Jacques Canetti team she made new encounters. After collaboration with Jacques Higelin, she meets Areski Belkacem. She then met Pierre Barouh who supported the Fontaine/Areski duo, by producing a handful of cult albums on his label, Saravah. As well as meeting Jean Karakos, boss of the BYG label. They became the first musicians in France blending free jazz with their own musical production in recording with the Art Ensemble of Chicago. Their free music accompanies the free inventive and provocative poetry of Brigitte Fontaine. The recording of this concert at studio 102 of the Maison de la Radio dating May 21st 1973, had been broadcasted on "France Culture" on November 2nd 1973 but remained unpublished until now.
Vinyl LP pressing. Monster Mélodies presents the second in a two-part unpublished recording of a concert by Brigitte Fontaine and Areski Belkacem at studio 102 of the Maison de la Radio dating May 21st, 1973. Areski Belkacem and Brigitte Fontaine, major artists of the French counterculture, were often be censored or deliberately ignored by the media due to their libertarian positions. Obtaining success at a late stage, it was not until the album Kékéland in 2001 and Rue Saint Louis en l'Ile in 2004, for Brigitte Fontaine to earn gold records. At the turn of Brigitte Fontaine's career, when breaking away from the Jacques Canetti team she made new encounters. After collaboration with Jacques Higelin, she meets Areski Belkacem. She then met Pierre Barouh who supported the Fontaine/Areski duo, by producing a handful of cult albums on his label, Saravah. As well as meeting Jean Karakos, boss of the BYG label. They became the first musicians in France blending free jazz with their own musical production in recording with the Art Ensemble of Chicago. Their free music accompanies the free inventive and provocative poetry of Brigitte Fontaine. The recording of this concert at studio 102 of the Maison de la Radio dating May 21st 1973, had been broadcasted on "France Culture" on November 2nd 1973 but remained unpublished until now.
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Vinyl LP pressing. Monster Mélodies presents the second in a two-part unpublished recording of a concert by Brigitte Fontaine and Areski Belkacem at studio 102 of the Maison de la Radio dating May 21st, 1973. Areski Belkacem and Brigitte Fontaine, major artists of the French counterculture, were often be censored or deliberately ignored by the media due to their libertarian positions. Obtaining success at a late stage, it was not until the album Kékéland in 2001 and Rue Saint Louis en l'Ile in 2004, for Brigitte Fontaine to earn gold records. At the turn of Brigitte Fontaine's career, when breaking away from the Jacques Canetti team she made new encounters. After collaboration with Jacques Higelin, she meets Areski Belkacem. She then met Pierre Barouh who supported the Fontaine/Areski duo, by producing a handful of cult albums on his label, Saravah. As well as meeting Jean Karakos, boss of the BYG label. They became the first musicians in France blending free jazz with their own musical production in recording with the Art Ensemble of Chicago. Their free music accompanies the free inventive and provocative poetry of Brigitte Fontaine. The recording of this concert at studio 102 of the Maison de la Radio dating May 21st 1973, had been broadcasted on "France Culture" on November 2nd 1973 but remained unpublished until now.
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